Aghapour: “Audit” has had a large audience among managers and famous figures

According to Fars News Agency’s Radio and Television reporter, “Mamizi” is a program that was part of Radio Javan Azad program in 2005 and 2006, and then it was aired on television as a video. This program has been aired in a new form on one of the cyberspace platforms for some time, and for this reason, Radiojoan’s “Cinemachi” program has reviewed this program in an exclusive interview with Hamed Javadzadeh and Vahid Aghapour.

Hamed Javadzadeh, the producer of “Mamizi” at the beginning, when asked by the presenter of Cinemachi whether you have ever had a problem with the topics or people you joke with, said: No, it is not like that at all, we recently celebrated reaching 500 thousand followers. We thanked everyone for dealing with the aspect of friends, and the fact is that we did not have a specific person in mind in these programs and we introduced the criticism to a kind of thinking. Even some friends called and said that we made mistakes and you very sweetly informed us of these mistakes.

In response to Ali Muradkhani’s question about whether the Ministry of Culture and Islamic Guidance has not protested against you, Javadzadeh said: No, they laughed a lot. Even the previous Minister of Education said that they criticize us and we laugh. One of the managers of the Broadcasting Organization also said that we want to go to a meeting at any time and we feel that we may face this challenge. We challenge the meeting, we say that you have become like a professor, and you are acquitted, and the work begins.

Javadzadeh explained about Vahid Aghapour’s entry into the audit: I was friends with Vahid Aghapour on the radio and I knew he was theatrical, humorous and creative. After a few episodes we recorded together, we realized more about his creativity and it’s really fun to work with him.

About the request of people to make a song famous, the producer of the audit replied: Many people offer a lot of money asking us to audit a track to make it famous, but we have never accepted these offers and we only advertise if we We have already announced that this is an advertising program and has a sponsor.

Javadzadeh stated that we don’t play pranks and we don’t make the audience laugh at any cost and said: We intend to joke and we express every atmosphere we criticize with a joke. In the words of the poet who says that the mirror shows you the truth, the self-destructive mirror is the breaking of the mistake, once instead of saying why you said such and such words, come and correct the atmosphere.

In the end, he said: It takes more than eight hours to produce an episode of the audit program. When we write the humor of the program, sometimes we cried, and from the bottom of our hearts, our hearts are burned for what is happening and people’s hands are not tied anywhere. But after that, we started writing humor so that people’s atmosphere does not become bitter.

Also, in the continuation of the Sinemachi program, Vahid Aghapour, who played the role of Master in Audition, also answered about how he got to this role: Regarding the character of Master in Audition, a pleasant thing happened to me, and that is that it has been almost three years since I I play this role and when you play a role for a long time, the role is deposited in you and you discover many nuances of the role. If you are a regular viewer of this program, you have noticed the development and maturation of the character.

Aghapour explained whether there was any problem for them with the creation of this program: No, this has not happened so far. But for example, if I express my opinion on a topic in the virtual space, some people say that you express this way in the audit, why else? And I explain that it has nothing to do with it and that it is a role.

Vahid Aghapour further said about the feedback of the audit among the people: In the last six months, almost everywhere I go, people in the street and the market express kindness and love. We did not think that this program would be seen so much. At least our initial opinion was that the artist class would communicate a lot with this subject, but fortunately, it has happened that ordinary people who are not employed in art, and are only perhaps consumers of art, understood the program.

He continued: Among the people, there are those who say that this work evokes a series of bitter memories, memories that have hindered our progress and set us back, and unfortunately, these issues exist and I wish something could be done about them.

The audit actor also said about the feedback of this program among officials and managers: Audit has had a lot of audience among managers and famous figures and it has happened a few times that we joked with an organization and the managers of that organization indirectly sent a message that your program we see But I wish you wouldn’t make this joke with us because we have to react to it.

In the end, Aghapour said: Another positive aspect of the audit is that some circles of art auditors, because they are the audience of our program, avoid facing the artworks and say that if we do this avoidance, it is very similar to this program and they laugh. .

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