Produced by Rasool Sadr Aamili

According to the news reporter of Fars News Agency, Rasul Sadr Aamili is going to adapt the book “Sound Me Beautifully” written by Farhad Hassanzadeh, produced by the Center for Intellectual Development of Children and Adolescents, for the production of his new film.

This project was supposed to be produced in the adaptation cinema plan of the previous management of Farabi Foundation in this foundation.

The last film directed by Sadr Aamili and released is “The Second Year of My College”. Last year, as a producer, he made the film “Jangal Portaqal” which was only unveiled at the Fajr Film Festival.

Hamed Mahgati, CEO of the Center for Intellectual Development of Children and Adolescents, talked with Rasoul Sadr Aamili, the director and producer of the cinema, about the center’s future film productions.

At the beginning of this meeting, Sadr Aamili said: I am very happy that an opportunity was provided to cooperate with the Center for Intellectual Development of Children and Adolescents. I read this book and I liked it very much, and since I have always moved towards identity in my works, I think this story also has this ability and can be used in this context.

The director of “A Girl with Sneakers” also stated: Tehran Municipality seeks to introduce Valiasr Street (AJ) to the list of prominent streets in the world, because it is one of the main highways from south to north of Tehran. Our story also starts from the railway square and reaches Tajrish in one morning till night. Therefore, the introduction of the city of Tehran can also play an important role. Considering today’s conditions, this story provides a good opportunity for us to discuss the relationship between father and daughter, the Iranian family and the effort to be together.

Continuing his speech, Sadr Aamili added: Today, everyone is desperately looking for the production of works for children and teenagers, but the Center for Intellectual Development is a global brand, and when its name comes up, everyone respects it. Therefore, knowing all these things, I have taken steps in this field.

The director of “I am 15 years old” continued: I produce what is important to me and what I can do. Thousands of movies are produced in the world every year, but I always think and ask myself if the void is felt. And why should this work be produced? When I understand it, I will make it. The screenplay I wrote from this book was two years ago and I have to rewrite it based on what has happened. Important for us is the saving relationship between father and daughter in this movie.

The CEO of the center, Hamed Mahgati, further stated: “It is an honor for the center to be able to cooperate with artists like you who have eaten the soil of cinema and have a seat in the cinema.” It is a matter of satisfaction that you have reached this point today to carry out this work together with the center for the intellectual development of children and adolescents.

Sahligi continued: All the capital of the center for intellectual development is its noble works, and when families and people see the sign of the center, they confirm that they have not seen the work. Especially the generation of the 50s and 60s who spent their youth in the center, so our main goal in the center is to produce great works.

He also said: On the one hand, our view in the field of cinema is towards spiritual investment, in the sense that we have to either solve a problem or sensitize the society to that problem, and on the other hand, it is a material investment. And that the film has good sales and we can make something happen in this field. In the end, we are also in the field of education and the basis of our work is education. It means that every work we produce must have this look with it.

The CEO of the Center for Intellectual Development of Children and Adolescents said in the end: No matter how many cinematographers like you visit the center, the center will definitely move towards growth and prosperity.

In this friendly meeting, which was held on Sunday evening, July 11, 1402, Masoud Zainul Abdin, CEO’s advisor, and Mohammad Reza Karimi Sarmi, Kanon’s vice president of production, were also present.

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