Mohammad Motamedi’s unsaid words from the Ashura opera/I am not subject to stereotyped rules – Mehr news agency Iran and world’s news

According to the Mehr reporter, Mohammad Motamedi, who wrote Ashura works such as “Qab Ah” And Harkhani He has recorded “Ashura Opera” in his work record, in the television program “It” of TV channel Do, which was aired with the performance of Amirhossein Samii, he said: “I liked to sing since I was a child, and every media that in my path It was accompanied by reading. I am in the school hymn group, religious groups, Ta’ziyeh, Assemblies I was reciting the Quran; In fact, this desire to read has been inherent in me. In the professional field, I am not subject to the stereotyped rules of the market and its equations. My artistic personality and what in childhood, Gutty In my mind and heart, it has a place in the field of music, it was the sound and ritual songs.

He explained: I am personally a person who does not blindly accept the rules of games, that is, I believe that I am also a human being and I have the right to analyze the world as I see it and choose my way and method based on that. I have this opinion not only in work, but in all fields. I am not pessimistic about pre-determined formats, but I have to study them and this is due to my personal character and I am not subject to the stereotyped rules of the market and its equations. In the past, madahs and memory It is noteworthy that they were based on the principles of authentic Iranian music and authentic Iranian songs. They were both masters of authentic Iranian singing and instrumental music, and they used to sing laments, which I can hear from the late Haj Abbas Katab, the late Haj Esmail Akhbari, Haj Abbas in the city of Kashan. MahlojiHaj Abbas The host Let me mention that they used to sing a good line and their songs It was in my ears. Anyway, it must be said that our music and culture are intertwined with the main vein of Iranian religious society.

In another part of his speech, Motamedi gave an explanation of the process he went through in the field of music and singing done about His participation in the “Ashura Opera” project stated: Ashura Opera is a special work in my opinion, because it is based on Ta’zia texts and actually has a look at the great and brilliant operas of the world, and in terms of style, it is based on the principles of our beliefs and The basics are a show. In fact, I can say that one job is all. Opera Ashura Professor Behrouz Gharibpour Olin opera It was a series of puppet operas with Iranian music. The first time, Mr. Gharib Pouria Behzad Abdi talked to me about Har opera and among the available roles, they considered the role of Imam Hossein for me. I was also curious to hear the copy and read the play. Opera is a show like regular theaters except that the dialogues between the actors are sung. I started reading and practicing. Between the roles I noticed the role of Har, and it was very attractive to me because of the dramatic and showy load it had and the different situations it experienced. In one place, Harr blocks the path of Imam Hossein with a proud and rebellious character with his neck raised, in another place, in the middle of the play, he doubts and struggles internally whether what I did was right or not.

This Iranian music singer continued: Harr expresses his regret in another situation and in another situation he enters the battlefield with a different neck and stands in front of the army and in another place he becomes a martyr and says the dialogues and falls to the ground. I asked Mr. Abdi to talk to Mr. Gharibpour about me reading the role of Har. In my opinion, this work is a special work because it is based on the texts of Ta’ziyya, and actually has a look at the magnificent and brilliant operas of the world, and in terms of style, it is based on the principles of our beliefs and theatrical principles. In fact, I can say that everything it’s over Not because I was involved in this work, but because of the great effort that was put into this work on behalf of Behzad Abdi Aziz, who I can honestly say is one of the leaders of Iranian music in the era we live in. Because he has worked on authentic and traditional Iranian music, and with this support, he has learned world and classical music from the best music teachers in the world, and because of the presence of a great artist named Mr. Behrouz Gharibpour, who has many brilliant works in his file. has its own

He stated that music works in the human heart when it arises from the spiritual and emotional position of the human heart and that which is found in laments, music and the sounds It is old, it is spirituality and piety, he said: Music has something that if it from him Let’s take it to the physics of sound, it turns into successive frequencies that have different notes. So there must be something behind it At the heart Humans have an effect, and it only affects the human heart when it arises from the spiritual and emotional position of the human heart, that is when it takes a place in the human heart where it should sit. That which is in laments, music, etc the sounds It is old and has an effect on people’s hearts, spirituality and piety. Human misery is from dependence. In the past, the society did not look much for material things, and it paid attention to something other than this material I see has been, something that in beyond These are material things, they had contentment and good mood that we forgot. Now, too Dara And don’t have it, in belonging We live in a 100% materialistic world and spirituality is completely lost.

If we pay little attention to our traditional and authentic music; Definitely and definitely, I don’t say maybe, definitely in the issue of religious beliefs of the society Manna gap is created because these songs have been interwoven with these rituals, occasions and rituals for centuries, and if they are removed from the ears and listening memory of the society, it will definitely be damaged. Motamedi said: When you sing a lamentation with a light and original melody and the sounds If we look at the old times, we feel the richness and there is nothing apart from the vocal line of authentic Iranian music. Since the flag of martyrdom it La God except God has risen, all the arts in every country that has accepted this religion, music, painting, gilding, performing arts, calligraphy, all of them came to the service of exalting and propagating these rituals. this relation the same Taropod carpet is intertwined and if we pay little attention to our traditional and original music; Definitely and definitely, I don’t say maybe, definitely in the issue of religious beliefs of the society Manna gap is created because these songs have been interwoven with these rituals, occasions and rituals for centuries, and if they are removed from the ears and listening memory of the society, it will definitely be damaged.

He explained: Maybe the children of the new generation are not familiar with the concept or function of the board, which has existed since ancient times, but regardless of these religious occasions, as an external observer, I define the board as follows: community and one organization Non-governmental organizations are without zero percent interference from governments and governments, and what is related to human and moral affairs, they flow and flow in their own place, and one of the things they do is mourning. Decade of Muharram and religious occasions. I grew up in Kashan; There are many religious groups that build clinics, schools, have charitable loan funds, give dowries, Gulrizan they have, they reconcile that the breath of work is very beautiful, but nowadays, unfortunately, it has been forgotten or not well introduced in many teams. I remember two of the elders of the place anger In a gathering, a prayer was recited from Hazrat Abul Fazl, who was a brother in rank and praise, and these two men reconciled.

This Iranian music singer went on to consider Ashura as a school that does not belong to time, saying: “The non-acceptance of oppression manifest” is the main message of Ashura and it has buyers everywhere and it is still alive after the passing of centuries. If I want to be realistic, a large part of my work’s connection with Abba Abdallah’s system is due to the environment I grew up in and the values ​​I saw and over time my conscience confirmed them. Rituals And rituals are a value for me. In my opinion, Ashura is a school that is not subject to time and by the way everything is final Al Zaman And as we approach the era of human crises and atrocities that are rampant in the world, this school becomes bolder and fresher.

Motamedi said: If you do not bring these verses Asthma Hossein (A) Translate and say that Meram A person and logic It is an ideology, it has buyers all over the world. this Absence The cruelty of the manifesto is the main message of Ashura and it is still alive after centuries. I see this school and rituals as a sign of this point of view I know it is always dear and alive in my heart.

Produced by “It” program Ahmad Reza Beligh Kari is a program from the Maaraf group of Do Sima channel, which is aired every Thursday and Friday at 21:30 for 50 minutes.