A joint meeting of the Cinematic Organization and the Fatah Cultural Foundation was held

According to the Fars news agency, a synergistic and synergistic meeting between managers of Fatah narrative cultural foundation and senior directors of the cinema organization was held yesterday at Fatah narrative cultural foundation complex.

At the beginning of this ceremony, Mohammad Khazaei, deputy minister and head of the cinema organization, appreciated and thanked the support of Fatah Story Foundation in the challenges and crises of today’s cinema and said: Fatah Story Foundation has always been our supporter and companion especially in the challenges of the cinema organization. The events of last year have been repeated and many pressures. I honestly say that Fatah’s narrative was one of the limited collections that supported us in the crisis and stood by us. While many of the crises and challenges of the last one year were not directly related to the cinema organization and targeted the entire cultural flow of the revolution.

Referring to the joint meeting with cultural and cinema collections, he added: These meetings with various institutions and devices are planned for the purpose of bringing managers closer to each other and synergy more than in the past and to strengthen employment and cooperation capacities.

Khazaei, stating that the growth of cinematographic productions in line with the flow of holy defense, resistance and revolution has become more serious in this period, emphasized: This is not related to a specific person and is the product of group and team work.

He continued: Encouraging and persuading cultural and cinematographic institutions and collections in order to increase the production coefficient in line with the development of employment and livelihood, following up to facilitate and reduce the problems of cinematographic projects with war and sacred defense themes, exchanging opinions for easier exploitation of the city’s facilities. Holy defense, planning and thinking together to strengthen the screening of revolutionary films and holy defense, as well as the expansion of hangouts and discussion spaces were among the axes raised in this joint meeting.

According to him, due to the density and extent of affairs, the cinema organization may sometimes not be able to have a meeting with all spectrums, colleagues and cinematographers, but we have defined the process in such a way that we have weekly meetings with dozens of filmmakers and cinematographers in different departments and their concerns and demands. Let’s hear and follow up. He added: Joint meetings and discussions with other influential cultural centers in the field of cinema are essential for the prosperity of employment and livelihood of cinematographers. Because obviously, the cinematographic organization alone cannot shoulder the burden of helping and improving the employment rate of cinematographers, and the synergy of cultural and cinematographic collections is important in this regard.

Referring to the crises and challenges that have arisen in the past year in the cinema, the head of the cinema organization said: Since the first days of my presence in the organization, we have faced repeated challenges, many of which were not related to cinema and the flow of culture and art. have been related to “cinema hypertext”.

He stated that the protection of the social capital of cinema requires the convergence of all spectrums and tastes and continued: We do not have any compliments or confrontations with anyone. One of the criticisms we receive is that you act a little conservatively, but we are not our business. There have been enough conservatives in the field of culture. We don’t have to face anyone and we move based on laws and justice. As I have announced in last year’s festival, the field of children of the revolution and dedicated cinematographers with national concerns has been the fulfillment of a long-standing dream. Of course, that doesn’t mean excluding other spectrums, tastes, or people. I believe that the scope of the revolution is wide and it is not limited to a specific spectrum and group.

He also pointed to the gaps in the artists aligned with the cultural front of the revolution and said: In my opinion, despite the presence of the people’s government and revolutionary managers in the cinema organization, we still see gaps in the field of the cultural flow of the revolution, which should be corrected and filled by other complementary circles and hangouts. to be In this case, institutions and organizations such as Narrat Foundation can play an effective role by establishing and reviving circles and platforms for dialogue and thinking.

The head of the cinema organization emphasized the need for the support and support of various institutions and organizations for the Holy Defense Cinema and noted: I suggest that the issue of reviving the support and assistance for the Holy Defense Cinema be pursued in the cultural meetings held with the presence of the relevant centers and institutions. The holy defense cinema stream needs more serious support from the IRGC and related military institutions.

He stated that the cinema organization, with attention to different types of filmmaking and social tastes, has tried to have films for all audience groups in its annual screening basket, and clarified that: this year, in every screening cycle, works of holy defense will be shown on the screens along with other types of cinema. We will have cinemas.

The deputy minister of culture and Islamic guidance also pointed to the support of the cinema organization from the production process to the broadcast of resistance cinema, and said: “Fath narrative collection, having various associations and groups in its sub-categories, is now considered as a kind of guardian institution of resistance cinema, because in different fields of cinema Because short films, documentaries, feature films are active and it is necessary to have an effective and active presence in the field of broadcasting and showing films. Even in the field of screening, basic planning and thinking should be done, and I suggest that a working group for the screening of films of the revolution cinema and holy defense be formed.

