10. Cinema’s tribute to teachers

Charso Press: Today is teacher’s day. A day that all of us, since childhood, considered it respectable and special and we remember the greatest teachers of our lives.

The role of a teacher is one of the most attractive roles for writers and directors. A role that an actor, with the experience and memories he has of Mabezai, can implement many initiatives in creating a special role. This is the reason why many prominent actors of Iranian cinema have appeared in the role of a teacher at least once, and some of them have been able to achieve one of the best performances in their careers with this role.

In the following, we will talk about 10 actors who have brought more memories with the role of a teacher for the audience of Iranian cinema.

Parviz Fenizadeh

Parviz Fenizadeh In 51, he played one of the best roles of his life in barrage Played an oval. Mr. Hekmati, with those glasses that instills a special dignity in his awe and look, was a symbol of a dark era, but in a parallel way, he got involved in currents that put his position as a teacher in the spotlight in a prominent way. This role-playing was seen a lot in a movie that did not pay much attention to this category during those years.

Near border

Near border Between 1958 and 1964, in 3 war movies Athar, debris And Long shadows of the windplays the role of a teacher. 3 different roles whose common feature was the inherent patience of this actor. Roles that targeted the individual endurance and patience of the teacher’s ego more than the external activity, so that he does not make emotional and momentary reactions to different situations. Herakan, who was one of the prominent actors of pre-revolutionary cinema until these 3 films, drew a lot of attention to himself with these 3 roles, so that these 3 roles will be etched in the memories of moviegoers.

Ali Nasirian

Masoud Jafarijozani In 1964, the movie Cold roads took it in front of the camera. A movie that Ali Nasirian, played its central role with the title of Agha Modir. Regardless of the simplicity and sincerity of the role, Aghamodir taught life lessons to his students in this film. Aghamodir’s view of his students, unlike the 60’s education routine, was not limited to books and a stereotyped educational process, but was a source of hope for village children who wanted to beat the cold to the ground like a tree.

Khosrow Shakibaei

Khosrow Shakibaei In 1965, Relation played the A compassionate teacher who realizes that one of his students is Karolal, cannot establish that useful relationship with the people around him. The effectiveness of Shakibai’s performance in this film is where he tries to instill self-confidence in his student and let him know that he is to blame for his loneliness. An effort that came to fruition very soon and a collage of hope and light emerges from a sad motif. Of course, patience, 3 years later Passing through the dustHe played an emotional and dramatic role of a grieving teacher.

Bijan Mozhaiyan

Bijan Mozhaiyan In 1965, in High school The best movie Akbar SadeghiHe plays one of the best games of his life. He played the role in this film Ali Naseri plays A teacher who was involved in addiction for a while, and now by returning to a normal life, his entire focus is on the path that does not lead his students to addiction. In this film, Mozhaiyan was able to show an emotional comparison of his past confrontation with the current life of a student who is involved in addiction, and as an actor, he had a good impact on the atmosphere of the film.

Homa village

Homa village In 1966, in the movie Little bird of happiness, has a stunning role-playing. A psychology teacher who works in a school for exceptional children and the result of his behavioral education on a hyperactive student ends up with a level of dedication and madness that affects the audience. The village in this movie Bright Puranhe sinks into the lower layers of the role to such an extent that he has the upper hand in the emergence of individual initiatives and surprises his audience in every narrative moment of the film.

Hossein Sarshar

Hossein Sarshar In 1968, one of the best performances of his career in the fantasy film O Iran registered Mr. Sarodi, who at the same time tried to save his students from that state of perpetual lethargy and make them creative. It was in this approach that he saw obstacles like Makundi as an obstacle to his path, and his acting as one of the characteristics of a selfless teacher in this film. Nasser Taqwaito attract the attention of any audience. What we saw from Mr. Sarodi in this movie was a kind of compassion and sacrifice for a vital reform that could be a great life lesson for all the students of that village.

Reza Attaran

Maybe few people imagined that Reza Attaran In a comedy movie, he can play the role of a chemistry teacher so long. No men allowed; A teacher who, on the one hand, was under the heavy pressure of the school principal, and on the other hand, was trying to make his students come out proud in the Olympiad. The third side of this rule was the issue of falling in love. He was able to pin this mangi together as a rosary thread of all three sides of this story with a common friend who was bigger than him and become one of the lasting teachers of Iranian cinema.

Shahab Hoseini

Shahab Hoseini in the movie Seller, experienced a subliminal role-playing. In this movie, Hosseini is a high school teacher and a theater actor. But what we see as part of his behavioral semiology is his calm and teacherly spirit, which makes him behave like a cultured and committed person when faced with the most difficult decisions. In fact, Emadi, seen in Farhadi’s film, is more than having the daring spirit of an actor, he is a calm teacher who, with the correct characterization and principled acting, has been able to contribute greatly to the deposition of the elements of this character in the entirety of the film, in which he is the central link of the narrative. Is.

Javad Ezzati

Javad Ezzati in the movie Sun Majid MajidiAlthough he has experienced a short role, he has been able to attach a new image of a teacher to Iranian cinema. An image that is according to the teachings of the day and during which a sincere friendship is established between the teacher and the students. It is based on this friendship that humanity and ethics are placed in the place of books and stereotyped teachings of teaching and portrays a common harmony of two generations. In fact, the intellectual traits that were drawn from the libertarian and compassionate teacher of the 60s in Iranian cinema, were updated in the late 90s with this actor Javad Ezzati, so that Ezzati could experience a special role in his career.

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