Removing parts of “Ketoni Zarangi”/margins that are attached to “Molakalipur”.

The director of “Ketoni Zarangi” took the broadcast of this series after three years of ban as a good omen, he says: I hope this will not only happen to “Ketoni Zarangi” and this path will be opened for our other colleagues who are veterans.
Charso Press: He also announced the removal of Arjamand’s performance and the re-recording of sequences in which Hamid Ebrahimi replaced the role of this actor, and he clarified: Even though Hamid Farrokhnejad’s performance is broadcast on the home television network, the policies of Sedazima did not accept such an approach, Barzo’s performance He removed Arjmand after the recent margins.
Three-Sima channel broadcasted the series “Ketoni Zarangi” in its broadcast schedule, and this series will be aired from Monday, February 17, at 8:30 p.m.
Ali Malaqlipour is marginalized when he talks and doesn’t talk
Referring to the production of “Ketoni Zarangi” and the adventures that followed, this director says: “Ali Malaqlipour” is marginalized when he talks, and when he doesn’t talk, he is also marginalized, and I don’t know what the story is that the marginality sticks to us. On the other hand, the intellectual and spiritual owner of any work is the writer and director. Both of us (Molaqlipour and Mohsen Maleki) had this concern and care for the work and we have this feeling of being our own and we tried our best for it.
I take the approach of television as a good omen
Referring to the airing of the “Ketoni Zarangi” series, he says: We are in the days when the audience has dropped, and of course I take this approach of television as a good omen. That the series that was banned, is now being aired with the change of policies. I hope that this is not only about “Ketoni Zarangi” and that this path will be opened for our other colleagues who are veterans and that the problem of other series will be solved and aired. Anyway, these works were made with public money and should reach the people.
We were careful that our jokes were not obvious
Malaqlipour, in response to a question about the expiration date of the series that was aired after three years, and also the possible damages that have been caused to it? He stated: When we were at the end of the work, the corona virus had just started and we mentioned the corona issue in the last episodes. The main story is the tension between the father and the son, whether they should start a small production of the old jam factory or not; to bring goods and sell them. The dual themes that exist in the story is a general theme. The jokes we used were also slapstick jokes. Sometimes parodic jokes are used that are reminiscent of a series of important events or other events and films, which do not have much of an expiration date. But in some places, we mentioned that the inflation three years ago was increasing compared to now, which is inevitable. We try to avoid telling prices and figures as much as possible, and in many places we say higher prices to last until the broadcast time and not get into trouble. But we were aware that our jokes were not necessarily daily jokes; It means that there should be no newspaper and this mode should be used less.
To make people laugh in any situation has always been our problem
Malaqlipour says that it has become difficult to make the audience laugh today and the audience does not laugh at every joke: every joke that cannot be played on TV is played, but it still is, why do people laugh when they see Laurel Hardy or Charlie Chaplin, their jokes That is not new. Their charm is in creating situations and jokes, part of which is slapstick comedy. Something that has not been used on our TV for years. Based on this look, we used scenes of conflicts, fights, funny chases. Our discussion has been based on the fact that the audience is what is funny for him, events, tensions and funny situations. For example, in the series, one of the characters was operated on in the hospital and he is on the hospital bed, and his grandchildren are mischievous and have taken control of the bed, and the bed is being folded by manipulation. This type of comedy is the comedy that we have had since old and new. But to make people laugh in any situation has always been our problem and sometimes it is more difficult like now.
Katuni Zarangi series
Arjmand’s game was deleted/ Sedavasima also complains about Farrokhnejad’s serial broadcast
This director also explains about the removal of Barzou Ajmand’s performance from this series and the fate of this actor’s character: that character was not removed, but Barzou Arjamand’s performance was removed. The series was ready when the TV announced that it was going to air; But the problem was that due to the conditions of the day, they stated that the game should not be honorable; The question arose for us, why Hamid Farrokhnejad’s game is published in such similar circumstances; But they (broadcasters) announced that they themselves are complaining about the broadcast of this actor’s game, but they cannot take any action.
