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How did Haj Mahmoud Karimi’s lament get titled? Iran and world’s news


Mehr News Agency – Art Group – Alireza Saeedi: The caption function is something like the cover of a book, in which the designer tries to inform the audience of a work by choosing elements, forms and layouts with the help of graphics and music. Situations that are sometimes presented to the audience in a very thoughtful, thoughtful and calculated way, and sometimes are created so carelessly and by performing a compulsory task that the viewer is distracted by a visual effect.

What has become an excuse for us to return to the keyword “titration” is a review of the most enduring and memorable music related to some programs and works of cinema and television, which contains bittersweet memories for many audiences, and a return to them for us every time. Circumstances can bring a world of memories. The memory game, which was welcomed by the audience after its beginning and publication on Nowruz 1400, made us dedicate our souls and minds to it in the form of a weekly memory game on Fridays every week, and from its passage to the years when we feel better than these painful days. Was, let’s go.

“Memory play with lasting captions” is the title of an archival report series with the same approach, which you can follow on a weekly basis in the art group of Mehr News Agency.

In the forty-third issue of this media narrative, we went to the music of the title track of the TV series “Mearajiha” directed by Masoud Dehnamaki, composed by Amir Tavassoli and sung by Amir Teymouri. Haj Mahmoud Karimi’s laments should be noticed by the viewers of this series. The series was one of the works produced by Massoud Deh Namaki in collaboration with television, which in some episodes also faced fringes and bitter events. But whatever it was, regardless of Amir Tavassoli’s abilities in the field of serial composition, it was also considered in the field of titration.

The series Merajihaha was produced in 29 episodes of One Sima channel in 2014, and due to the kind of view of Massoud Deh Namaki on the subject of the precious martyrs of the holy defense, especially the anonymous martyrs, it faced margins that existed in different parts of the production of this story series. If we want to take a look at one of these margins in the field of music, we can mention the broadcast of the voice of one of the famous Iranian rap singers, which was also protested by the fans of this singer and became one of the hot topics in the days of the series.

The story of the “Ascension” series begins when a number of anonymous martyrs investigated are to be buried in one of the universities, but a group of students, at the instigation of Professor Ganji, start a riot in the university. This is the beginning of a story in which a group of students are forced to make an unwanted journey.

How did Mahmoud Karimi's lament become the title track of the series?

Borzoo Arjmand, Reza Roigari, Hamid Lolaei, Akbar Abdi, Mohammad Reza Sharifinia, Mehran Rajabi, Gholam Hossein Lotfi, Nima Shahrokh Shahi, Mahour Afifi, Seyed Javad Hashemi, Seyed Mehrdad Ziaei, Kaveh Khodashenas, Amir Nouri, Pendar Akbari, Ali Sadeghi, Hadiseh Tehrani, Samaneh Pakdel, Danial Ebadi, Bahareh Afshari, Mahmoud Azizi, Maryam Kaviani, Giti Moeini, Hossein Mehri, Majid Moshiri, Pourandokht Mahiman, Asghar Naghizadeh, Laleh Sabouri, Abbas Mahboub, Majid Shahriari, Saqi Zinati, Ismail Soltanian, Homa Khakpash , Kianoosh Gerami, Ahmad Irandoost formed the cast of the popular TV series “Mearajiha”. The series, which always has the margins of Massoud Dehnamaki and sharp remarks in the field of its activities, provided the conditions for this collection of stories, which due to crossing some red lines in works on the subject of sacred defense, especially the anonymous martyrs, could attract people’s attention. To be placed.

But one of the important points in the series “Mearajiha”, regardless of the content and theme of the work, and gradually introduced the director Masoud Deh Namaki, who has a special focus on this point, was the soundtrack and titration of this series, a framework that After the very interesting soundtrack of the movie “Ekhrajiha” by Fereydoun Shahbazian and that memorable titration sung by Mohammad Isfahani, he made an artist who pays special attention to the music, melody and the type of structure that uses this component for his works. . The care shown by choosing Amir Tavassoli to compose the series “Mearajiha” showed that he is very interested in making his works better seen with musical instruments, and naturally, working with Tavassoli made him more focused and focused among the audience. As the composer has shown in his repertoire and background of activities, he has many abilities to create the melody of visual works and can include music based on what the director wants from the content of his work, which is also related to the story line of the work. It can also have components of audience attraction. A view that can be sought in less composition during these years.

How did Mahmoud Karimi's lament become the title track of the series?

Of course, Amir Tavassoli did not shy away from making a soundtrack for the series “Mearajiha”, as if it was in one of these margins that Yaghma Golroei wrote in September 1993 by publishing a text on his Facebook page that in previous years one of the performances of He has entrusted his songs titled “Casablanca” to singer-actor Reza Roigari, which was released as an album but not in full. In addition, no coordination has been made with him regarding the distribution of this song in the series Mearajiha, directed by Massoud Deh Namaki.

