Festival cinema is a detour of the enemy for the country’s cinema

According to Fars news agency, the dialogue meeting of Holy Defense Cinema with the theme “Strategic cinema, opportunities and upcoming obstacles” was held this morning (Sunday) under the auspices of the Art and Cinema Affairs Organization of the Foundation for the Preservation of the Works and Publication of the Values ​​of Holy Defense.

In this meeting, which was held in the presence of Brigadier General Mahmoud Sezavar, head of the art and cinema affairs organization, and a group of veterans in the field of culture and art, especially the holy defense cinema, Javad Shamqadari, deputy director of the cinema organization of the 10th government and director and cinema expert. During his speech, stating that cinema is a special strategy for cultures and civilizations that claim to be present at the global level, he stated: The Islamic revolution in the contemporary century caused extensive changes in the world arena; A revolution that pushed aside the superpower of the East with its own movement, and even now we see that the superpower of the West is also declining.
Shamqadari considered cinema as a strategy and added: If cinema is given to the ideals and goals of the system, it becomes a strategic cinema and is considered a means for culture and civilization.
The deputy director of the 10th government’s cinema organization emphasized that festival cinema is one of the enemy’s detours for the country’s cinema, and continued: the enemy is trying to prevent the Islamic revolution and the Islamic Republic of Iran from using the capacity of cinema with its plans and plans. use.
Furthermore, “Parviz Farsijani”, the producer of cinema and television, also said in his speech: “Today, there is a lot of space for strategic cinema in Iranian cinema.” With a proper understanding of strategic cinema, we can access the steps to reach this cinema.
Farsijani considered strategic cinema to be a cinema that serves the strategic goals of the system in form and content, he said: strategies have been defined and cinema should serve it in terms of form and content. In fact, it can be said that this issue can be seen in Hollywood cinema.
The cinema and television producer continued: Another definition of strategic cinema is in terms of method and technique. That is, it acts strategically in screenwriting, directing and editing, and in form and content.
He pointed out: The third definition of strategic cinema is that the cinema is in the hands of managers who guide the cinema based on specific strategies. Like our cinema, parts of which were strategic in the 60s.
“Mehdi Azimi Mirabadi”, a cinema producer, also stated in this meeting, during his speech, “There are many strategies to achieve a goal, if we talk about strategic cinema, it is wrong to imagine cinema only in the sense of a movie.” In fact, what should happen is that the film and cinema series includes audiovisual activities such as television, series, short films, feature films and animation.
Azimi Mirabadi added: When we talk about strategy, we have a general strategy and a specific strategy. Besides that, we have both a general strategy and a partial strategy. Now, our overall strategy in the Islamic Republic is based on bringing us to the main goal of the Islamic Republic and the Islamic Revolution.
This movie producer continued: We can have different methods to achieve these goals, and one of the most powerful methods is film, cinema and television. In the form of this film and cinema classification, we have many types of formats, methods, languages ​​and features. In fact, we are faced with several strategies, all of which are supposed to bring us to the general goal that we have.
He pointed out: These features include human resources, plan and program, budget, space and conditions, and the other is management. Of course, there are topics such as threats, strengths, weaknesses and opportunities that lead an official and an artist to the conclusion of which path to take to reach that point.
According to Defense Press, the specialized meeting of the holy defense cinema is held regularly and quarterly in the art and cinema affairs organization of the foundation for the preservation of the works and publication of the values ​​of the holy defense, with the presence of cinema activists.