“Growth Rule” was not promoting lottery / is unrealistic shows on platforms – Mehr News Agency | Iran and world’s news

According to the Mehr correspondent, the meeting of the series “Hakm Roshd” was held today, Sunday, June 20, in the presence of director Hassan Lafafian, producer Mehdi Faraji and other actors of the series in the public relations of the radio.

Faraji initially said about this series: “People are much more easily connected with family works, and family series are in the fields of social, police, drama, and their favorites.”

Faraja to build a cinema town for police work

Referring to the lack of facilities, he said: “Faraja supported us and helped, but he was within his means.” Those who direct theatrical works should know that the existing facilities of the country are not enough. There is a cinema town that does not meet one hundredth of our theatrical needs, and serious work must be done. Faraja himself must build a cinema town for police work.

The producer added: “When we film in the back alleys, sometimes we block people.” We had a strange shape in some of the make-up and I remember in one of the scenes one of the drivers who saw these make-up thought it was real and got into a fight and got scared.

Faraji reminded in another part: We had 120 locations, we filmed for about 220 days and we were in the same location every two days. You have to prepare and arrange for each location and it was very hard and difficult.

“Feedback was very good,” he said.

It was the first time I had been threatened with murder for my role

Hamid Ebrahimi, the actor of the series, also said in a speech: I played 23 series for TV and this is the first series that I was afraid of, because I was threatened with murder several times by people. People said we would find you somewhere and kill you, and I was surprised that people believed the story so much. Fortunately, I had worked with both Mr. Faraji and Lafafian before. I’m glad I was able to be a small part of the series.

Azita Torkashvand also said in a short speech: “People said we reconciled with television and asked a lot about the second season.”

Niloufar Shahidi, another actor in the series, also stated: “People really reconciled with television.” This series showed that if a good work is broadcast, people will support us.

Payam Ahmadinia, who plays the role of Gholam in the series, also stated: I had rarely seen a negative role that became popular on TV, and thank God, with the directing and good agents, this happened here.

Alireza Mehran also continued: “A group of 100 to 150 people were involved in this series for about a year, and thank God we had a good outcome.” It was a difficult role and good guidance made me learn.

Mojtaba Fallahi, the actor who played the role of the police in this series, also stated: As far as I know, this character was borrowed from a character, Mr. Bakhtaki, but I tried to listen to the director more. I have to thank a lot that the first role of the series was given to someone who was not on TV and people were thankful to God. Some people told me that they saw the series not on TV and other mediums, but on YouTube, and this is commendable.

Ahmadinejad went on to say about his presence in the series: “I think an Iranian cried over Gholam’s death and I think that feeling was instilled in them.”

In response to a question about the decrease in TV audiences, Mehdi Faraji said: The head of the national media has already said that the audience of the national media has decreased. But I think people see good programs and series. People used to be network-driven, but today they are program-driven. Today, the audience of “Gando”, “Underground” and other works, finds them.

A small percentage of platform audiences compared to TV audiences

Referring to the comparison of TV audiences and platforms, he said: “A small percentage of these TV audiences do not exist on the platforms and have a good program and series on TV.” However, our facilities are not enough. The national media used to make serials for three networks, but now the volume of home network productions has increased so much that they are turning to television, and the facilities have not increased as much. We, who can not build helicopters and tanks, need their own cinematic facilities. Sometimes I am asked why I go to hard work with production? Serialization is very difficult with the conditions we have and why I do not build a simple apartment. Part of this is due to the fact that the relevant institutions, from the national media to the field of art, Faraja, the IRGC, and…, must think fundamentally in order to build a town.

Faraji added: “This town should be built. I promise that some countries in the region will also come to make their series here and there will be a return on investment, but Hemmati wants these conditions to be provided.”

Platforms display events that do not exist externally

In response to a question about the magnification of the problems of the marginalized, Lafafian said: “We did not magnify. But we should not think that we should not show the problems and some should not see. Incidentally, families should watch the series, but with the same red line look. We need to inform families that if there are problems, but do not worry because there is security along with it. The message of the series was that the slave of our story came out of his family when he was 17 years old and these things happened to him.

Mojtaba Fallahi, who plays the main role of the police in the series, said about his presence in this role: The total number of projects is 40 or 50 people who are always there and it should be a kind of cultural justice not for me but for others who are talented and behind the cinema doors.

In response to a question about the promotion of violence, Faraji stated: I absolutely do not accept that we promoted violence. Maybe some faces and expressions could sometimes bring this association, but this series was broadcast clean and tidy. One of the criticisms was that this is a police series and there is no conflict or action, and they expected it to be.

The producer concluded: “Contrary to the criticism that the promotion of lottery was a promotion of family and security, and that people need security.