He says about the solutions to remove the role of one of the actors of “Ketoni Zarangi”: In order not to harm this character and the series, we discussed that the role of Kazemi, who played the role of Arjmand, should be preserved, but the TV and radio policies did not accept it and it was supposed to be removed. Since the complete removal of this character’s sequences would hurt the work and at the same time he was not the main actor, we finally decided to re-record the necessary parts. With the tricks of the director and in order to save the project from being damaged in the broadcast, we had a recording with at least the secondary actors within five days and we were able to compensate those parts and Hamid Ebrahimi was replaced, a part of his play was recently broadcast.
Malaqlipour says about Hamid Ebrahimi’s sensitivities towards his replacement: The first question Hamid Ebrahimi asked was whether the previous actor was in the process or not. As a director, regardless of political issues, I acted in such a way that no new annoyances or margins were created. It was done professionally and Ebrahimi came to help. We took these sequences and it made the scenes of other actors less deleted. Of course, I informed all our actors what was going to happen and thank God, the group was sympathetic and nothing happened in that regard.
I was banned for 3 years
Malaqlipour further said: I tried not to waste the hard work of 200 of our agents. Unfortunately, during these three years, I myself was banned from working on TV and by Satra, and there was pressure on my shoulders, but I tried to achieve the results of the group’s efforts.
He continued to talk about whether he intends to work again with television or the home show network? He states: Some of the directors of radio and television are not willing to cooperate, but maybe after the feedback of the “Ketoni Zarangi” series, this cooperation will continue, and if the satisfaction is high, I think the television will make an offer. I wrote several screenplays at a time when I couldn’t do much, which of course was in the field of cinema, but I was waiting for the “Ketoni Zarangi” series to air.
The episode was supposed to be played in these conditions
Saying that the current conditions of the society are important, Malaqlipour says about the broadcast of the series “Ketoni Zarangi”: I don’t know if the series should have been broadcast in these conditions of the society or not, but I feel that the episode was based on this. to be If I looked at it differently, I would definitely get depressed. Servant of God has prevented the broadcast and now that it is being broadcast, I cannot consider God’s wisdom irrelevant. In the end, it’s not a bad thing, and every work should be played eventually. I hope that Mr. Kianoush Ayari’s series, where Mr. Soleimani played one of the main roles, as well as Mr. Tabrizi’s series and other friends’ series, will be resolved and broadcast.
The sequence that was deleted
This director then said about the experience of making the “Ketoni Zarangi” series: We tried to have courage and not necessarily go towards comedies that have worked, that is, verbal comedies. We were not afraid to go towards fantasy comedies or have jokes in different situations and different characters. Regardless of the atmosphere of community and family and even though our humor was family social work, we also entered the economy and politics sector. Three years ago, we had a scene where a welder was sealing a character’s house and his dialogue was that his life is not going well, his family has not eaten meat for a long time. This scene happened to be in the news last night when there was a discussion about the price of meat and this scene was deleted.
Katuni Zarangi series
Pay attention to TV
He went on to say that most of the audits on TV are based on taste, and he believes that other taste audits have become annoying and I hope that TV will be a little more considerate. There has been no protest or complaint from the people, and this level of strictness is annoying, and at the same time, it is applied with taste.
Ali Malaqlipour also says about the feedback of the “Kitoni Zarangi” series: I think our audience is young; Those who were looking for a new comedy and we did not expect to be able to convince all groups.
Katuni Zarangi series
In February 2018, because of what it called a “gross mistake by the director” after the incidents in the cyberspace, the broadcast of the series “Kitoni Zarangi” was stopped before the start, and despite the explanations of the director and the producer, it did not consent to the broadcast of this series. . Now, after three years, by removing some scenes and acting, one of the actors of this series has made his way to the TV airwaves.
The actors of this series are: Hedayat Hashemi, Afsana Shireh Azad, Malika Sharifinia, Zindayad Ali Soleimani, Javad Pourzand, Shapour Kalhor and Sahar Voldbeighi, with the introduction of the couple Alireza Jafari and Mustafa Sassani, with the presence of Mahmoud Jafari and Amir Hossein Sediq and young actors Radmehr Razmjovi and Emad Shabani
In the summary of the story of this social comedy, it is stated: “Agam always says that I am smart at the bottom of the well… But he doesn’t know that if I am at the bottom of the well, I am the hyena of the well, I will finally jump!”
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