Conversation about the margins that are not in the documentaries / works with the problem of constructive satisfaction – Mehr News Agency | Iran and world’s news
Amin Ghadami, a documentary filmmaker who is in charge of the “Plus Documentary” program, told Mehr about the program’s approach and the films that will be selected for distribution: Among them are Mohammad Reza Kordloo, Yasser Faryadres, producer and Mohsen Karimian, director.
He added: “However, I think the program has taken the right approach in that part of it is documentary broadcasting and the other part is discussing the issue.” I think the name of this series is well chosen from the first season and “in addition to the documentary” means another incident and added value is added to the documentary.
Memoirs of a teacher documented during Oshin’s time
Gadmi spoke about his interest in the documentary field and what happens to documentaries: I remember one of the things that interested me in documentaries was my teacher. When I went to school, the series “Years Away from Home” or “Oshin” was broadcast, and we had a teacher named Mr. Piri who, when he came to class, talked about the planets and events of society, animals, and so on. The words that amazed us and we asked him how he knew these things, he also answered that the nights you are watching “Oshin”, I watch a documentary on the network. I have been interested in documentaries ever since and realized that if I want to know more, I have to watch the documentary.
The host of “In addition to the documentary” said about the brief payment to a subject in the documentary: In the documentary, due to time constraints and the need for narration, you can not pay much attention to all aspects of a subject. You can only make the subject sensitive to the subject, and I myself have documented and been interested in learning more about a character or event.
Discuss the margins that are not in the documentary
Pointing to the importance of talking about the documentary, the documentary filmmaker said: “In this sense, I believe that ‘in addition to the documentary’ does this for the audience, creates problems for the audience, and now begins to open the issue in the discussions that take place around it. It pays attention to margins that may not even be documented.
In another part, he explained: “I think that with this approach, the selection of films is formed properly, and as a rule, challenging films should be broadcast with this view, so that the right discussions can be formed about it.”
Gadami concluded by saying whether there were any restrictions on the broadcast of the documentary: “There are films that have a problem with the producer’s satisfaction, and other than that, there has been no issue that we have restrictions and we can not broadcast.”
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