Jamshid Gorgin: We used to play with Jamshid Mashayekhi Ghaem Bashk / The home theater network has dropped

According to the Fars Radio and Television Reporter, Jamshid Gorgin, the guest of the serialist program, said about the performance of the comedy cinema program in the past years on the One Sima network: “This program was broadcast more than eight times and had the most rebroadcasts during his time, during the war.” It was a very special time and this program could bring happy moments for people. Many of our good filmmakers, who won awards at major festivals such as the Fajr Festival, told me that these programs made us interested in cinema. I was very happy that this program made me very interested in cinema. This program had both entertainment and specialized and educational aspects.

“I am a strict and serious person,” he said of his lack of work during his career. I try to do everything I can as well as I can. That’s why I was selective in my choices. I did not act for a long time, although I had many offers, but there must be a good screenwriter and director to lead me and turn the script into a good film. It is not your habit to say no to suggestions once or twice.

“I want to work now, but the offers are not good,” he said. I had offers recently but it was not what I wanted. A good screenplay that makes up the bulk of a movie or TV series, and a knowledgeable director who lovingly turns a screenplay into a work, are necessary for a production. It should not be work for wages. Unfortunately, filmmaking has become a chore like an office job. I like to work with a group that, from the juicer to the director, thinks that the work belongs to them and looks at the work with love.

Gorgin said about his collaboration with Behrouz Afkhami in the series Mirza Kuchakkhan: I like this job very much. Because the script was very beautiful and psychological, written by Nasser Taghvaei. They gave me the three-volume script of Mirza Kuchak Khan, which I still have in my bookstore. Believe me, I did not put it down until it was over and read it day and night. It was beautiful enough. When I read the script, I did not feel like I was on the ground reading a text. Mirzakoochak Khan was one of the most beautiful screenplays I read.

He said: “When a first-rate, fluent and beautiful screenplay has elements of a work of art and a young director and seeks its name, and the script is managed by a person named Zande Yade Haghighi, who played a valuable role in this film.” , Combines with other parts like wonderful views and the result is wonderful. A combination of these factors, with the help of the beautiful locations in the north of the country, which I do not think anywhere in the world has the beauties of Gilan, made a wonderful film. I played an officer in the movie who had a gun that was popular at the time.

He said about the vacancy of the late Ali Hatami: his vacancy will not be filled. Some faces have no alternative. Some talents may come, but no one will become Ali Hatami. He created a successful collection called Thousand Hands, which took several years to produce. I made a program called About Hazardestan during the show of this series and interviewed the agents themselves. In addition, I interviewed Ali Hatami himself and the critics, which you broadcast.

The veteran actor said about the best artists he has worked with: In my first work, it was called Sada-e Sahra, which was made by Nader Ebrahimi and he wrote the script. He was a famous writer and the series had a beautiful script, but it was not successful in turning it into a film. There were many memories in my mind. We were in a tent with the living memory of Jamshid Mashayekhi. Work was in the woods and plains, and we rested in tents. When we got home from work and it was night, we played in the back of the tents because we had no other work to do. I became very interested in him there and many people said that we have a similar resemblance. After that, we would see each other in different circles, regardless of the circumstances, and others would be surprised by our behavior.

Gorgin said about the work of congenital thieves: In this series, I was the eldest son of the family. Ms. Niko Kheradmand, who is a doubler and a first-rate actress, was present. It was a good job directed by Sabbaghzadeh. We had good memories of this.

He spoke about the changing conditions of artistic activity from the past to the present: At one time, serials were broadcast on the same television that left the streets empty. It was like this during the revolution and after that. I do not know if the statistics show it or not, but the lack of acceptance of the current series may have various reasons. I do not know, the lack of content, repetitive topics, lack of new attitudes have reduced the audience of the series. Before and after Corona, when the cinema closed, producers and directors entered the home network. At first, we saw good work on the home network, and then we waited for good work, but over time, contentless and low-quality work is being made and is being made, and it cannot compete with television. Of course, I do not mean that the TV works are good, but the current series are not of good quality.

“Serialist”, produced by Mohammad Barikani and Mojtaba Faraji and performed by Pedram Karimi, is a work of the History, Culture and Art Group of Channel One, which is broadcast on Thursdays at 11:15 PM on Channel One.

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