It was interesting here that Masoud Deh Namaki, in response to these remarks, while announcing that he was unaware of this issue, explains: The responsibility of this section is on the composer Amir Tavassoli and the composer of the work can explain about this issue.

Tavassoli, who has been a low-profile artist for all these years, said in response to these events: “The voice of Roygari was broadcast in coordination with the director in a part of the series, and I was not aware of this agreement.”

Reza Roigari was also in the media at the time after such coverage and statements, in response to Golroei’s remarks about the performance of a part of the Casablanca song during the production of the series “Mearajiha”: I read a poem. I even paid for eight poems, but he still gave me five poems, so what does he claim?

How did Mahmoud Karimi's lament become the title track of the series?

But aside from these inexhaustible margins that always show up alongside the production of serials and visual works, naturally, the music is the final credits of the series “Mearajiha”, which could be noticed by the audience after the airing of the series, a different song taken from one of Mahmoud Karimi’s epic songs by the well-known praiser of the Ahl al-Bayt (AS), which was performed by a lesser-known singer named Amir Teymouri with the knowledge of “Yeh Plak…” The music of the titration of the series “Mearajiha” seems to have been both the beginning and the end point of a singer who later could not experience the luck he got from reading the titration of the series “Mearajiha” in another space. It reached the listeners and viewers and became one of the most enduring and memorable titles in the genre of sacred defense. Of course, it can be said that the music of the titration of the series “Mearajiha” was both the beginning and the end point of a singer who later could not experience the luck he got from reading the titration of the series “Mearajiha” in another space.

The singer of the final credits of the TV series “Mearajiha” was on October 6, 2014. After receiving very good reactions from the audience of the series for the music of the final credits of the series, in an interview with Mehr, he mentioned that the people welcomed this piece. Unaware of what he was expecting, he explained about his presence as the singer of the serial titration: The reception received from the final titration of the series “Mearajiha” was an incredible event for me that I did not imagine, so I thank God for the beautiful song. Amir Tavassoli’s valuable effort for “Yeh Plak” has been so well received by the audience.

He continued: The song composed by Amir Tavassoli for this piece is very effective, which is based on the melody of the lament “Love means a plaque” by Haj Mahmoud Karimi. Fortunately, with the sympathy that existed around this space, the work became a dignified work in which I was present only as a singer, and without a doubt, this work would not have been welcomed without the efforts of the production team and musicians.

How did Mahmoud Karimi's lament become the title track of the series?

This singer in response to a question about whether he had a conversation with Mahmoud Karimi to perform this song or not? He explained: I did not meet Mr. Karimi personally, but surely Amir Tavassoli, as the songwriter and composer of this piece, had conversations to perform the work as well as possible based on the lament of this famous praiser. But the fact that I had a direct conversation with Haj Mahmoud was not like that, but I hope he was satisfied with reading this melody again.

Teymouri responded to Massoud Deh Namaki’s reaction after hearing this piece, which was selected for the final credits of the series: After the screening of the movie “Mearajiha” at the Fajr Film Festival last year, I had a meeting with Mr. Dehnamaki, who was also satisfied with the result. . The cast and other producers also showed positive reactions, which made me proud in an atmosphere where famous singers are present in the field of captioning.

The singer of “Yeh Plak” continued: “I repeat again that the success of the people in the final credits of the Me’rajis collection was the result of the efforts of a group of artists, which caused a positive reaction from the audience, and it makes me proud that when it succeeds for the first time.” I can read the caption of a TV series. It is a work in the field of sacred defense and self-sacrifice of this period, especially since in this song, the anonymous martyrs have a special attention.

How did Mahmoud Karimi's lament become the title track of the series?

At the end of his speech, he said: “I do not want to promote a musical work unnecessarily, but when I read people’s comments in cyberspace these days, it becomes an incredible event for me, and I hope I have been able to contribute to the presentation.” A musical atmosphere around sacred defense I have done an effective job. Of course, in the not too distant future, I will present other works for production and arena to the audience, the details of which I will announce soon.

Although, as mentioned, the music of the titration of the series “Mearajiha” due to the presence of a talented composer such as Amir Tavassoli and the enjoyment of a popular lament from a well-known praiser was able to mention the name of Amir Teymouri during the series, but this situation did not cause That this artist can put himself in the economic process of the music system, like many of his classmates who entered the marketing of Iranian music with the music of serials and movies. But as soon as the titillating music of such a series made it one of the most memorable titillating music in the sacred defense genre, it could be a turning point in the career of a lesser-known singer, a situation that if a healthier atmosphere during music activities. Our country existed, perhaps Timurid could put the singer in a better position for his future activities.

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