Driving in the evening with the voice of Hossamuddin Siraj / Stay in “Bozor Rah Hammat” – Mehr news agency Iran and world’s news

Mehr News Agency – Art Group – Alireza Saeedi; The function of the title is something similar to the cover of a book The designer It tries to inform the audience of a work by selecting elements, forms and arrangements with the help of graphics and music. A situation that is sometimes presented to the audience in a very careful, thoughtful and calculated manner, and sometimes Sad school And it is built on the fulfillment of a mandatory task that takes the viewer away from the basis of a visual work.

What became an excuse to once again return to the keyword “titles”, a review of the most lasting and the most memorable The music is related to some programs and works of cinema and television, which for many audiences contain bitter and sweet memories, and referring to them again can bring a world of memories for us in any situation. The memory game, after its launch and publication in Nowruz 1400 and the audience’s acceptance of it, prompted us to entrust our souls and minds to it in the form of a weekly memory game on Fridays every week and from its passage to the years when we are better than these days. It was troublesome, let’s go.

“Memories with lasting titles” is the title of a series of archival reports with the same approach, which you can follow on a weekly basis in the art group of Mehr News Agency.

In the 103rd issue of this media narrative, we went to the end credits music of the first season of the documentary series “The Great Road of Hammat” produced by Abazar Salehian and directed by Seyed Amir Javaid, which was one of the most audible and lovable during the broadcast. the most and memory the most exciting The music of the TV titles should be introduced among the viewers.

A series that was presented to the audience in 2014 by the Eghov network, and in each episode, it introduced one of the groups and people active in different cultural fields, who carried out fruitful activities for the society of their audience in the form of projects and ideas they had. The medium of a documentary that has different words in it Presentation were introduced to people and viewers.

According to Abazar Salehian, the producer of the series, the main purpose of this documentary was to establish communication and networking between cultural activists and to introduce anonymous people who participate in such programs on their own initiative. Of course, synergy between cultural groups, most of which were active in different cities and provinces, was one of the other goals of making this documentary. The fields of work of these groups and individuals are also different and include activities from the Qur’an to the community bring Antiquities and donating them to the museum to prevent illegal sales and other cases.

The framework that when Sidamir Javid is introduced as a designer and director and in the end credits, the name of Mohammad Reza Shahidifar is placed in front of the viewer in the form of a new keyword called “Director Teacher”. Amir Javid: Documentary “The Great Road of Hemat” mirror It was the height of the people. People who have lifted the burden of culture from the ground by relying on their efforts and trust and without looking at government and government institutions from an honorable position. Definitely, the audience can watch a different series that should have a different title. The atmosphere that made this program successful after broadcast In season First, it will be produced with other groups and collections in the form of other seasons and be presented to the audience at different time intervals.

Seyyed Amir Javed, the writer, designer and director of the first season of this series, was about the idea of ​​shape get And he explained the features of this documentary collection: The idea of ​​”Borzur Rah Hammet” was formed in November 2014. I had a meeting with Mr. Ramzannejad (Director of Oghov Network) and he had an idea for a television documentary series where the narrator travels to different cities with his family and learns about the performance. Institutions Cultural prepares a report. I have been worried for some time and that too to find It was a way to form a dynamic and efficient network of cultural activists across the country and even around the world. Many real and legal personalities in this valley had been identified and observed, but almost all of them did not have a way to connect people, or their observation and identification was limited to some. Institutions and groups paneled Was.

He continued: Their other problem was their view of culture. They mean culture especially had chosen, not meant Al-Aam. As a result, a wide range of popular cultural activities were hidden from their eyes and they were mostly involved in specific activities such as graphic design and filmmaking. […] Anyway, the plan we prepared had many differences with the initial idea of ​​Mr. Ramzannejad, and when the same plan was on the path of “becoming” with the many consultations we received from the group of program advisors, it made many changes and became “Great Way of Endeavor”. . Documentary “The Great Road of Hemat” mirror It was the height of the people. People who have lifted the burden of culture from the ground by relying on their efforts and trust and without looking at the government and government institutions from an honorable position.

The author of “Hemet Highway” also mentioned about the name of the series: Those who live in Tehran have come across Shahid Hemet highway and they remember this highway when they see the name of this program. Ambiguity in this name itself causes the audience to depend on this collection, and if the viewer goes with this collection, the name is coded for him, which is the common feature of all narrated subjects, which requires great effort. Basically, cultural work includes visual arts, music and drama, and we have gone more towards popular subjects in these fields. Of course, considering the diversity of subjects and cultural activities, if the audience watches 13 episodes, they will see themselves in at least one of these episodes, and this matter was very important for our group, that the audience with this collection identification slow down “Bourg Rah Hammet” is a connected circle that is formed by the will of the people, and it is a pleasure for the group to be with the people with this collection.

