Revolutionary art figures were introduced in the visual field

According to Fars News Agency, on the last night of the series of ceremonies introducing artists and figures of the Year of Art of the Islamic Revolution 1400, on the evening of Thursday, April 16th, with the introduction of visual arts, photography and architecture artists.

In this ceremony, Mohammad Mehdi Dadman, Head of the Arts Center, Seyed Massoud Shojaei Tabatabai, Masoud Nejabati, Saeed Sadeghi, Mohammad Hossein Heidari, Ali Hayati, Kiomars Ghorchian, Abdolhamid Ghadirian, Farhad Soleimani, Gholam Hossein Memarian, Hossein Esmati, Nader Qashqaei, Mohammad , Saber Sheikhorzaei and a group of other visual artists were present.

Ali Forouzanfar, director of the Islamic Architecture Center of the Arts Center, came on stage as the first speaker to introduce the face of the art of the 1400 Architecture Revolution, and said in a speech: “You are present. In the field of Iranian Islamic architecture and committed professors, we have many masters, but Dr. Gholamhossein Memarian, because of his decades of effort and activity in Islamic urban planning and as an indicator of his opposition and actions to prevent the destruction of the historical texture of Shahcheragh shrine, they are introduced.

Gholam Hossein Memarian, after receiving the statue of the Revolution, said in a speech: “We have everything we have from the elders who recognized 35 years ago that I can teach.” We are alive with the students, and if they were not, our work would not make sense. Last year, our 10-year effort to prevent the historical and cultural context of Shahcheragh came to fruition.

He expressed hope: “We hope that everyone, especially the officials, will be concerned about the sensitivity to the destruction of cultural and historical contexts, because these are signs of the civilization of a country.”

Seyed Ehsan Bagheri, the director of the House of Iranian Photographers, appeared on the stage and stated: Photographers, as the keen eye of society, always tried to convey values ​​and beauties and criticize distortions. In the Indian field and the House of Iranian Photographers, we also gathered the best from the days of the beginning of the revolution and the war, who tried to capture lasting moments. We hope to be able to honor these professors to the best of our ability.

Mohammad Hossein Heidari, a veteran photographer of the Holy Defense, and Ehsan Bagheri presented the statue of the chosen figure of the 1400 Islamic Revolution to Behzad Parvin Quds.

Then it was the turn of introducing the face of the art of the visual arts revolution, when Seyed Massoud Shojaei Tabatabai, director general of the Center for Visual Arts, appeared on the stage and invited Mohammad Khazaei to speak.

Mohammad Khazaei, a visual artist, also stated: The art of the revolution has its own place, but in the field of visual arts, it has moved shoulder to shoulder with the world and has opened a special place for itself. Along with world art, we have introduced an art of the Islamic Revolution in the world, and this art is prominent in the world. We hope that it will be given more attention as an artistic movement in the world, because it is considered a bright spot in the country.

Dr. Hossein Esmati, a sculptor, was introduced as the face of the year of art of the Islamic Revolution of 1400, who last year created a statue of Sardar Delha with an interdisciplinary look.

Also, Mohammad Reza Miri, a graphic designer, was introduced as the face of the year of the 1400 revolution, who last year reacted quickly to the events of the day and the creation of a poster with this theme.

Veteran painter Abdul Hamid Ghadirian was the next figure to be introduced for his rapid artistic response to the martyrdom of Afghan girls.

At the end of the ceremony, sculptor Nader Qashqaei was introduced and honored as the face of the 1400th Revolution Art Year. He has been the creator of the statue of Sardar Soleimani and several significant works in this regard.

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