Five newsmakers of “1400 TV” / the presenters who created controversy – Mehr News Agency | Iran and world’s news

Mehr News Agency – Art Group – Atieh Moazen: The sphere of influence of some letters sometimes goes beyond friends and acquaintances and a nation and penetrates the number of people they are addressed to. This influence can be positive and fruitful, and vice versa can be due simply to the reputation and popularity of a name. An influence that can sometimes change people’s destiny or change their good and bad circumstances.

We are talking about the sphere of influence on a nation that we are talking about, that is, the television antenna, which means the potential for the power of each and every one of the people in society, who may even turn on the television in a moment of 24 hours a day. Or even less the person who may influence the process of planning and policy-making of the antenna output, or force a part of the managers and officials in charge of the society to listen to themselves and put them in front of the public opinion, all of which are still in the same circle. The effectiveness of the national media antenna returns.

Each year, we have selected five figures from all the influential and prominent letters of the year 1400 to review and analyze the developments of Sima in the past year, recalling what they have done or the image and mentality they have created in their audience.

Vahid Jalili; A critic in the field of action

He is currently one of the key figures of the radio these days, although he is rarely heard from and has not been as vocal as expected in the official news circles of the radio, however, since the arrival of Peyman Jebli to the radio. The name that was heard with him was Vahid Jalili.

On December 16, 1400, Jebli appointed Vahid Jalili as his deputy for cultural affairs and handed over the helm of the field to a person who had written in the field of art and culture criticism for many years, and who had been protesting and demanding the need to reform approaches. Jalili has worked in various newspapers and media outlets, and over the years many have recognized him through the Ammar Film Festival and the festival’s claim to reform the movement of Iranian cinema. A festival that was able to bring a stream of talented and concerned young people into the field of culture and art and provide an identity for itself.

Vahid Jalili now commands the transformation of the national media, a figure from the Cultural Front of the Revolution who has become the secretary of the transformation headquarters of the Radio and Television.

Over the years, Jalili has been a staunch critic of the country’s popular film, art, and media streams, as well as some television productions, and has occasionally leveled harsh criticism at some of these works. An example of this is his detailed correspondence from two years ago, most of which included important and critical headlines about the performance of former television executives.

In the few months that he has been in charge of cultural affairs as well as in charge of the Radio and Television Transformation Headquarters, he has not yet entered the official media space to inform about what is happening or what is going to happen in the near and far horizon of Radio and Television. It did not have this chapter and now many are waiting to see how 1401, the critic of yesterday and responsible for today, will end the year.

Jalil Saman; Yesterday’s melodrama maker and today’s satirist

Until a few years ago, he was known as a melodrama trilogy, inflamed and with his serious atmosphere towards the terrorist group of hypocrites and contemporary history, and now, for one or two years, he has chosen the exact opposite path and satirized in narration and illustration of a part of This is the contemporary history from the last years of the 50’s to the revolution and the war.

The big risk that he himself had explicitly stated was that he chose “humorous language” because of his audience, because nowadays people no longer have the patience to listen to serious professions. And now, with these new experiences and humor, the output of which led to the series “Underground”, the audience will probably no longer consent for him to leave this space.

He has aired two seasons of “Under the Earth” and these days, at the same time with Nowruz 1401, the new season of this series is being broadcast, and it seems that now another trilogy has been recorded in his record. A series that, although this time it has chosen its narrative in a fun and humorous atmosphere and even its first role has no concerns about the revolution, war and important events in the 40-year history of the country, the ideas and subjects are still the same as the director’s previous concerns.

The output of serials such as “Armaghan Tariki” and “Parvaneh” showed that Saman not only does not seek slogans and stereotypes, but on the contrary, he can be called the founder of realistic serials in presenting the image of the Mojahedin Organization and its sympathies to today’s audience. In his interviews, Saman has explicitly and seriously presented his thinking and has been far from the conservatism of some creators of such works.

Jalil Saman has recently graduated from making the third season of “Underground”; A story that, of course, was supposed to continue until the 90s and reflects the current situation of the current officials of the society, and now it must be seen that with the success of this series in the last two seasons and the third season that is being aired tonight, the license for the next season and the 90s will be issued. Or not. Especially since the director himself probably no longer has the courage and energy to fight and advance his desires, and recently, several times with audits or events that happened to “Underground”, he showed that he is ready at any moment to give this serialization to Forgive him.

As in all these years, in addition to his record, he has, in his own words, a list of unmade serials, from projects and screenplays that have not been approved, to works that have been stopped in the production process and have not been licensed to continue.

محمد دلاوری; Unique demand-driven implementation

If we consider Reza Rashidpour, Ehsan Alikhani or Farzad Hassani as “brands” and presenters of challenges and social and routine conversations, Mohammad Delavari can be considered as “brands” of television in performing demanding and challenging programs with political and organizational officials. The hero who also started his work in the field of news and has stepped up the process of journalism and media step by step with the item “just for information” was seen and noticed at “20:30”.

