About the narratives of an attack by a theater director / those who knew and remained silent

According to this article, the members of that committee are involved in these sufferings and pains. Silence and indifference to oppression and harassment of others, especially when you are in the role of judge and judge, is no less than the sentence of the accused and convicted person, if not more. .
Theater News Base: In his latest revelations, Mito has become one of the most well-known directors and actors in the theater. Although the theater people know his name, the author of this article does not mention him because he is accused and not convicted until the matter is fully clarified and until a verdict is issued. Needless to say, it is clear that this incident and this accusation are so unfortunate that nothing can ever be said to justify it.
In the narratives about this director and theater actor, unlike the narratives about others, people as representatives of a class (theater house) were aware of the story and as it is narrated, not only did they not sympathize with the victim artists but also accuse them. They have lied.
According to the narrators, after their complaint against the director and actor went to the theater, a committee consisting of Maryam Kazemi, Asghar Dashti, Hamid Pour-Azari and Afsaneh Mahian was responsible for investigating their professions and sufferings, which resulted in a two-year suspension from directing. The director has issued that has never really been performed.
According to this article, the members of that committee are involved in these sufferings and pains. Silence and indifference to oppression and harassment of others, especially when you are in the role of judge and judge, is no less than the sentence of the accused and convicted person, if not more. . How did you come to terms with yourself when you saw their hatreds and their tears and their pain? How do you, who claim to be an artist and an intellectual, remain silent and say nothing? They took refuge in you, not as a real person but as a class representative. In the few days after the narration, neither the theater nor the members of the committee denied the narratives, and their only deadly and unfortunate silence was their reaction.
Believe me, everywhere in the world you were treated as an accomplice. Believe me, the theater house has reduced its credibility among theater artists day by day with this same decree. If the theater house wants to have a reputation as a class, it is necessary to investigate the matter without any consideration and to investigate the accusations of the director and the actor as assault and the consideration of the members of that committee as negligence in duty and cooperation with the crime.