Poorahmadi: “The art of resistance” is the product of the Islamic Republic of Iran

According to the Fars News Agency media correspondent, Seyed Majid Poorahmadi said in a speech on the program: “Supporting works that are compatible with the values ​​of the revolution and the conditions of the country is very important.” We paid special attention to the Art Fund and the Ministry of Guidance. Conditions were created in the days of Corona and put maximum pressure on the field of culture and art, especially on the collection of works of art.

He continued: “Many of our artists were seriously injured and many of their galleries and exhibitions could not be held.” From the very beginning, we have been talking about supporting artists who work hard and with all their interest to create their works. In this regard, we supported the artists whose livelihood is in this field, and for this reason, we designed a package that had a supportive aspect and was allocated to friends.

He added: “In the field of irrevocable discussions, the first time in the last days of December was presented to artists in the country, and this process continues.” In other areas, low-interest facilities are also offered to friends cheaply. With our programs, we try to empower the collection of artists with financial support.

Poorahmadi continued: The art of resistance is the product of the Islamic Republic of Iran and many works are produced in this field and the culture of resistance is transmitted by these works. Supporting this flow and removing barriers to creating businesses in this area is very important. In the Ministry of Guidance, from the very beginning, Dr. Ismaili had a special emphasis on removing the obstacles that stand in the way of creating various businesses, and we also put the amendment of the regulations on the agenda.

He added: “We will quickly identify any obstacles that cause the process of rapid return of artists to their business conditions and we are trying to remove them.” There are committees that pathologize these and remove barriers, and a kind of good facilitation is being formed, and we hope to be able to create a good stream in this area.

He continued: “The issue of accepting works of art is also on our agenda. We are negotiating with banks and we know that the capital of artists is the works they create and we hope to be able to include in the banks ‘regulations that artists’ works as collateral.” Be accepted.

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