An item that was in the avant-garde TV news section and turned the likes of Kamran Najafzadeh and Mohammad Delavari into new news brands during the 1980s. However, these distinctions in the expression, tone, and news that were reported were only noticed for a period of time, and not only did they not continue, but even the fringes and pains of that experienced journalist. After several years of appearing on popular socio-political programs on television, he announced in an interview that he had not left the “news” field of interest, but had been fired.

His news backing and writing in various newspapers, chatting with officials and working in the media made him an experience that can now be considered one of the few demanding and challenging TV presenters. It may not even be an exaggeration to say that he is the only executor in this field who has been able to enter the field of questioning in the field of public demands of the country in urban areas, social problems, issues related to basic needs of the people and everything that is the topic of economics and industry. To be right.

Delavari has been running the “Tehran 20” program for the past two or three years, and various videos of these challenges have been spread in cyberspace. The videos go beyond the mere fragmentation and ridicule of the officials’ statements, which are the subject of jokes by routine TV presenters, and have the right punctuation for them, and bear the brunt of the social challenges with the officials.

A distinctive feature of him is that he tries not to fall into the trap of traditional party games, and the audience that sits at the foot of his program does not discriminate between the leaders of different currents and groups that are part of his interview in the program. Of course, in addition to the experience of performance, programming, documenting and other experiences, Delavari also tries to keep his personal signature in each of these different mediums and spaces and does not walk in the form of conventional stereotypes.

Young Rambod; Entertainment brand

During these years, his “face” has been so prominent in his performances and programs on television that we are less familiar with his acting face. Although his acting certainly helped him, directing and writing and working in the field of advertising and all his experiences helped him to be a better author. He has “funny” nights, and many nights when television had no entertainment for his audience, he was able to entertain the audience with the same conversations, contests, and group games.

Although the young Rambod is still an actor, he is less known as a celebrity performer or a mere actor because he has been directing and programming for many years and has devised various ideas in his programs.

He has now made more than 800 episodes of “Khandwaneh” which, despite all its ups and downs, has been able to maintain its audience and hold the record for one of the most watched TV programs. Although he has made a mistake in this direction, he has paid back the ransom to the people themselves, he has been marginalized and he has not been perfect, but in the past one year, he has often been entertained by television entertainment. He worked with the characters he created alongside him, such as Mr. Khan, who has been one of his key complement to all previous seasons.

The important point of Rambod’s programs has been that although it has sought to fulfill the mission of television and the nature of entertainment, it has been able to include ethics, life, hope, books and many other daily and basic concerns of life.

He has been able to be noticed and this has caused his mistakes to be seen even more often and the audience can expect more from him.

Azadeh Namdari; Shock a decision

It was on the 7th of Farvardin, 1400, that various speculations about the free death of Namdari were published in the media one by one. The silence of the family and official sources added to the rumors and speculation, and each of the unofficial hearsay and news were pieces of a puzzle that inevitably reinforced a tragedy.

The free body of the famous young performer was found in his house. Next to him were sheets of a large number of pills and manuscripts were discovered for his daughter. Each of these, without the same official interviews and clarifications, was a seal of approval for the free suicide of a celebrity who was once a well-known television presenter.

We say time, because for several years he was no longer on television and in front of the official tribunes and the antenna that Azadeh called him. The celebrity began his television career in the early 1980s in an item of about 10 minutes known as the “News” section. An item in which it somehow presented current events and news to the audience and this section continued for several years. After that, she entered official and independent TV performances and went so far as to become the only female presenter of the TV brand. Especially at a time when the playing field was more in the hands of men and women had less to say. He was a stereotype breaker in the performance and tried to be innovative in his cover, tone and performance, which, along with his mastery and literacy, could add value to his performance.

However, he has been banned from television in recent years. It was said that he had been suffering from depression during these years, taking pills, and now he had ended his life with the same pills he had taken to treat.

Namdari’s free suicide was never believed, just as a year later in the last days of March, this momentary choice for the living memory of Zohreh Fakoor Saboor was unbelievable. The girl who suddenly became a celebrity on TV and starred in a series of night series and TV Street. Zohreh Fakoor was first noticed in “Youth”, appeared in “Traveler from India” and later starred in other series such as “Narges”. Although he played all these years, like many stars who are going through the heyday, he was less popular on TV and in serials.

Now we have used these two TV personalities as an excuse to pay more attention to the assets that germinate on the national media antenna, turn green, and become seedlings that may need care forever. Faces that we magnify by the tribunes and frames of the national media, and then by their absence on the antenna, which has been the scene of constant uproar and repeated applause and praise, we do not understand what has happened to them.