Abandonment endangers the future of theater/ for me, the main thing is acting
Mohsen Hassanzadeh, who plays a role in the show “Talfat” these days, said about his presence in the theater as an actor after leaving management positions.
Charso Press: Mohsen Hassanzadeh that this Days As an actor in the role of Bani Sadr in the show “Casualties” directed by Alireza Maroufi, he has returned to the theater stage. He said about the reason for his long absence from acting: “I am happy that after a long absence I was able to play in 2 valuable shows in the last few months.” For 8 years, I put all my attention and effort in the field of theater management and tried to look there as well concern to have and act according to my duty and beyond that in any position I am in an idealistic way, although unfortunately I did not reach the goal I had and I could not complete it because concernis not the dominant view of our management field and that is why the condition of our country’s theater today is not good.
He added: If the people who are in the General Department of Performing Arts or anywhere in the field of culture and Art They work to be sympathetic and concerned, and this concern is the dominant factor, despite all the financial problems that exist in the field of theater, at least we will not see regression in this field, but because this type of view does not exist, and unfortunately, the political view And individualism It is possible, we have not been able to reach a significant and reliable point in this field so that a regular system reigns in the administrative system so that any manager cannot destroy the structure based on his unsupported preferences.
Hassanzadeh said about accepting the role in the second round of “Talfat” performances: As an actor, first of all, it is very important for me that the director proposing a play, compared to the environment around him What does he look like, secondly, how important is it for him to react to history, especially contemporary history and his own society, and thirdly, how much effort And he tries to get a new look and idea and experience not done in the field of performing arts with a new form his audience to present
He continued: When I saw that Alireza Maroufi is an artist who has these qualities, of course I accepted his offer for the new round of “Talfat” performances, and despite the very limited opportunity, I tried my best to approach his wishes and vision in the “Talfat” show.
This actor described playing the character of a character of contemporary history, whose life and activity have not passed long and is still remembered as very attractive, and said: playing such a role, which is shown for the first time on the theater stage, besides being attractive, is very attractive. It is hard and stressful. It is very important that outside the limits don’t wash And at the same time, the audience can believe the character and in a specific format and scope to accept While due to the historical mistakes he made, he may not show all his emotional states and special moments of his life. In general, playing such roles is like walking on a razor’s edge, and the actor must be careful in no direction inclined Don’t do it and this challenge is lovely and difficult.
He who acquisition He has the title of the best director of the 32nd Fajr International Theater Festival in his career, he considered acting as the only temptation in his life and added: Although sometimes I cruelly kill the temptation of acting in myself, I can boldly say that I started all the mornings of my life with this temptation. And when from the stage far This temptation had turned into an overwhelming regret. When I’m on stage I become a different person and when I’m acting far I feel that no matter what I do, I have not reached the values I consider for myself, and this peace can only happen through acting. concerns I am another In theater, like directing, writing or criticizing, they are sidelined in front of acting, and for me, the principle is always acting, and it is so valuable to me that until today I did not accept any job just for the sake of being on stage, but from now on, I will follow the overwhelming temptation. My life is gone and I will not let it go easily for the rest of my life.
The actor of the “Khamari” show said: “This show is a valuable work, but unfortunately, today the officials pass by the young people of the famous Alireza Marufi very easily and indifferently and do not pay attention to the concerned look and art of these people.” What has been forgotten in the field of cultural management is that we are committed young artists who feel responsible for their history and environment They do nothing We don’t have a plan and we don’t distinguish to show that this kind of view is supported and not abandoned.
At the end of his speech, he said: the support of the authorities complements the artist’s efforts, and when an artist like Alireza Marofi and his group are very his youth It is discouraged to try and not see any support and reaction, and this neglect endangers the future of the country’s theater.
Mohsen Hassanzadeh, Mehdi Rahimi, Ali HayhoundHossein Aref, Iman SalgiMohammad Niazi, Nazanin Hashemdar, Delaram Turki, Saleh Lavasani, Amirreza Hashmi Pour, Farzad Tejali and Khatire Fateh star in “Talfat”.
“Casualty” show that Azar and D 1400 In the main hall of Molloy Hall, he took the stage in his new round of performances, with changes in the cast and crew from the second July in the hall Nazerzadeh Kermani Tamashakhane of Iranshahr is on the stage.