Darwish: “Awj” has boldly produced influential works / attention to neglected topics

Ahmad Reza Darvish on the tenth anniversary of the founding of the Ouj Organization in an interview with a Fars News Agency radio and television reporter said: The Ouj Organization has been able to interact with, influence and influence the biosocial as a flow and structure of cinema and live and dynamic media. influence. It is important that a cultural complex is constantly on the lookout and offers its product in proportion to demand. The climax seems to have been to meet the needs of audiences with different tastes.

Ahmad Reza Darvish, writer and director of cinema, on the tenth anniversary of the establishment of the Ouj Media Arts Organization, evaluated the performance of this organization and told Fars: To evaluate the effectiveness of the Ouj Organization, it is not bad to first mention the situation in which Iranian cinema is. It is important under what circumstances Ouj was determined to enter the field of cinema and media seriously. In general, there have been ups and downs in Iranian cinema for several decades, and a lot of efforts have been made to enter the industry, nationalize and internationalize it objectively and realistically.

He added: “In this direction, although at times Iranian cinema has been able to be close to the real components and of course sometimes away from them, but it seems that at the time when the peak organization was established and now, a clear relationship between Iranian cinema with responsibilities and components Cultural, industrial, national and international. In this situation, it is good to consider a few points when reviewing the performance and peak achievements.

Flip the peak to the subjects left on the ground

The director of “Rastakhiz” pointed out: The most important effect that the activities of Ouj Organization had on Iranian cinema was the opening of a limited field of subjects; A cinema that claims to be national, industrial, and international must clarify its approach to the range of past, present, and future themes in a diverse and up-to-date manner. The approach of Iranian cinema has led to the limitation of the range of cinematic topics over the years due to the blurred border between the mentioned components. If some of the serious issues that have been neglected from the important reserves of the past and present of our land were neglected, by addressing the peak of some of them, this limited scope and perspective has been opened and left to ground issues in various social areas, sacred defense. , The events before and after the revolution were flipped and after that we witnessed the production of various works in the activities of the peak organization. The issues raised do not necessarily mean that Iranian cinema has neglected to address them, but sometimes has not been able to enter these areas. Ouj has produced these impressive works with courage, double energy, creativity and perseverance.

Referring to the ability of the Ouj organization in various fields, Darwish said: “It is very important to pay attention to the mission that Ouj had for itself at the beginning of its activity.” This organization, in a situation where the executive and economic power of Iranian cinema has been facing various governmental, trade union and structural problems, paid attention to the neglected issues and produced significant works.

Referring to another axis in the works of the Awj organization that has been prominent in the last decade, he said: Creating a platform for cooperation between elite and creative youth and introducing new faces to cinema and media is another axis of evaluating Awj performance. Many young artists, with the support of Ouj and the mechanisms provided by this organization, showed their creativity and were introduced to Iranian cinema and media. Of course, any organization similar to Ouj with cultural and revolutionary missions needs to support one of its missions. Put them.

* Peaks cinematic and media personality

Referring to the “media” axis of Ouj’s activities, Darwish explained: “It seems that in addition to all this, Ouj has also paid attention to its media missions.” Because the relationship between cinema and media is a close and close relationship. Cinema is a model for injecting soul and spirit into the media, and the media also plays a role in learning and creating cultural justice for the distribution of audio-visual works. Cinema is considered as an important medium in the growth and attractiveness of the media, and the media, influenced by the artistic components borrowed from cinema and audio-visual works, can expand the capacities of cinema with its capacities and all-encompassing power. Ouj Organization has two important dimensions of cinema and media that have achieved their own language in both media and cinema. This language has created an independent identity for the climax that makes it easy to distinguish television works, between programs, documentaries and, in a word, climax activities from other media. Because it seems that the approach and language of the peak organization is independent and different from the common language of cinema and television.

* The peak organization was able to interact with the biosocial as a living and dynamic flow

Referring to the buoyancy of peak approaches in the field of contemporary issues and everyday issues, he explained: “Paying attention to the buoyancy of peak approaches is an important issue.” Therefore, it is better to call the peak more of a “cinematic media” organization. Ouj, as a living organization, has reacted to current, national and international categories. For example, in the production of documentaries, it has an important treasure trove of events in the region and even natural disasters such as floods and earthquakes to the issues of Palestine, Syria, Iraq, the defenders of the sanctuary, and so on. Ouj Organization has been able to interact with, influence and influence the biosocial as a flow and structure of cinema and live and dynamic media. It is important that a cultural complex is constantly on the lookout and offers its product in proportion to demand. The climax seems to have been to meet the needs of audiences with different tastes.

* The height of his watchdog responsibility must be strengthened

Referring to a necessity, Darwish pointed out and suggested: considering the developments in the region, social and cultural fields, developments in media and technology, up-to-dateness and ideation with a view to the future is an important principle for the peak. Approaches and ideas can be constantly updated in line with developments in the field, media and communication facilities, and strengthen and constantly update the peak of its monitoring responsibility.

* The place of historical themes other than contemporary history in empty productions is empty

He continued: “Also, the peak should look back in the field of content.” It seems that the place of historical themes other than contemporary history in empty productions is empty. Our nation has many historical experiences that can be produced and presented in the form of documentary and cinematic works due to the youth of the Iranian society. For example, the regional policies of the Persian Gulf have always been strategic and important to us, and it is very important to address them. It is good that the international developments related to the Persian Gulf and phrases from the victories and defeats experienced by the Iranian nation are crystallized in the peak cinema and media. For example, we have experienced land occupation; From the Mongols and the Ottomans to the Uzbeks and the Georgians and the Portuguese and the Iranian nation, in addition to the era of holy defense, it has proved its independence-seeking identity to counter aggression in the past. If we are to deal with these diverse historical experiences, we must also enter into the scientific background, mathematics, astronomy, philosophy, art, mysticism, architecture, and so on.
He made another suggestion: “I do not think it is bad for Ouj, with the diversity in the field of media, to spread the space of offering its products by having an independent television or internet network.” Contrary to those who, with the aim of agility, believe that the existing structures in the field of media production should be limited, I believe that institutions such as the arts, the peak organization, etc. should not be ignored in the media. Rather, they need to be strengthened and increase their influence by maintaining their approach and personalities independent of other organizations and structures.

* Ouj is better to have an eye on the international supply of works

At the end of his interview with Fars News Agency, Ahmad Reza Darvish presented a proposal for the international supply of Ouj works and stated: Ouj should have an eye on the international supply of works as well. It is good that this organization, by discovering the talents and production capacities, identifies the manpower and media and cinema activists active in the region and links them to Iranian cinema. This is applicable at least in neighboring countries and the Middle East, and many of these countries have great potential in the field of documentary and television productions, which can be added value through our joint efforts and through common cultural and linguistic links between our cinema and them.

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