“Mirrors” and a picture of the attraction of “Hussein (AS)” / The story of a poet becoming a performer!
Mehdi Mohammadi, the producer of the “Mirrors” program, said in an interview with a Fars News Agency radio and television reporter: “The initial plan of this program was to deal with the life of the Ahl al-Bayt and their companions in a historical and narrative way, which has been neglected and has received less attention.”
He continued: “Over time, what has been mostly expressed and discussed are events and histories that the public has heard and is aware of.” And paying expert and historical attention to this issue and narrating about the Ahl al-Bayt and the way of life of these nobles and their companions and the different way of life and history and narrations before joining the Ahl al-Bayt, which is less discussed in historiography.
Mohammadi emphasized: “According to the general plan and idea that we had, a program was presented with the subject of the companions of Hazrat Hussein (AS) and a general view on this subject is the narration of the life of the companions and their life history from the moment they were born to join That Imam and their martyrdom were on the agenda. The general headline of the look was to show the passion of Imam Hussein (AS), what parts of his life they had, that they were blessed to be in Karbala and next to Imam Hussein (AS).
He stated: “According to this, we planned and at the beginning we went to the experts who were active in this field and are dominant and knowledgeable in the historical field of the Ashura field.” We used the consultations of Dr. Sangari, considered his sources and books as the main reference, and formed a research team centered on Hajj Mr. Jafarian, and reviewed all the sources, and the topics of the 40-night program were extracted. Let’s talk about the companions from whom there is a historical narration and narration, and history has a correct and accurate narration. Based on this, a list of 40 nights was compiled and the research team started the research based on the topics of the program and the sources of work, and started collecting materials around each of the research partners.
The producer also explained about the composition and items of the program: After the research discussion of the program, we planned the combination of the program templates and the items of the program and its totality. The text input item is about the prominent theme and character of each character, which is performed by Mr. Asgari and is based on a prominent feature of this character. Also, the biographical item is a historical and linear narration of the life of each character every night and the subject of the program. Badie Pima was designed and painted, and finally a graphic item was produced along with the narration, creating a character that can be archived and used in future programs.
He continued: The next part of the program was our conversation with experts. In this program, we tried to use experts who did research in the field of Ashura research and history. Dr. Sangari, Haj Agha Malakazemi, Haj Agha Tabatabai Nejad, Mehdi Ghasemi, Dr. Rajabi Davani and Hojjatoleslam Alavi are loved ones who have worked and dominated in these fields for many years. They worked hard on the dialogue part of the program and did it based on their own studies and initial research, and in fact the narration and expression of the life history of each of the characters is done based on the theme every night.
Mohammadi stated: The next item is the murder reading item, for which serious research was done, and for each of the characters and murders that existed, and the narration of his life and martyrdom, and the narration of his joining Imam Hussein (AS), this section was selected. It was performed and in accordance with the theme of each night, we document the exact text of the murder and the life of that character in each item.
He also explained about the last item of the program: The item is a letter to each character, and this text is also written by Mr. Asgari and performed by him. Becomes. Another point about the different units and parts of the program is the pictures of mourning and Iranian ritual art in Muharram, and we used the capacity of artists in this field, and the audio content is tried to be more traditional and older content about Imam Hussein (AS). ) And produced companions, be used.
He also said about the production team of the program: The joint production of the program is the responsibility of Mohsen Dajer and Mehdi Mohammadi. He is the editor, writer and presenter of the program, he is a tasteful poet who has been present in Arbaeen Iraq and has gained good experiences in this regard, and that is why we invited him to perform. The production manager is also Mr. Khoshbin.
The producer of “Ayneh Daran” also explained about the making of the program: The recording of the program started a month and a half before Muharram in early August and continued until the end of August, and now we are broadcasting and compiling the final episodes. Hafez is a subsidiary of the Roudaki Foundation, and a lot of friends worked hard to produce this program. Regarding the decor and decor design, Mr. Ahmad Bandagani was the main designer, and in the decor, we tried to design all the elements appropriate to the theme of the program and Muharram.
He stated that all the decor is for the program of the mirror owners and is the special design of this program, adding that the program has been produced in 40 episodes of 45 minutes, which will be aired on the Chahar Sima network.
In the end, he said: “In the end, this model of narration about Imam Hussein (AS) and Hussein’s companions (AS) was a serious need that now we have the audience and we get feedback from the audience is that many words and topics that are expressed by experts These are topics that have been less discussed or less heard, and this can be expanded to include the rest of the Ahl al-Bayt and the Imams and other historical issues. Produced and this need is fully observed and felt and should be studied and moved towards content production.
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