10% of the revenue from the screening of “We Have to” was allocated to cartoon women
The first screening of the film “Forced” by Reza Dormishian was held in the presence of Bahman Farmaneh Ara, Fatemeh Motamedaria, Homayoun Ershadi, Mojtaba Pirzadeh and Reza Dormishian at the Kourosh Cinema Campus.
Theater News Base: Last night, the first screening of the film “Forced” made by Rezadormishian was held in the presence of Bahman Farmanehara, Fatemeh Motamedaria, Homayoun Ershadi, Mojtaba Pirzadeh and Rezadormishian at the Kourosh Campus.
“Dormishian is one of the best young directors in this country who has been wronged a lot,” Bahman Farmanara said at the beginning of the play “We Have to”.
“The life and existence of cinema depends on its audience. Many of the films that Mr. Dermishian has made or worked on are in box offices, and no one knows what their value is because they are not tested by the audience.”
Reza Dormishian continued: “Many places in the film are empty here. The jewelers who were in charge of the theater, Professor Kayhan Kalhor, and my mother, whose absence I still feel and feel, are in this hall.”
He added: “As much as I am very happy with the release of ‘We Have’, I am saddened by what has happened to the female documentarians and a female photographer, and I hope they will be released as soon as possible and return home.”
Dermishian continued: “We have to tell the story of the exile of people in their own land. People who are in exile in their own land. The story of Iranians without identity cards in Iran. And with this film, I tried to present my religion to abused women, sleeping cartoons and Iranians without ID cards, and for this purpose, I will give ten percent of the rights to show this film in all cinemas across the country to unaccompanied, abused and sleeping women cartoons. “It cost them money.”
“I am glad that we finally have to be screened. The issue that Mr. Darmishian Nazanin has addressed this time is one of the challenges. We have many Iranians without IDs. “Art always helps to raise social issues. When Rakhshan Bani-Etemad built the first documentary ‘House of the Sun’, we were able to let people know how many women with third-person problems have problems that can not be solved.”
Finally, several recovered women described their suffering.