Persepolis Campus The place of traditional arts and crafts of the country
The answer to this question and dozens of other key questions in relation to a sustainable cultural economy and the maximum use of Persepolis tourism potential in the service of today’s economy is important.
There are innumerable capacities for the economic prosperity of the country, especially in all areas of the world heritage, but the economic potential of Persepolis is not only innumerable but also unique in some cases. Besides the special and special capacity of the cultural heritage of Persepolis, the second great capacity of Persepolis is to realize the economy of traditional arts and handicrafts of the country in this world heritage complex.
In a place one hundred meters away from Persepolis with a capacity of 50 booths in a large garden with an area of 10 hectares that is decorated with a variety of trees and flowers, and that is the campus or paradise of Persepolis.
In Persepolis, the designs of the northern and eastern stairs of Apadana of Persepolis are all displays of traditional arts and crafts of Achaemenid Iran.
In these stairs, more than one hundred types of traditional art and art industries of the land of ancient Iran have been exhibited. The place of the Great Palace of the Throne Hall, the Palace of One Hundred Columns, was the place of display of works of art from the Achaemenid period. All Achaemenid nations from India to Central Asia, from Turkey today to ancient Egypt from 124 Achaemenid provinces in 34 provinces all exhibited their best traditional arts and crafts in the solar New Year celebration.
Exactly based on the function of Persepolis, the handicrafts and traditional arts of Greater Iran were exhibited in the art competition, because Darius the Great built Persepolis symbolically as a symbol of cultural unity and display of traditional arts of Greater Iran based on his understanding of the artistic philosophy of ancient Iranian heritage.
It was with this cultural foundation that not only the East dominated the West during the Achaemenid period, but also Achaemenid Iran, the inherited philosophy of culture and art, remained in history for centuries against the ideas of Hellenism, Hellenism, and Romanism. The art and culture of Greater Iran in the social structure of Iranian society reached the Islamic era and today in the structure of the Ministry of Heritage, Culture, Tourism and Handicrafts need to prepare for the authenticity of the historical process with the support of several thousand years in its historical context to introduce, educate and present to the world community. Is.
There are more than 50 pavilions built with proper infrastructure and facilities in the garden of Persepolis campus, the capacity of these pavilions has been neglected for many years. Remnants of previous periods in Tehran, these leaders’ tents can be used for the dynamism of the country’s tourism economy next to Persepolis.
A place that, if properly managed and purposefully prepared, if it serves traditional arts and crafts of all provinces of the country, can be not only an artistic and cultural reflection of the ancient Achaemenid society exhibited in the eastern and northern stairs of Apadana, Persepolis, but can be a large exhibition. Traditional culture and arts throughout the history of Iran should be linked to today’s Iranian society.
With this approach, Persepolis Campus will become the garden of traditional arts of the historical society of contemporary Iran and the goals of cultural development, revival of traditional arts and support of handicrafts of Greater Iran in the international competition and arena will serve the world tourism community. The goals of sustainable development of the art economy are achieved in the most important world heritage site of the Islamic Republic of Iran, and the association and interaction of the country’s traditional arts in the art competition in this permanent exhibition achieves new and dynamic cultural births.
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