A review of the films of the “Truth Cinema” festival on the eve of its holding

Charso Press: The International Film Festival of Truth will start on Sunday, December 20 at the Mellat Cinema Campus, and foreign and Iranian films will be screened in competitive and non-competitive sections.

The experience of holding the festival virtually during the Corona era added a new audience to “Truth Cinema”, and for this reason, despite the improvement of the conditions, this year’s event will also screen its films on the Internet in addition to the physical holding.

Audiences who have registered for the festival will be able to enter the festival house from tomorrow (20th of December) by receiving an SMS that confirms their registration, and interested people can also buy tickets from Hashur website. to watch

In the following, the films of different parts of the festival are reviewed:

International section

Semi-long documentaries:

1. “There is no room for compensation” by Laszlo Halas with a duration of 42 minutes, produced in Hungary

2. “Only Wind” by Zofia Kowalska with a duration of 60 minutes, produced in Poland

3. “Ivan’s Ladder” by Nikolai Bem with a duration of 60 minutes, produced in Russia

4. “Independent Painter” by Giogo Varela Siova with a duration of 52 minutes, produced in Portugal

5. “Surrounding Wave” by Simone Pizzi with a duration of 45 minutes, produced in Italy

6. “Joaquin My Cousin” by Luciano Giardino with a duration of 47 minutes, produced in Argentina

Long documentaries:

1. “Roots” by Tea Lukacs with a duration of 79 minutes, produced in Serbia

2. “Steel Life” by Enuel Bauer with a duration of 95 minutes, produced in Peru

3. “Epi between death and life” by Mehdi Saleki and Firas Razak with a duration of 62 minutes, produced in Sweden

4. “JES 2” by Nastya Kurkia with a duration of 77 minutes, a joint production of Russia and Italy

5. “Vedette” by Claudine Borris and Patrice Chagnard with a duration of 100 minutes, produced in France

6. “Escape” by Niri Adeline Hay with a duration of 70 minutes, a joint production of Cambodia and France

7. “35mm: A Lost Heritage” by Ashiq Mustafa with a duration of 70 minutes, produced in Bangladesh

8. “The Benevolent Servant” by Juan Ignacio Zavalos with a duration of 72 minutes, produced in Argentina

Short documentaries:

1. “Yesterday, Today, Tomorrow” by Avorhan Dedeh with a duration of 15 minutes, a joint production of Turkey, Lebanon, Syria and Sudan.

2. “Don’t be too comfortable” by Shima Eltamimi with a duration of 9 minutes, produced in Yemen

3. “Eustapia” by Denisa Parubkova with a duration of 29 minutes, produced in Slovakia

4. “Forty-fifth circuit” by Lawrence Abu Hamdan with a duration of 15 minutes, produced in Oman

5. “And then they burned the sea” by Majid al-Rahimi with a duration of 12 minutes, produced in Qatar

6. “The Last Photo” by Mehmet Akif Güler with a duration of 19 minutes, produced in Turkey

7. “Balcony Concert” by Diana Kadlubowska and Krzysztof Kadlubowski with a duration of 16 minutes, produced in Poland

8. “Mohammed Sato, Japanese Muslim” by Atsushi Kadowaki with a duration of 39 minutes, produced in Japan

Martyr Avini section:

1. “6410 Days of Captivity” (Zohreh Najafzadeh)

2. “The beginning of an end” (Omid Hassanzadeh)

3. “For after my death” (Abdulreza Nematollahi)

4. “Autumn of fifty years” (Mohsen Islamzadeh)

5. “Refuge to the Sea” (Kamran Rahimi)

6. “After the war” (Mohammad Hossein Mahmoudian)

7. “A trace of a man” (Sasan Falahfar)

8. “Se Nehzarm” (Behrouz Nooranipour)

9. “Operation Damavand” (Ihsan Mashkoor)

10. “Sixteenth Day Appointment” (Seyd Mohammad Ahsan Asgharzadeh)

11. “Everything is more beautiful from above” (Kaveh Haddadi)

12. “Ziauddin” (Mohammedreza Dehestani)

National competition section:

Long documentaries:

1. “Amin al-Zarb” directed by Jamshid Bayat Turk

2. “Trace of a man” by Sasan Falahfar

3. “Diaphragm” directed by Javad Watani

4. “Epi between death and life” directed by Mehdi Saleki

5. “Qanmaz” directed by Ali Ghasemi and Jafari Mousavi

6. “Se Nehzarm” directed by Behrouz Nooranipour

7. “Silent Mountain” directed by Froud Awadpour

8. “Mama Shkowe’s House” directed by Mehdi Bakshi Moghadam

9. “Agha Nemat” directed by Ali Tek Roosta

10. “Purgatory” directed by Aref Afshar

11. “For after my death” directed by Abdolreza Nematollahi

12. “Wild World of Zagros” directed by Farshad Afshinpour

13. “Sixteenth Date” directed by Seyyed Mohammad Ahsan Asgharzadeh

14. “Fifty Autumn” directed by Mohsen Islamzadeh

15. “Silk Cocoon” directed by Mohsen Aghaei

16. “Uninhabited” directed by Masoud Zareian

Semi-long documentaries:

1- “Water will take us away” directed by Mohammad Ehsani

2- “War Scars” directed by Irfan Ali Hassanzadeh

3- “Survivor” directed by Alireza Karmi

4- “The Starry Way” directed by Ahmed Seyed Kashmiri

5- “Kheishi who furrowed the plains” directed by Ehsan Ghaibi Hajior

6- “Defak” directed by Behnam Birmvand

7- “Aposh” directed by Bahman Ebrahimi

8- “Bone Road” directed by Behrouz Nooranipour

9- “Spunk” directed by Mohammad Reza Khoshfarman

10- “Lost City” directed by Mehdi Afshar Nik

11- “Aziz” directed by Mehdieh Sadat Mahrojafari

12- “Wahg” directed by Hadith Jan Zorgi

13- “Etihad Boulevard” directed by Sadegh Zare

14- “Border Walls” directed by Fatemeh Marzbani

15- “Ali Mesio” directed by Masoud Mir

Short documentaries:

1- “Genuine” (Saeed Albouabadi)

2- “Samurai in Kurdistan” (Musab Abbasi Sir, Sarkot Nikdel)

3- “A boat on the sea” (Arman Qolipour Dashtaki)

4- “Meh Laqa” (Maryam Jamali)

5- “Farhat Narration” (Amirathar Sohaili)

6- “Flying over the house of the sun” (Mehdi Bagheri)

7- “Scarecrows dance” (Mohsen Shirzaei)

8- “At Oghlan” (Hadi Shariati)

9- “Angelina” (Reza Daneshpajoh)

10- “Kashim Asheq” (Amir Agha Abdolahi)

11- “Pir Tahir” (Hamid Ghasemi)

12- “Mountain Boy” (Ehsan Kammerkhani)

13- “Sarkhdar” (Mohsen Sakha)

14- “Phoenix” (Muna Shams)

15- “Marathon towards the narrow red line” (Katayon Jahangiri)

16- “The Threshold of the Sun” (Hamidreza Mahrooghi)

17- “Rezait Mother” (Amin Lotfi Shahpar)

18- “Stones of the border” (Ruhullah Akbari)

19- “Farsh Arsh” (Ruhullah Tavakoli)

20- “Maher” (Mohammed Salimi Rad)

///.