Mohammad Fili’s memory of the first sequence of playing the role of “Shamar”
According to Fars News Agency, Mohammad Fili, who played the role of “Shamar” in the series “Mokhtarnameh”, last night on the radio program “Prantz Baz” in response to the question of what Davood Mirbagheri, the director of the series “Mokhtarnameh” asked you to draw a character “Shamar” replied: Mr. Mirbagheri is a kind of poet, that is, the text he wrote is also poetic and you can easily communicate with it. He never tells his actor what to do and what not to do, unless he makes a mistake.
He continued: Mirbagheri says that you do the card and I will see. If the card was correct, I have nothing to say to you, but if you made a mistake and slipped, I will tell you and you will correct it. I remember the first sequence that I worked on was that I entered Mukhtar’s house with Shamar’s companions and there I broke the door, entered and killed Mukhtar’s servant; He was not independent and I was arresting his family. That night and that sequence was very complicated and difficult. When we started, we moved on until near morning. It was over and they told you not to get tired and left. I was left wondering what happened to God and why they did not tell me anything and left; While this is my first scene and the first and first day I have been in front of their camera, this is the first time I am working for them.
* Mirbagheri said: “What happened to Gandak Bek ?!”
Fili added: Mirbagheri, who took 10 steps, apparently realized that I was left there and did not know what to do. He came back and his dialogue was: “What happened to Gandak Bek ?!” I said I did not realize that you liked what I did and it was good or bad, because you had no relief. He also replied that you would like me to break it for you ?! I said no, I did not expect that either. We walked around the decor of Kufa for about half an hour and he spoke to me. He said that if I did not like acting, I would not give up; I put his life on his lips to get it done. If I did not say anything, make sure it went well and the work and the game and everything was good, I did not need to say anything. This made me strong in heart.
The actor in the role of “Shamar” continued: I immediately asked him what would happen if you were upset about something and I or any other actor could not do it? He said, “I will sit down and put my hand in my hair with these claws.” That is, he lowers his head and puts his hand in his hair. Thank God, until the last day I worked in front of his camera, this never happened and they were always satisfied, they gave me strength of heart and it made me try day by day to do my job better and more correctly.
He reminded: Of course, I had made that tone and expression of Shamar a bit so that my speeches and dialogues are not as usual. In fact, I speak in a way that suits the character, and I think it was not bad. I mean, I think the tone and dialect I had was accepted.
Host Nima Raisi reminded: I think in all the works that you played, either the sound was on stage or you spoke for yourself, right? And Fili replied, “Yes, it is.” For example, in “Once Upon a Time” we did not have a voice on stage and I went to the dubbing unit and spoke for myself, but for “Mokhtarnameh” because we had a sound engineer, all the voices were recorded on stage.
He further said: The director of dubbing of “Once Upon a Time” was also Mr. George Petersi. Instead of the living memory of Jamshid Layegh, Mr. Rezaei spoke, who did very well. In fact, the sound was chosen to resemble the voices of the actors themselves.