In the continuation of this meeting, Seyyed Mohammad Naderi, the chairman, while welcoming and referring to the transformation that took place during the presidency of Mohammad Khazaei on the cinema organization in expressing the thoughts and views of the Cultural Front of the Islamic Revolution, said: The new period of Dr. Khazaei’s management of the cinema organization has concerns and concerns. which previously existed in the field of expressing the thoughts and ideals of the Islamic Revolution in the field of cinema, was resolved and the events and happenings that he and his colleagues have created during this period have been very promising for the cinema, artistic and cultural front of the Islamic Revolution.

He added: the concerns of this period of management of the organization are very close to the concerns of the supreme leader of the revolution and the cultural front of the revolution, and one of the characteristic features of this period was the expression of revolutionary positions without stuttering and confrontation, a problem that caused damage to the body during the management period of many directors of the cinema organization in the past. It became a cinema and now I thank God that the body of directors and advisors of the head of the cinema organization are made up of friends and brothers who are sympathetic, united and integrated.

The head of the Fatah Narrative Cultural Foundation also pointed out the important activities of this foundation in the last year: in 1401, along with the International Resistance Film Festival, cooperation agreements were signed with the Martyrs’ Congresses in the provincial corps as one of the cultural soft technologies for the production and production of 7 movies. We have summarized and signed, anyway, the capacity of the provinces, Friday imams of the province, governorates, provincial guidance offices, and commanders of the provincial corps are gathered together in the Martyrs’ Congresses due to the subjectivity and centrality of the martyrs and a single goal, without conventional lines. Last year, Fatah Narrative Cultural Foundation became a member of the Supreme Policy Council of the Martyrs’ Congresses and in the field of content production, especially based on the goals defined in the headquarters of the Martyrs’ Congresses, the production of movies was put on the agenda. Also, based on the 10-year promotion document and the 5-year roadmap that we have drawn for the foundation, 70% of Fatah narrative’s operational and executive policies and plans are directed towards helping and accompanying the congresses.

Regarding the actions and activities of the Holy Defense Cinema Town as one of the subcategories of the Fatah Narration Cultural Foundation, he said: The Holy Defense Cinema Town complex with a capacity of 580 hectares of land, which was formed in the beginning of the 70s with the planning of the supreme leader of the revolution, has many problems. Both the lands of the settlement, which had many opponents, were faced with the fact that last year, about 400 hectares of it reached the stage of issuing a document and the ownership of the Fatah narrative has been established. On the other hand, in 1401, more than 58 movies were supported by us. took While the settlement is a self-governing complex, it receives only 10% of the cost from film projects, which is spent on the provision of items such as tanks, helicopters, and facilities.

In addition, Seyyed Mohammad Hosseini, the CEO of the Revolutionary and Holy Defence Cinema Association, also pointed to the special attention given to cinema infrastructure in the Persian Gulf countries and said: What accelerates the production process in the country’s cinema is undoubtedly the infrastructure facilities, such as the Holy Defence cinema town It is something that Persian Gulf countries are doing and I believe that the holy defense cinema town is like the Milad tower of Iranian cinema and it is for all cinematographers in the country.

Hosseini also said about the provincial productions and the future plans of the association in the production of cinematographic works: pooling resources in artistic productions is always a double-win game, which both avoids unnecessary expenses and spends those resources in the right place. With this approach, we went to the provinces, where they once did not have a suitable financial source for production and production, but with the accumulation of resources, they are now accompanying and supporting us. In line with the creation and production of cinematographic works, we have gone to the provinces where, in addition to brilliant and pristine cinematographic talents, we faced the proliferation and inflation of subjects and topics, all of which are national and attractive.

It should be mentioned that in this joint meeting, Asghar Farsi, Qadir Ashna, Habib Il Begi, Alireza Esmaili, Mohammad Hamidi Moghadam, Seyed Mehdi Javadi, Hashem Mirzakhani, Mehdi Azarpandar, Majid Esmaili, Laden Taheri, Mohammad Reza Sokhandi, Seyed Sadeq Mousavi, Ruhollah Sohrabi, Bahman Habashi, Karim Khoshmaram, Daud Moradian and Mehdi Mohammad Khani, Alireza Strabi, Mohammad Habibi, Mohsen Javadi, Mehdi Mattolyan and Mohammad Mohammadi, Saeed Zanganeh, Leila Zahdi, Qasim Ezzati and Hassan Shirazi were also present.

end of message/