Reacting to the disturbing statements of the cinema house/cinema spokesperson requires honesty and calmness

Fars News Agency-Cinema Group: In recent days, the spokesperson of the board of directors of Khane Cinema has analyzed the cinema with the influence of the media on the other side of the blue and with a literature that is pleasing to the foreign opposition. In this report, we will try to analyze what was raised in these statements.

Mr. Sadr Aamili says: “Khane Cinema continues to express its opposition to the expression of open violence in society and believes that violence in any form is never in the interest of the people and the government. Also, the recent confrontations and successive arrests of our colleagues do not improve the situation. The government should raise its tolerance and listen to criticism and opinions.

It is not a bad idea to ask the spokesperson of the cinema guild house, which has become a political house and a team house of some opposition movements against the government, if encouraging violence and chaos through some cinema colleagues is not a form of violence?

Isn’t the persuasion and stimulation of young people by some celebrities an explicit text of naked violence? Why, when you talk about condemning and condemning violence, do you ignore the causes and instigators of the recent unrest that led to the killing of children in this land?

Elsewhere, the spokesperson of Khana Cinema answered the question that the head of the cinema organization recently considered the unemployment of cinema people to be related to the recent unrest, how does he see the state of cinema? He replied: “The problem of unemployment among cinema members started last year, and it has nothing to do with the recent unrest, and the strictness of the licenses made the cinematographers not work.”

Mr. Sadr Aamili

I wish you would not close your eyes to the facts and analyze these days of cinema with comprehensiveness and realism regardless of the excitement of virtual spaces!

I wish you would sit down to analyze and judge these days of cinema with firmness and realism by avoiding politicization and not paying attention to the pressure or overlapping of the Western-Arabic media and pay attention to the depth and root of compassion and concern of the cultural trustees and cinema authorities of the country!!

A look at the situation of the previous months shows that the cinemas had returned to their normal state before the recent unrest in the post-corona era, and this year’s Muharram and Safar sales have been unprecedented compared to the past ten years, even in the pre-corona era.

Another point is, fueling the unrest, which unfortunately is caused by celebrities and foreign artists and open virtual colleagues of Mr. Speaker, has stopped and threatened the production process of many movie projects and works of the home television network.

It is not realistic that the spokesperson of the cinema trade union, ignoring the existing atmosphere and the impact of the recent riots and riots, ignores its consequences for the cinema and attributes the stagnation and closure of the cinema to unreal and illusory factors!! or refer to the way of management.

The contradiction in the statements of the spokesperson of Khana Cinema is also significant from another point of view when he says that “due to the conditions of the society, people are not in the mood for cinema and festivals”, so how does he analyze that these unrests did not contribute to the stagnation of cinema!

On the other hand, he has also avoided the work and livelihood problems of Cinema House members, but he did not say what steps he has taken during this time as a member of the Cinema House Board of Directors to alleviate the sufferings of his colleagues?! Of course, these injustices and discrimination will continue as long as some people have their closed circle in the cinema and demand funds and facilities for themselves.

In this controversial and strange conversation, the spokesperson of Khana Cinema talks about the bad state of cinema and cinematographers these days, that he is currently a member of the board of directors of Khana Cinema, a member of the Farabi Cinema Foundation Council, and at the same time, he is the producer of one of the films approved for financial support. This institution has also taken over!

And also, Mr. Sakhngo was the head of the jury of the Tehran International Short Film Festival, which was held less than a month ago, at the height of the recent unrest, and in the speech at the end of the festival, he dismissed some of his colleagues’ skeptics. He had criticized why they were talking about the so-called boycott of cultural and cinematic activities.

Of course, we should remember that Mr. Sadr Aamili has also been honored as a cinema-media figure by the Cinema Organization in recent months at the Cinema Museum.

In spite of all these circumstances, who and what groups have demanded that the spokesperson of Khana Cinema, away from realism, turns his back on the truth and tells the desired words of the opposition and “Iran International”, “Voice of America” ​​and “BBC” channels?

In a recent interview, Rasool Sadr Aamili also stated the real contradictions, and closed his eyes to the clear and obvious reality, including that “the recent unrest has not had an effect on the stagnation of cinema, and the cinema organization is responsible for this stagnation, which is strict in licensing, and the previous stagnation It has happened since the recent unrest! »

This contradiction is despite the fact that this summer, despite being compared to the days of Muharram and Safar, cinemas have one of their best-selling summers with films such as; Amphibian, Ablaq, and Dolphin Boy have left behind when the “Woman, Life, Freedom” rebellion started and the cinema went to Mokhaq, and on the other hand, this government provided the most cooperation in issuing production licenses (amounting to 100 cinema licenses) during this period. and more than 180 non-cinematic licenses) as well as the issuance of film screening licenses and even the lifting of the seizure of some works confiscated by the previous government.

Another contradiction in Sadr Aamili’s statements is that while he implicitly points out the reluctance of filmmakers to participate in the Fajr Festival, he was a judge at the Tehran Short Film Festival not long ago at the height of these unrests, but now he is on the drum of banning and Fajr festival is discredited as the most important cultural event of the country after the revolution.

This behavioral contradiction is while Rasool Sadr Aamili, who had produced the movie “Butterfly Swimming” in 2018, participated in the Fajr Film Festival at the height of the adventures of the winter of 2018, and in complete disbelief for a movie that was popular for gambling and social slander. He also received awards from the previous government! It seems that Sadr Aamili’s film “The Orange Forest” which was being produced with the support of the Farabi Cinema Foundation has taken a long time and will not make it to this year’s festival because Rasool Sadr Aamili has no interest in this festival and is seeking to discredit it.

While many people of the cinema are struggling with livelihood and employment problems, apparently the kingpins of the cinema are still looking to fan the flames of the recent unrest, even though implicitly and cleverly. Parts of it are more liked by the opposition virtual media and have been republished in these pseudo-media.

From Mr. Sadr Aamili, who started his career as a reporter of newspaper incidents and is certainly familiar with the analysis of incidents and their social impact, it is unlikely that he would be so politically dogmatic. And he entered the cinema, and until today, from Farabi to Sedavasima, there were various cultural institutions that he was able to make films with their support, and he was present in various councils for production permits, screenings and the council of the Farabi Cinema Foundation in different governments. In these strange statements that bias Towards the concerns of the Farsi-speaking media across the waters, today it does not stigmatize the Islamic Republic and its cultural institutions, such as the cinema organization, politically and sometimes with a shoe and sometimes with a nail! And he did not ignore the hand of some of his fellow cinematographers in harming the growth and prosperity of cinema and threatening the livelihood and employment of thousands of cinemagoers in Tehran and other cities.

Mr. Sadr Aamili

Cinema needs honesty and peace, not game politics!!!

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