Fajr Music Festival Last Night Report “Always a moment of rain” is the hope of the new generation of Iranian music!

Fars News Agency – Music Group – Alireza Sepahvand: The concert “Always a Moment of Rain” composed by Behnam Abolghasem was one of the last night performances of the 37th Fajr Music Festival, which is important from an artistic and technical point of view.

“Always a Moment of Rain” is the first stage performance of the album of the same name. This work is composed by Behnam Abolghasem and sung by Pouria Brotherhood On poems by Alireza Kidney it is formed. Pieces of music, according to the concept of poems, present different spaces and genres to the audience. In this work, the coexistence of the poet, composer and singer triangle, despite the variety of poetic and musical spaces, establishes more integration between the elements of the pieces.

In last night’s performance, which uses an almost chamber orchestra, with the genre of music fusion Or we were faced with a combination that, in addition to the interest of a group of master musicians like Pedram فریوسفی Violinist and other musicians Quartet Includes violin, alto, cello and double bass, and Piano Behnam Abolghasem, the powerful leader of the group, Musicality The performance pieces and the structure and form in the composition, in which the composer himself is influenced by Western classical music, are considered as the strengths of “Always a Moment of Rain” concert.

In last night’s concert, which began with the piece “Mirror”, we were confronted with the focus of the piano and the heavy and heavy Western classical music, which was presented to the audience by Behnam Abolghasem, a pianist and promising music composer.

The pieces “Matte Image”, “Border”, “To Your Wish” and “Where in the World” were performed, respectively, and each Has There were significant features and sometimes flaws that were more noticeable to the concert singer.

Perhaps the culmination of last night’s performance can be considered in the final two pieces of the concert “Always, the moment of rain”, which includes the orchestra with its complete composition String(String) QuartetFiddle soloist, درامز, Pianos and electronic instruments came on the scene. Dynamics and صدادهی SuperExtraordinary Standard String To Masters «My father فریوسفیAnd the correct rehearsals, which are definitely under the supervision of Abolghasem as the conductor of the orchestra and separately by فریوسفی، Master musicians String section, Was done, the result was a uniform, voluminous, velvety sound. Homogeneous arches, connection and smooth conversion of passages and scales, smooth execution of symmetries, precise tuning and fingering touch And transparent string musicians, was one of the prominent features of the string instruments section of this concert, which can be considered as the best part of the mentioned orchestra.

In the composition section, observing the correct principles of composition combined with the taste and taste of creating attractive and attractive works for the general and special listener, benefiting from articulation, harmony and counterpoint in a non-dense manner and minimalMakes the listener as a whole, the wholeness of the work in a desirable way with Musicality Up, understand.

Other highlights of last night’s concert include the sensitive and accurate recording of the event, in which the listener could hear the sound of each instrument separately while playing in the orchestra, separately, in terms of volume, amplitude and loudness. And دیرند The sound was also optimally, with a fully engineered sound, a sound that brings the whole orchestra to the audience in a rainbow of sounds and colors of the sound of the instruments. می‌رساند.

In the concert “Always, the moment of rain”, the group performance of the whole group is observed نوانس،ها ، اکسان‌ها ، Forte The pianos, and at a higher level, the feeling that was expressed beyond the technique with the help of practice and repetition in the musicians’ instrument, also resulted in a desirable, attractive and audible performance.

But this performance, with all its merits and virtues, also had two main drawbacks. The first objection, which is strongly dependent on the second objection, is that the composer of the work is in Light Creation Motif And verbal music from a wide range of audio from BamMost The lowest note was written beyond the ability of the singer and the place of the singer’s voice, and secondly, the singer had difficulty in performing the following notes as well as the lowest notes, and to some extent could not Read the exact tunes of the notes, especially the bass notes, although the singer’s last night’s nods are very difficult ‌Catching This analysis is mentioned by the author, but because last night’s concert was a first-class performance and all the factors were in the best possible shape. section Performed themselves, raises the same level of evaluation and expectation of the work and expects the reader to the extent of the performance. was going And it will inevitably be evaluated at this level.

The reader is also getting to some extent سرضرب And the rhythm was challenging, though imperceptible, but it was also expressive in terms of the rhythm and the quality of the work, which, of course, the pianist and the group leader constantly guided the singer’s hand to the beat. And for this reason, the composer’s first objection may be related to his second objection, if he were to write a work with that ups and downs and sound range. Should It uses a singer who has at least a dong or a half to perform the speech اکتاو More audio range from the present singer Was holdingOr composed a work for the singer last night with a lower volume.

It goes without saying that Pouria Brotherhood He is one of the powerful singers of the young generation who has a unique gender and color of voice, which, especially in terms of correct understanding of poetry and literature, is one of the best singers of his generation in correct reading of words and accentuation and understanding and performance. Accurate and desirable is the emotional burden of words.

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