“Good rider” and attractive ideas of Mr. Poet / Fardin Khalatbari planted flowers again – Mehr News Agency | Iran and world’s news

Mehr News Agency – Art Group – Alireza Saeedi: The caption function is something like a book cover Designer Tries with Selection Elements, forms and چینش‌ها Use graphics and music to inform the audience of a work. Conditions that are sometimes very punctual, Thoughtful And Calculated It puts it in front of the audience and sometimes to some extent Headline And it is made by performing a mandatory task that basically fills the viewer with a visual effect far he does.

An excuse to return to the keyword “titration” again is an overview of the most enduring and The most memorable The music is related to some programs and works of cinema and television that contain bittersweet memories for many audiences, and referring to them again can bring us a world of memories in any situation. The memory game, which was welcomed by the audience after its beginning and publication on Nowruz 1400, made us dedicate our souls and minds to it in the form of a weekly memory game on Fridays every week, and from its passage to the years when we feel better than these painful days. Was, let’s go.

“Memory play with lasting captions” is the title of an archival report series with the same approach, which you can follow on a weekly basis in the art group of Mehr News Agency. do.

In the fifty-fourth issue of this media narrative, we went to the music of the TV series “Khosh Rokab”; One of the most popular TV series with the theme of Holy Defense, which was released in 2002 as a series Story Tabushkan tried to provide a refreshing Nowruz for the TV audience of those years in the form of a lesser-known comedy and story. Circumstances that welcomed the audience, took the space in a direction where its creators also started to produce the second season, and the series “Goodwill” is ahead. Audience The stunts of Majid Salehi and Mohammad Kasbi in Encounter With a serious and violent category such as war and a different titillating music with the presence of giants such as Afshin Yadollahi and Fardin Khalatbari, they played an undeniable role in establishing and making memories.

Serial “Happy Rider” as It was said that the product of 2002 is the Epic and Defense Group of the First Channel of the Islamic Republic of Iran, written and directed by Ali Shah Hatami. the first On Nowruz 1382, Mohammad Kasbi, Majid Salehi, Maryam Saadat, Pouya Amini, Amir Nouri, Mona Farjad, Asghar Naghizadeh and Seyed Jalal Tabatabai appeared in front of the audience on the First Channel of Sima. This is the story of a man who has a crazy interest in his truck. But it’s wartime and trucks Atqi He had to go south to help the fronts, which was due to dependencies. Atqi In his truck, he faces challenges that include interesting events Attention Is.

But regardless of all the circumstances Serial Passed and incidentally includes but and If some There was a lot in both the first and the second season, it was the soundtrack and the credits of the series that could be introduced to the viewers as one of the winners of this comedy series. The music of the title track of the series “Khosh Rokab”, a melody derived from the thoughts of a Khosh composer قریحه His name was Fardin Khalatbari ترانه‌ای Folk and the so-called market alley of the deceased The music of the title track of the series “Khosh Rokab”, a melody derived from the thoughts of a Khosh composer قریحه His name was Fardin Khalatbari ترانه‌ای Folk and so-called market alley by the late Afshin Yadollahi with Ali Khalaj singing Interesting atmosphere Attention Make music to the credits Serial Injected, this work can be considered as one of the most enduring musical works in the field of titrations. Afshin Yadollahi with Ali Khalaj singing, interesting mood Attention Make music to the credits Serial Injected, this work can be considered as one of the most enduring musical works in the field of titration. An attractive and different music and less experienced in that period of Sima serials that in terms of The structure had a novelty and freshness that was attached to the market alley song Oh you too Level and It was suitable for a series that had an effective psychological adaptation to the main characters of the story.

Circumstances that even made the album of the same name “Khosh Rokab” available to the audience in the winter of 2004. In this album, poems by the late Afshin Yadollahi with keyboard and piano playing by Fardin Khalatbari were presented to the audience in a style of music that, in accordance with the atmosphere of the series’ soundtrack, melodies similar to the music of the thirties. Forty productions And was made available to the audience.

Fardin Khalatbari was in the same period of production and broadcasting of the series “Khosh Rokab” who had said in an interview with one of the media about the soundtrack and titration of this popular series: Theme It is a unit that expands according to different situations. As a composer, I also try to make the music I need to fit the story space, and in doing so, I do not take into account my favorite personal music. As Example In the same series, “Khosh Rokab”, the atmosphere of the first parts of the story requires a kind of market alley music that is inspired by this music and with a slight change in Orchestration It is made of serial music. This type of music is easily understood by the audience due to its simplicity and does not have much depth, although at some point in the story due to the evolution “AtqiThe music also changes slightly. But in the whole work, it is not used in such a way that it has a spiritual atmosphere and Theme The evolution of the film hurts.

Referring to the composition of a poem by Afshin Yadollahi and its performance by Ali Khalaj, he said: “In the first part of the series, Taghi Ezzat says “How good it was for someone to write a poem describing a good rider می Inspired by this issue, I also ordered a poem from Bazaar Alley to the poet, which will be used for the title of the series. ترانه‌ای It will be slang.

