Don’t forget love in critical moments!

Qutbuddin Sadeghi emphasized the necessity of remembering love in every period and place and said: it is necessary to remember love and love, especially in the period of crisis, because people should not lose their spiritual and emotional supports.
Charso Press: He also considered the feeling of loneliness as the biggest problem of the young generation and said: I always try to keep hope and happiness alive in young people.
This veteran theater artist will stage “Blood Wedding”, one of the famous works of Federico García Lorca, the Spanish poet and playwright, from the 4th of October.
On the eve of the performance of this show, Sadeghi spoke about the necessity of love, hope and work in the society and stressed: Enough of hate!
At the beginning, he explained that in the performance of this show, he emphasized the three axes of purity, love and freedom.
Sadeghi added: These are lasting values in every period, culture, place and land, and it is very necessary to remember them as a spiritual reserve of a nation.
In response to the fact that in a critical society, love is in the shadows, this researcher and theater theorist explained by referring to one of Freud’s (father of psychoanalysis) sayings: Freud says that there are two escapes and escapes because man escapes from primitiveness and from society. To be saved from the initial violence and move towards civilization and self-awareness, and that is loving and working. Accordingly, we should never forget to love each other and we should never forget love; Because it is the great spiritual reserve of man, and besides that, we must also work, that is, start production. We are nothing without production and we are full of claims and nonsense. Therefore, we must know how to work properly and know how to love each other. According to Brecht, hatred has made our human face ugly and it is time to love each other deeply.
Sadeghi noted: Remembering love and the great romantic emotions that can be the meaning of our life is necessary in every period and situation, especially in the period of crisis when people should not lose their emotional and spiritual supports.
This university professor, who, like some of his other plays, collaborates with a group of young people and his students in performing the show “Blood Wedding”, added: The actors of this show are very talented and I have trained them myself. It is not the first time that I work with young people and it will not be the last time.
Sadeghi explained about the motivation of his cooperation with the youth: Part of our responsibility is to transfer our direct and practical experiences to the next generation; Because now in universities, students are not offered such a useful course and there are few experienced professors left who can pass on the experiences of previous generations to them. Therefore, this task is left on the shoulders of three or four people who feel responsible and love this work.
Of course, he continued by pointing to the difficulty of training young actors: educating young children, educating and preparing them in terms of technique, thinking and definition in life, is not an easy task because in an acting school you don’t only learn technique, but you also need a correct definition of life and Learn art and this is very broad, effective and of course difficult because there are always educational, personal, cultural resistances, etc., which smooth it out and put students in a framework with liberation and imagination and freedom. Therefore, the teacher must know how to work. Many people are interested in education, but they do not know how to work, and the result of their work is weak.
Sadeghi emphasized: I strongly believe that young people should be respected because they are the future generation and they are the ones who will take over the future of life. So we must work with them honestly and respectfully so that they know that they are not alone. These days, the biggest problem of the young generation is that they feel alone. Personally, I always try to keep hope and happiness alive in them; The joy comes from the confidence and technique they gain and the abilities they gain. In this view, happiness means their life has meaning and they can be creative.
The show “Blood Wedding”, translated and directed by Dr. Qutbuddin Sadeghi, will start its performance on the evening of the 4th of October in the hall of Iranshahr’s master of theaters, and will be on the stage every night until the 10th of November at 20:00.
The actors of this show (in alphabetical order) are Hana Stifai, Raha Asghari, Zahid Barzgar, Danesh Soharri, Hamed Deliriyan, Elahe Ranjbari, Armin Rezainia, Ali Faghani, Peyman Falahi, Emad Tahanzadeh, Forozan Mohammadzadeh, Sadeq Moradi.