Listening to it was a way of saying that I am too

Theater News Base: The term dubsmash is known among social media speakers as the recording and production of a short video, the main feature of which is playing or doing something in tune with a pre-existing voice, and Daniel Khairkhah, who is currently directing four roles on the stage of “Probability”. Ali Shams shines, his dub or, in his own words, Lipsing is a shortcut he used to be seen.

He says that he does not falsify history and still believes that Amir Mehdi Jouleh and Soheil Mostajabian had a major role in being seen in cyberspace, but he emphasizes that he is not interested in this work and everything he has done in this field has been just to raise his hand to say me too. I am and see me too.

Inspired by Charlie Chaplin’s performance, “Charona Prevention Training in the Most Artistic Way” was widely acclaimed, adding that he incorporated choreography and motion design into his work. Upgrade it yourself.

“How” to work is more important to me than working “a few”

Daniel Khairikhah, who has previously acted in only two plays in Tehran, “Vanik” in 2009 at Sepand Campus and “The End of the Line” in 1397, but has many years of theater work in Tabriz, says: ” I deeply believe that many student theaters are much better than the main body theaters that take place in public and private theaters. I say this because I have worked with them and it has never been me how many times I have worked. In fact, “how” to work is more important to me than “how much” to work; “How to deal with it and how to train myself as an actor.”

“I am glad that I had the opportunity to communicate with Ali, and I honestly say, ‘Possibilities,'” he said. “It worked for me as much as seven, eight theaters.”

The charity also explains how he joined the play “Probability”: “My first encounter with Ali was dealing with his text. After he sent me the text, I read it three times in the same café where I was sitting, and I remember telling myself that theater was happening. I think what Ali is doing in his texts is dealing with history. This has happened in this work as well. “History is said to have been very distorted during different periods, and one of the fascinations of ‘possibilities’ for me was that this fake history has an author, and the author has deliberately done this to speak out.”

He continues: “I have read the novel ‘Suspicious Report’ three times, and I suggest that you read this work, and I think the ‘probabilities’ of the play is the same as the novel. It is difficult for me to talk about “possibilities” and it is more like a denial question that can not be talked about much. “In fact, I would rather say something that encourages the audience to see the work, rather than footnote about it.”

Daniel Khairikhah in a scene from the play “Probability”

A story about the experience of playing with Bahareh Afshari

“All a theater has to do is make the audience’s mind start playing sports and writing and relating to what it has received,” he said. “Now we have to see what we have.” “Have we given things to the audience to establish a connection between them?”

“I want to say something about Bahareh, which was very strange to me,” he, who plays Bahareh Afshari in the play, explains the experience. What we have been taught since the first day we went to the theater rehearsal was to put everything you had behind the plateau and enter. In my opinion, Bahareh Afshari was one of the people who put herself behind the door in the best way. “It was a point that helped him a lot to do his job right.”

I worked for years and was not seen

The actor of “Probability” says in response to the question that when we search for his name on the Internet, we come across the list of dubs, and whether this is pleasant for him or not, he says: “What you are referring to is a shortcut for me. have been. The shortcut I took and tried to be the best. I do not say that I am the best in this work, but I have tried to be the best and it has only been a shortcut for me. I worked in the theater for years and the theaters were not seen and I could not communicate with the people who are connected to the main body of the theater. As a result, my survival in this medium was endangered, and my sight was constantly delayed. “So I went this way and that was just it.”

“I used this as an excuse to present myself, and to present something more elegant in a more bizarre context was just to be able to raise my hand and say I am.”

I have no interest in listening to it

In response to what he knows is the root of the interest of social media users in producing and watching his dubs these days, Khairikhah says: It was to do choreography and motion design in the same dubbing or lip-synching, and to promote it for my part. “I have no interest in this work and I see nothing more than an entertainment and entertainment, and I just tried not to present vulgar work and something that is not entertaining while entertaining people.”

Amir Mehdi Jouleh and Soheil Mostajabian were involved in seeing me

In response to the question that he had said at some point in time, Amir Mehdi Jouleh and Soheil Mostajabian had a major role in being seen in cyberspace, and is he still of the same opinion? “I still believe,” he says. I am not the one to fabricate history. “This has happened and I have witnessed it, and these two made me appear in cyberspace, especially Soheil Mostajabian.”

Even entertainment can be done honorably

“Entertaining is also something you can do honorably,” the charity explains. What movie are you watching? What are you entertaining yourself with? You have to borrow from your personal world and lend to the audience, and I have constantly tried to improve my taste in art. “I constantly see new and original things, and I had to do this so as not to deliver vulgar things to people.”

“I think if it’s our fault, it’s our fault,” he said, noting that everything he said was appropriate to his own perception and literacy. As long as we prejudge the taste of the audience and say that he likes this movie model, this theater model, this music model, etc., we have treated him like a child that we are preparing his food, and if this food, If there is no content, there is nothing left to say. “We keep telling people that because we want to entertain you, then accept the food that is empty and empty of our content, but I think if all the artists are a little more concerned and enthusiastic about their work, the audience will be saved from apathy.”