A look at the second season of the “Zakhm Kari” series by Mohammad Hossein Mahdovian; This wound is nothing

Charso Press: The common standard of making sequels in many countries with a cinema industry is that they strive to produce the next chapters of a successful work according to the need of the story, the embedding of turning points in the story process and of course the thirst of the audience. Of course, these parameters alone are not enough, and the studios also consider other things such as budget preparation and the existence of guarantees of investment return, the production hardware process, etc., until finally, the dominant decision of the professional collective is based on this. A successful series or movie will be made.

In Iran, however, these standards are mostly subject to the opinion of the producer and director of a successful work, and for this reason, most of these experiences do not turn out to be very successful works, because instead of feeling the technical need, things like the branding of the series and the popular faces in that work have played a role, it is considered as the main unit and the owners of the work, almost with this support, decide to make a sequel, which naturally cannot achieve success.

In the second season, what caused insufficiency is the lack of plot polarity in the direction of drama consistency. In the first season, there was a battle to reach the polarity by several characters. In the second season, the drama field was emptied of such elements and the rhyme was changed in favor of Khalezanak flow.

second chapter work woundAs a result, this process has reached the production stage. A pseudo-mafia story in Iran’s transitioning society, the first season of which, due to the nature of the relationships presented, was able to receive relatively good success. It is a fundamental weakness that the owners of the work, maybe they did not imagine that their work would take so much that they want to make a sequel for it one day, otherwise they might not have finished the story in that way.

In the second season, what has caused insufficiency more than any other element is the lack of plot polarity in the direction of drama consistency. In the first season, there was a battle to reach the polarity by several characters. Some of these characters were eliminated in a mafia competition, and those who remained fought for survival until the final episode, so as not to empty the field in favor of the competitor; A fierce duel ensued. In the second season, the drama field was emptied of such elements and the rhyme was changed in favor of Khalezanak flow. In this season, the balance of power was not drawn well and what remained was a unipolar trend from a character who could not issue suspense and charm.

In fact, for its second season, the story could not replace the 2 voids of power and love that ended in the first season, and for this reason, the scene is devoid of storytelling, and it is natural to find a relationship, consistency, structure and depth in such an encounter. does not.

The winning card of the second season was the return of Malik (Javad Ezzati), the basis of the story and even its title was taken from such a process, but in this mechanism, Malik is not decisive and remains more of an instrumental use that leads to the dissatisfaction of the audience. So far, it feels like the scenario has put Malik in salt water for the third season and intends to use another tool in the continuation of the story, which does not have a dramatic function, and even in an anti-story process, it has become an inhibiting lever to advance and even obscure the drama. Is.

Not taking responsibility and accepting the mistake is much more biting and destructive than the series itself

In the pathology of the failure of one of the important serialization brands of the country in the last few years, we should not be satisfied only with the financial aspect of the issue. Mahdovian was at the height of his fame by making the first season of this series, after which he could not repeat that position. cinematic loser man by modeling directly from work wound Construction, but did not achieve much success. In the process of film production leather jacket Which is an obvious rip off work wound It was a series Fall also had an important role that these two works were not seen much and of course Shishlik He has not been able to appear on the screen until today.

It is felt that this dissatisfaction had a direct psychological impact on the director to produce the second season of the series that brought him great fame among the general audience, and he may have started producing the second season without considering the rules of the game. work wound Zed, which until today, has brought many criticisms from loyal audiences to this brand.

Therefore, work wound It was also in the same path that most of the movie and series sequels in Iran were caught in, and what is felt more than anything else today is the lack of recognition of this volume of dissatisfaction on the part of the owners of the work. This failure to take responsibility and accept the mistake is much more stinging and destructive than the series itself, and it exposes the uncriticism of the owners of the work.