A look at the movie “Henas” / The heavy price of a love

Fars News Agency, Cinema Group: “Hanas” directed by Hossein Darabi and produced by Mohammad Reza Shefah is one of the productions of the art field, which is considered the second joint collaboration of this producer and director after the admirable and daring film “Maslehat”.
Choosing a beautiful and original name for the film is one of the primary features that makes the audience eager to watch it, and the filmmaker has intelligently paid attention to this.
After the “Morning of the Last Day” series, “Hanas” is the second attempt to show the personal life of a nuclear martyr, and this promises the filmmakers’ attention to the potentials of the lives of national heroes. “Hanas” is more than the life of Dariush Rezainejad, it is the story of his wife Shahreh Pirani’s life, and in this sense it surprises the audience, that is when it deals with the identity of Iranian women and shows a suitable example of a successful Iranian woman with the language of Maghful art. remained.
The movie begins with a busy and stressful sequence, Shahreh (Marila Zarei) is trying to catch her flight to Germany, but it seems like clouds, wind, fog, the sun and the sky are working together to make them late; The faucet breaks down and the fuse blows. From these elements, the audience can correctly guess that they cannot fly, and this failure to go is a prelude that turns the peaceful and romantic life of Shahreh and Dariush upside down, and right from here, Shahreh does not see peace anymore.
In the rest of the film, the narrator tells the distress and anxiety of Shahreh and her search to find out the reality of Dariush’s work and the attempt to get him to resign from the nuclear organization. The film deliberately avoids approaching security and political issues and becoming an exciting political thriller with the justification that the protagonist is Shahreh and not Dariush, but the audience, who considers the likes of Dariush Rezainejad as a national hero, expects the film to be closer to his character. to be Analyzing the whole of Hanas shows that the character of Dariush with Behrouz Shoaibi’s weak and incoherent acting does not become an image of a lovable national character for the audience. The audience could have realized the importance and bold role of such committed scientists in the progress and honor of the country.
In the aspect of personal life, the film cannot show a concrete and bold picture of Shahreh and Dariush’s relationship, for example, there is no room for sequences like giving an empty ring box as a gift in the cinema, when a woman is like a soul to her husband, let’s remember Dariush’s laptop password. He definitely has a warm and intimate relationship with him. Also, the role of Armita, who is well-known and loved by the audience in the real world, is very weak in the film, while the filmmaker could have brought the audience closer to Dariush’s character by showing the father-daughter relationship between Dariush and Armita.
By focusing on Shahreh and the information he gives about her, for example, when Farhad says that Shahreh was the first student of the university but now she is used to sitting in the corner of the house and writing articles and research, he wants to emphasize on the role of a wife and mother of an Iranian woman. Despite his many abilities, his home and raising his child is a priority for him.
In the final analysis, Shahreh’s character is not unknown to an Iranian woman and the audience can understand her anxiety, anxiety and efforts to maintain her husband’s health. In fact, Shahreh is understandable to the audience until the first half of the story, but from the second half of the story, it means that she and her partner change their position. Becoming with Dariush does not have the necessary Chinese introduction to convince the audience, and this part has caused the greatest damage to the film. By paying more attention and showing more details, the filmmaker should have shown well how Shahreh gets along with her love and this husband and wife pay a heavy price together for the pride of this country, “Dariush” sacrifices his life and Shahreh is waiting for this great calamity. Shahreh approaches the audience at the end and after the assassination. It is as if Shahreh is holding Armita’s small hands in one hand and the audience’s hands in the other in the final sequence, to lead them to a bright tomorrow, the heavy price of which is the shedding of the blood of the likes of Dariush.
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