But naturally, one of the effects effective And the longevity that made the viewers have a good feeling after watching this documentary series, the end credits music of the first season of the series “Bourg Rah Hammet” using a poem by Nizami Ganjavi, composed by Abbas Abu Hamzeh and sung by Hossam Al-Din It was Siraj, which contained a good and lovely atmosphere. A calm melody salve From the atmosphere of Iranian music, which had found a good harmony with the end credits images. When the series ends and in the final credits, we see the forward movement of the car on the freeway, which moves towards the sun on a clear path at sunset. The path where the pleasant voice of Hassam Al-Din Siraj is his companion and brings the TV viewer a peace that makes this frame and music last.

To watch the end credits of the first season of the documentary “The Great Road of Hemet” Here Click the

A melody in the direction of the documentary content structure that if Hassam’s voice Al-Din If it has Siraj with it, it will definitely become a powerful structure Effective It is possible to return after years of production and broadcasting Oh you He loved it and made memories with this music. Structural salve From a good composition and of course choosing a suitable poem with voice with you With the calmness of an authentic singer in the field of Iranian music, it makes the atmosphere of the work sweeter and more pleasant. Conditions that in addition to the gender of Hassam’s voice Al-Din As a singer, Siraj includes the appropriate tone and technique that he used in reading this work, and in interaction with the composer named Abbas Abu Hamzeh, who is well acquainted with this visual space, the conditions effective provides for the durability of this single song.

The music of the end credits of the documentary “Bozor Rah Hammet” included a collaborative structure that was composed and played by Abbas Abu Hamzeh’s piano, played by Parham Sarmi’s def and played by Tembak Mahmoud Farahmand was able to sit well on the end credits of the series and make it a lasting memory in the listeners’ minds. A combination that has rarely witnessed this harmony in these years, especially in the nineties effective It was in the music of the credits Am And Unfortunately It is among the few products and for the time being we cannot hope for the increasing number of such works.

Amir Javid said about the music of this series in one of the media meetings organized for the broadcast of the “Great Road of Hammat” series: We wanted the program to be distinctive in its visual identity and form and treatment of topics. For this reason, special attention Oh you We worked on music. You don’t see a similar program on TV that goes into composition and they often use selected music. We were faced with a large full symphony orchestra. The music of “The Big Way of Hammet” was bigger than the work itself. Of course, many may say that this is my weakness and I accept it with a big hug. Because it was a gate to attract the audience. Many people may consider attracting an audience to be silly. But we work for the audience. Even in the opening and closing credits, something like this happened and everything went hand in hand are to the audience with a different effect opposite be facing

He added: To The music of the end credits of the documentary “Bozor Rah Hammet” included a collaborative structure that was composed and played by Abbas Abu Hamzeh’s piano, played by Parham Sarmi’s def and played by Tembak Mahmoud Farahmand was able to sit well on the end credits of the series and make it a lasting memory in the listening minds of the audience. I believe that Mr. Abu Hamza made a film are. Even the first thing that was made in “Bokhar Rah Hammet” was music. […] Of course, let me also explain that in addition to trying to attract the audience through music, I also attracted a series of my friends and colleagues in this way, and Mr. Abu Hamzeh, who is familiar with my thoughts and has a very good mind, was chosen accordingly. became.

Jabar Azin, one of the critics and researchers of our country’s cinema and television, said about the music of the documentary “Bourg Rah Hemet”: “Bourg Rah Hemat” is a different collection. The form of this work is also different from common documentaries. The narrator is not a sycamore tree that only speaks dialogue. The narrator gives different information to the audience and moves the work forward. Frames and mise-en-scène non-players It makes a difference. Even the innovative form of the title is fascinating. Music also comes with the help of content and it Effective has done. This shows that it is well thought out. Where there was a need for dialogue, there is, where there was silence, there is, and the music is right in its place. I still feel that work is a kind of experience, but the same kind of payment is not seen in big jobs. Of course, these are the benefits of “Great Way of Endeavor”.

Abbas Abu Hamzeh is a composer and one of the artists who always works in the field of publishing religious musical works effective And he has done a remarkable thing about his presence to make the soundtrack and titles of the series “Big Road of Hemet”, he said: I was very surprised at the beginning of the work. Is it possible to make a work for music? They look very professional Oh you And it is accurate. Of course, it was a very difficult task for me, but I made the music based on the space they told me. But what was very interesting to me was that “The Great Way of Hemet” was built on love. I try very hard in my choice of melodies to include this emotional charge. Sometimes a simple music has more emotional charge than an extensive music. A love interest had taken this group to the heart of the story. An emotion leads a person to seek the pain of others. We made about 28 minutes of music for this. We used all the instruments. Of course I am very into music sample I don’t believe it, and we were engaged in construction for about 2 months.

In any case, the music of the end credits of the first season of the documentary series “The Big Way of Hemet” is one of the melodies that are created by the group’s empathy, cohesion and creativity. Worker had, was able to be accepted by the audience as the title of a documentary series.

A space that can be a sign of concern Mandy And he knew a way of thinking that does not look at music only as an entertainment tool and tries to give the audience the shape and image of a documentary through this valuable art. Presentation He has a lot to say. The words of Hasam’s pleasant voice Al-Din Siraj and a pure melody have come to make the first season of a worrying documentary more lasting.