Fahim: The dictatorship of the monopoly movement deprived the late Tahmasab from the funeral and farewell ceremony

Mohammad Taqi Fahim, a film critic, in a conversation with the reporter of Tawana Journalists Club, said: In the field of literature and art, many artists and writers create characters, instead of putting that type of character on the character one by one.

He added: due to his mastery of the language and the strong principles he had in dubbing, the late Tahmasab constantly presented new initiatives in his works along with different types of sound production and dubbing, and in this sense, he worked constantly, that is, as He constantly created a single voice, a single tone, and a completely different and new type of sound.

This film critic stated: When Master Tahmasab entered the acting arena with his own voice, he left far more appeal in the minds of the public. In the recent years, a pseudo-intellectual movement with the ideology of a mabane dictator emerged in the field of culture, art and media of our country, which, by dominating and possessing the virtual space and social networks, used it as a powerful tool to achieve its personal, class and current desires. And in the country, they have started to distort and monopolize in the direction of their goals, and they have turned all these facilities into the main means of attacking the great ones in the field of art and culture in general, and Nasser Tahmasab was no exception to this rule. .

Fahim went on to say: The late Tahmasab was subjected to unjustified slanders of this highly ideological current, considering the kind of works and enlightening documentaries that were made in the field of contemporary Iranian history.

He added: Basically, just like Hitler, these currents have an ideology and a dictatorial attitude, which have been written on the black pages of history as a lesson. This pseudo-fascist current has never given up on any effort to polarize society in the field of culture and art. The late Tahmasab was not spared from the attacks of this group of dictators and was the target of many unjustified slanders due to the kind of work he left behind.

Fahim stated: The popular movement against this type of cultural dictatorship must come out of its shell and put aside negative methods and enter these spaces in the form of positive methods. This trend, which has no purpose other than division, destruction and denigration, its first problem is that artists like Zind Yad Tahmasab suffer isolation and passivity. Anyway, an artist who wants to do something and create a work needs peace.

He continued by recalling the Fajr Festival of the past years: In the past years’ festival, we saw that Mr. Zamani, a movie actor, appeared at the press conference on the first day of the event, but he was treated in a way that made him hide in such a way that he could not be found. Because these currents were able to reach a series of results in these ways, they did and continue to do more of these anti-human and cultural things, and it has become an inappropriate tactic to keep artists away or isolate them, so that many of these artists are out of profit. they take out

Fahim further added: To introduce the artistic status and live works of Yad Tahmasab, we can refer to many films and series that if it were not for his voice, that film or series would not have any attraction in the technical work and physical performance of the actor. Tahmasab is remembered alive because of his special voice and also his special skill in dubbing in different types in a movie, he created different voices instead of several people and gave that effect a special color and smell.

He continued: Another reason that made the late Tahmasab more lovable was reading the narrations of the enlightening documentaries of the Islamic Revolution, and this caused people to respect him a lot.

This film critic noted: Unfortunately, the dictator’s actions deprived his family of a farewell ceremony, befitting the high dignity of this committed artist. I was informed that before his death, he had advised to bury his body in the company of his family and in private and without media noise, because they did not want this space to be used to polarize Su’s fans, lovers and society. Even after his death, he saw this obligation in himself with the order he made to his family.

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