Holy Defense Cinema Did Not Surrender to Merchants / Waving the Flag of “Mahdi’s Position”

Jabbar Azin, a film critic and lecturer, told a Fars News Agency cinema reporter about the movie “Mahdi Situation”, which has started its Nowruz release and has sold 960 million Tomans so far: “One of the great and valuable achievements and an example of Iranian cinema in the post-revolutionary years.” , The birth and emergence of cinema and works of value and sacred defense. Cinema and works that, although in terms of elements of war, incident and excitement, are common with world war cinema, but due to the components of faith and belief and value and the believable and militant presence of holy defense fighters and lofty goals, with world war movies and cinema, There is a fundamental difference.

He added: “This type of cinema and its magnificent works, which should be the axis of the national and Iranian-Islamic cinema of the country, during its lifetime, despite the efforts of some committed artists and directors, due to shortcomings, negligence and mismanagement, There have been many setbacks that have caused commercial opportunists in the cinema to have the opportunity to produce superficial and weak and scary films, to come down and market, and to marginalize the artists in the field of sacred defense.

Azin pointed out: “However, these artists, who believe in the sacred defense cinema, did not give in to commercial conditions and continued to produce sacred defense films based on their interest and commitment.” Valuable, content-oriented film “Mahdi Situation”, the first admirable film by Hadi Hejazifar, formerly known as a talented actor in the field of performing arts, cinema and television, due to its accurate research content and content, and faithful to the values ​​and ideals of sacred defense. Good knowledge and attention to the epic heroes of the holy defense era, the great martyrs of the Bakri brothers, as well as the clever and artistic use of cinema tools and attractive cinematic structure, has been able to raise the flag of the holy defense cinema once again.

He added: “Made by Hadi Hejazifar, he showed that with the support of officials and the efforts of committed artists and the visual and theatrical capabilities of the events of the holy defense and the great and current personalities of this period, good and meaningful works can still be made and shine.” Depicted.

The film critic said: “Mahdi’s position” has been successful in writing the principles of the script, proper storytelling, believable atmosphere, acceptable narration of parts of the life and struggles of the Bakri brothers, acceptable actors, credible characterizations and calculated directing, and in a respectable position. The sacred defense stands in cinema and in the artistic, cultural and social history. This work is one of the sympathetic, audience-friendly and critically acclaimed works that can be a model for the production of character-oriented and successful works of sacred defense cinema.

In the end, he pointed out: “Mahdi’s position” is an honest and artistic religious tribute to the martyrs, the epic brothers of Bakri, the holy defense, the works of value and faith. Iranian cinema is witnessing the birth of a talented and optimistic director. “Mahdi’s position” is next to the memorable works of the sacred defense cinema.

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