Narrated by Ali Lahrasbi from “Delnawazan” / Mohsen Yeganeh was the composer of the title track – Mehr news agency Iran and world’s news
Mehr News Agency – Art Group – Alireza Saeedi; The function of the title is something similar to a book cover, whose designer tries to inform the audience of a work by choosing elements, forms and arrangements with the help of graphics and music. A situation that is sometimes presented to the audience in a very careful, thoughtful and calculated way, and sometimes it is made so coldly and based on the fulfillment of a mandatory task that it alienates the viewer from the basis of a visual work.
What became an excuse to once again return to the keyword “credits” is a review of the most lasting and memorable music related to some programs and works of cinema and television, which for many audiences include bitter and sweet memories, and referring to them again for us in Any situation can bring a world of memories. The memory game, after its launch and publication in Nowruz 1400 and the audience’s acceptance of it, prompted us to entrust our souls and minds to it in the form of a weekly memory game on Fridays every week and from its passage to the years when we are better than these days. It was troublesome, let’s go.
“Memory of Lasting Titles” is the title of a series of archival reports with the same approach, which you can follow on a weekly basis in the Art Department of Mehr News Agency.
In the 105th issue of this media narrative, we went to the title music of the television series “Delnawazan” directed by Hossein Soheilzadeh and produced by Iraj Mohammadi and Mehran Maham, which appeared in front of the audience a year before the series “Fasileha” and was able to be selected The subject, the presence of popular actors and, of course, the title track melody that he chose to introduce himself as a different series to the viewers of those years of television. A different narrative of the lives of the young generation and their troubles on TV, which, although it was met with criticism, was able to create different conditions in the path of TV serialization among the good reception of the viewers. A situation that later faced many challenges, but whatever it was, it included the construction and production of a collection that can have new things to say.
The television series “Delnawazan” written by Saeed Jalali and Alireza Kazemipour and directed by Hossein Soheilzadeh was broadcasted on the 3-Sima channel in 2008. This narrating collection is a part of the life of a character named Rana who had 2 children named Behzad and Satish from her ex-husband Atabek Sepehri, but 24 years before and after she separated from Atabek and married Jahan Malekpour, her daughter Satish was kidnapped. Over the years, he is still sad about the separation of his daughter and has tried many times to find praise. Meanwhile, the last person who claimed to be praised was a person named Yalda, who also failed the test. Rana has considered his cousin Mehtab’s daughter for his son Behzad’s marriage. But after some time, Behzad forgets Mehtab and marries Yalda, and this is just the beginning of the story.
Shahrukh Astakhri, Fariba Kothari, Parviz Falahipour, Siavash Khairabi, Sahar Qureshi, Hadith Miramini, Zohra Fakursabour, Samaneh Pakdel, Abdulreza Akbari, Mohammad Hatami, Samira Hasanpour, Faridah Sabri, Mehdi Mahani, Nira Farahani, Iman Mousavi, Mohammad Sarban. Sirosh Mement, Nasrin Khosravani, Shaheen Taslimi, Parviz Sirti, Shokofeh Hashemian, Behshad Sharifian were also actors of this popular TV series.
But as mentioned, the end credits music of this popular series was also one of the turning points of this series and could play an important role in making it better seen. Naturally, when Arman Musapour is the main composer of the series, Abdul Jabbar Kakai is the songwriter and Mohsen Yeganeh is the title composer, one cannot easily ignore the value and credibility of the music produced. A condition that undoubtedly increases the value and status of music, which unfortunately has greatly reduced the presence of reputable people in these years and has entered a stream that has a long story by itself. This situation becomes more valuable when in the group of musicians there are also names of artists who, both in those years and in these days, alone are the source of credit for many musical projects.
Artists such as Maitham Marousti, the violinist, Firouz Visanlou, the accordionist, Saman Samimi, the fiddle player, and Farhad Khanghahi, the electric guitar player, were musicians who played an important role in the end credits of the “Delnawazan” series, and now whenever their names are included in the list of musicians and those involved in the works Different music places increase the credibility and position of that musical project.
The presence of such artists in a work emphasizes that in addition to the singer, other components should be considered in a piece of music. As in these years, the focus of the audience has been mainly based on the characteristics of the singer, if in addition to this component, which is important and influential in the listeners’ liking and disliking of a musical work, it should be kept in mind that other elements such as musicians, poets And the composer can also play an influential role in this direction.
Ali Lehrasabi was introduced as one of the prominent singers among the audiences in the early years of the 80s generation of Iranian pop music, and he can be named as one of the most popular artists of those years in Iranian pop music. In one of his conversations about the title music of “Delnawazan”, Lehrasabi explained: After he ordered Ali Lahrasabi: When the titration is implemented with the necessary acceptance, it will remain in people’s minds for years, it only depends on the correct and specialized work being done. Doing it right means that the process of making music for the titles should be specialized I received the title music, I offered Mr. Abdul Jabbar Kakaei to write the song, and this is how our first collaboration began. Of course, as you know, these works require many edits and require a lot of effort. That is, it is not the case that the work will be finished and reach the final stage in a few days. This process did not take one or two days, but a month before the start of recording, I was commissioned to do the work, and I also commissioned this work to Mr. Kakaei, who composed the two songs, and continued working with various edits. became. The composer of the work was Mohsen Yeganeh and the arranger was Mr. Safarian, and I also sang it. In general, we had a good group and we tried to produce it carefully, so that it is close to the mood of the series.
In response to the question that to what extent the validity of a song determines the relationship of the audience with a musical work, he explained: In my opinion, a valid song cannot necessarily be related to its popularity, especially in the field of songs related to the titles of movies and series. Know, because the audience may not connect with it. On the other hand, it may be a song that has no credit, but the audience hears it. […] In this context, if the song is used correctly and is in its place, it can be successful. Even if all the series use songs. In my opinion, of course, knowing the songwriter is decisive, and in fact, to create harmony, the person who writes must be a good psychologist to be able to write a harmonious and effective song in the best way.
He also said about the content indicators of the title music of the “Delnawazan” series: “Delnawazan” series is a work of love and about the performance of its song, we talked a lot with the director Mr. Sohilizadeh and Iraj Mohammadi and Mehran Maham, the producers of the work, and that was the plan. To perform a romantic work, but not in such a way that the story is exposed in the song, while not being too far from the atmosphere of the story. In general, I must say that to produce an effective song, the content of the poem and the type of music structure both help each other.
This pop music singer said about the permanence and lack of permanence of some of the title music of television series, which every now and then precedes the content of the series itself: When the title is performed with the necessary acceptance, it will remain in people’s minds for years, it only depends on whether it is done right. and specialized. Doing it right means that the process of making music for the titles should be specialized. So, in this context, reading the title music is also a specialized work. A prominent singer may sing for a series but that title does not create an event. Therefore, a reader must be familiar with the process of making titles and know the red lines of the media well and know what people want. Although the credits are made for series and movies, they have their own independent identity and should be effective enough to remain among the people.
The end credits music of the “Delnawazan” series is one of the melodies and works that have stuck in the listening memory of the audience of Sima TV series of the eighties, and naturally, with all the critical and expert comments that can be made on this music, it can be among the lasting credits music of those years. Register TV series of Sima.