“Mr. Hakaiti” Happy 73rd birthday! Wishing to create a new season of “Under the Blue Dome”

According to the Fars Radio and TV reporter, 25 December 1329 is the birthday of a man who, despite his many years of presence in the field of art, is still reminiscent of an attractive character, and at the age of 73, he is still known by the same name. “Mr. Hekaiti”

Bahram Shahmohammadlou played a role in popular series such as “Beautiful Hairdresser”, “Lost Innocence”, “Mokhtarnameh”, but he is mostly remembered for a special role in the sixties. His presence in the series “Zir Gonbad Kobud” with the title Mr. Hakaiti was not only an attractive series for children and teenagers of that period, but also for adults. Shah Mohammadlou used to tell stories for children and teenagers in the “Zir Gonbad Kobud” series.

The title of this collection is still attractive and nostalgic after several decades and has been reread many times in the virtual space due to its appeal and durability in the memory of the audience.

In an interview about the formation of the character of Mr. Hakaiti, Shah Mohammadlou said: “The character of Mr. Hakaiti and the one who tells the story was in the plan, but the actor was not yet known. The decor, stage, light, clothes, etc. were all ready and days passed until we found an actor to play this role. 10 to 15 prominent figures came and auditioned, but they thought they should play a role. From the moment the idea came to my mind, I came forward and lived with all the characters, including Mr. Hakaiti. Until one day, one of the kids told me to stand up and go ahead with an exercise. I also stood in the place of Mr. Hakaiti and read from the text. On the other hand, as a producer, I was worried about the cost of the work, so we went ahead with the test and after it was recorded, everyone said it was great.”

Almost two years ago, Shah Mohammadlou talked about the creation of a new series of “Zir Gonbod Kobud” series, but last year, with the follow-ups that had been done, the reason for not creating a new season of this attractive and informative program “Lack of sponsor” He expressed.

It is expected that the authorities will pay more attention to the field of children and teenagers and that the works that, in addition to being nostalgic, have had a prominent educational aspect in the society, will be given more importance and value. Also, program makers like Bahram Shahmohammadlou, who are still motivated and concerned about making works in the field of children and teenagers, should not only be supported, but their proposed plans should be prioritized for broadcasting.

The television series “Grandmother’s House” was a puppet series that was produced more than 30 years ago in the field of children and teenagers and was aired on TV, and Bahram Shahmohammadlou was the voice actor in this work. In the role of velvet Was.

Shah Mohammadlou voiced the character of Makhmel in this series and said about this role: In the series “The Great Mother’s House”, the writing and text were such that their characters and relationships were believable. A role was made of velvet and because of that it lasted, otherwise doll works are hard to last. Velvet is not mean at all, he was living his life and some other people entered his life. He is a cat, he likes to sleep, cuddle and all his behavior was normal. The nature of this character was not bad at all, he was just sad that his facilities were taken away.

In response to the question why television was successful in the field of children’s programming in the first decade of the revolution, but this process stopped and even faced a downward trend, Shahmohamadlou believes: In 1348, when we entered the university, a time limit was applied to attract students. And under no circumstances were people over 25 years old accepted. It was natural that with the young and creative atmosphere, another flow would take place. This trend happened in all artistic disciplines. In music, sweet and creative figures such as the late Lotfi, the late Meshkatian, Hossein, etc. were among the entries of this year. On the other hand, the children’s intellectual development center started to complete itself and include different disciplines in its professional and administrative space. In 1355, our group of 5 people, namely me, Marzieh Broumand, Reza Babak, Sosan Farrokhnia and Alireza Hedaei, launched the Center for Intellectual Development Theater Center and started to build and act creatively in new global arenas.

He further explained: We invited the theater students of the Faculty of Fine Arts and the Faculty of Dramatic Arts who were willing to go to the cities on weekends to cooperate, and after holding several workshops and paying them educational allowances, these classes were organized by them. It was held in the cities. With this incident, the student experiences and the intense experiences of the professional group of Kanon Theater Center were transferred to the entire country. Many prominent friends of the artist were members of the same classes of Kanon libraries. In the center, we performed theater in the form of mobile or portable theater for the first time by traveling all over Iran in parks and educational centers, in hospitals, etc. The result of the experiences of these 5 people was the production of teletheater and fictional series and drama wars for children and teenagers. Until then, television did not have any of these programs. After some time, Marzieh Broumand became more interested in doll work. Mrs. Farrukhnia and Mr. Hedaei left Iran. I engaged in my own experiences and in the field of improvisational theater I had several performances on stage and on television. Also, for the first time, I performed a professional scientific teletheater for television, which took about 48 hours from the approval of the plan to the performance. For a whole year from 1959 to 1960, we worked as a group for 8 to 10 hours with Mrs. Razia Broumand (my wife), Mr. Iraj Tahmasab, Mr. Hamid Jabali, Mrs. Fateme Motamedarya, and Mrs. Mitra Fathi and Parnian.

The nature of some sounds, images, and sounds of music is such that it remains in the fabric of our memory and memories, and even a small flick may lead us to the past and old memories; Bahram Shahmohammadlou belongs to this family. On the occasion of his birthday, we mentioned his lasting and lovely works in the field of children and teenagers, a field where the presence and activity of highly motivated and creative people like Bahram Shah Mohammadlou is very beneficial and humanizing.
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