But as from the sayings of Khalatbari and history Friendship And his collaboration with the late Afshin Yadollahi is understood, that the song element is one of the most important components ها And it was the elements of music attraction that the composer focused on in most of his work, as using this instrument. Efficient And it is effective that many of Khalatbari’s works have been able to have such a high degree of permanence due to his abilities in the field of composing and combining it with the poems of poets such as Afshin Yadollahi. Conditions in many series Popularity That he was the composer, it can happen that we can refer to the series “Tenth Night”.

Afshin Yadollahi has always been changing and trying out his pen. This style and style of writing of Yadollahi caused the audience of his works to go beyond a specific age group or regional culture. In this regard, Ahmad امیرخلیلی Researcher and song سرا He also wrote somewhere about the musical and technical capabilities of Afshin Yadollahi’s poems, especially the song “The title track of the serial” Khosh Rokab “: Psychiatry Afshin Yadollahi has not been ineffective in reaching this level of understanding of the verbal needs of the society of the eighties. Yadollahi but before composing, Tonbak نوازِ A band کرمانی He has been experimenting in the field of singing since then, and lately he has been practically singing. The same experiences Back to back From playing, singing, psychology, poetry review, and songwriting experience Do not be afraid for this reason Restrictions on Selection Linguistic and verbal formal areas and Thematic He did not consider his works to be so-called signatures of his work. This is not the limit Area His song is composed of songs such as the title song of the series Khosh Rokab with the voice of Ali Khalaj, which is a street-market language and slang terms.

In another part of the note about Yadollahi’s works, he states: Afshin Yadollahi has always been changing and trying his pen. This style of writing of Yadollahi caused the audience of his works to go beyond a specific age group or regional culture. Of course, we can not deny the role of popular series in the publication and viewing of his works, but certainly in the analysis of his works in a technique Psychologically And society Cognitive We will get his signature on Selection The type of words is his works.

Interestingly, the late Afshin Yadollahi, whose works have been vacated in recent years Intensity In the content of our country’s musical works, it is strongly felt that in an interview he had in June 2016 about the music of the credits, he said that a song in the series should have an independent meaning: “I think the song سرا To compose a title song, he has to act like an actor and go deep into the story and sing the right song just like an actor.

This poet and song سرا Which is without a doubt one of The most current Songwriters سال‌های The last time our country is considered in this interview was in response to how much the song comments سرا At Selection The music and the singer are involved and did it happen that he himself got involved Selection Composer and singer for Their song Hit “Yes, this has happened a lot,” he said. Anyway In one work, all the factors that want to make the caption are consulted so that they can use the experiences and Selection Reach well. For me, too, in working with some directors with whom I have worked extensively Always reassured There have been times when I have been asked which composer and which singer could be more appropriate; This is because I have been in the music and recording space and I have had a lot of work experience in this field.

Regarding the characteristics of a good titration song, he said: “The titration song should have a comprehensiveness with the whole music space.” in terms of Match the theme and mood, in return Songs that work inside the series Afshin Yadollahi: I think the song سرا To compose a title song, you have to act like an actor and go deep into the story and sing the right song just like an actor. It may be more related to the same sequence and more focused in terms of Conceptual and intellectual should be appropriate to the sequence and the part where the song is to be played. The harmony of the title song with the whole space of the series is very important and this should happen while the theme لو ندهد. In songwriting for a series, the historical time of a series, the type of dialogues that are exchanged, and what social, cultural, and belief context the series narrates are all important. As well as the composition and the atmosphere in which the music is to be made and what singer is to be sung; Pop or traditional and این all of them are affected. We must pay attention to the interpretations, words and words that we use, and the subject and language of the poem must be in some way appropriate to the language of the series, but not in a way that can not relate to the present. Establish Slowly We have to ترانه‌ای Use that can also with dialogues in which Serial It can be used to have some kind of harmony and to be in harmony with the language and music of our present age and to communicate with it. Establish Slowly This Border Is that song سرا He must find it and follow it.

وی about reasons The permanence of a title song, he said: In addition to one of the interpretations of the song is the subject of the series and the stories that take place in it and is related to the atmosphere of the series, it must also be interpreted independently. In order to remain in the series, the song must have an independent meaning and be audible, and everyone can relate to it with their own spirits and perceptions of their emotions and beliefs. Establish Slowly I think the song سرا To compose a title song, he has to act like an actor and go deep into the story and sing the right song just like an actor. As if I wrote a poem with a kind of words for the series “Tenth Night” and “Zero Degree Orbit” and for a series like “Forbidden Fruit” in a different way and for the series “Strange” and “Dirty Money” with a tone and for a series like “Khosh Rokab” which had a market alley atmosphere with a tone Other poetry I said, the same goes for comedy series. Anyway Song سرا To sing the title song of a series, one has to immerse oneself in the role like an actor in order to find the right words and the right tone, and According to Say that poem. All this has been interesting to me.

In any case, what was able to leave sweet memories of the titillating music of the series “Khosh Rokab” was the attention of the music creators and the content of the work on the three elements of “form and format”, “language” and “content” who tried to stay away from any The vulgarity that can limit street and market music to the creation of a work Hand Find that all people in an urban community can communicate with it without any problems Establish And love the effect. A work that, two decades after its creation, has managed to become one of the most memorableMost The music of the subtitles of the TV series in recent years.