Resistance cinema has the ability to become a national genre

According to the film correspondent of Fars news agency, the 17th edition of the International Resistance Film Festival has started its activities these days with the publication of the invitation and press conference. The International Film Festival of Resistance with the slogan of resistance discourse, the global movement of the oppressed and the freedom of Quds Sharif; Due to the efforts of the Revolution Cinema and Sacred Defense Association, the Fatah Esfand narration of the cultural foundation will be held in Persian Gulf under the direction of Jalal Ghafari Qadeer.

For this reason, we have conducted an interview with Houshang Tavakoli, the leading performing arts artist of the country, which you will read below:

Hoshang Tavakoli said: In general, the production of any artwork is a search to find the meaning of life or the meaning of being human in this existence. What does man do in this world? In this century and the wild world, our filmmakers and those involved should focus on the design of this main mystery and the recognition of the selfless people who put their lives in this path and die in this path.

Hoshang Tavakoli said: Every year we see a handful of works that are different from other works and we see that most of the authors and producers of these works are still searching and looking for the meaning of life. For this reason, for production in the field of resistance, individual concern and searching of the author are two important and necessary features, and even in custom works, if the recipient of the order is a concerned person and searching for meaning, he will present a more brilliant work.

He added: Resistance cinema can and should be effective in the course of resistance if the works in this area are expanded and developed, otherwise it has been done in vain. In this regard, officials and decision-making institutions should first of all spend more time in the field of resistance cinema and also use all their media and advertising tools to make these works more and better visible. In order to achieve acceptable works in the field of resistance, it is necessary or better for the director and the cinematographer to play a role in their specialized field, which of course will continue with a proper management and every year we see works that light sparks of hope in our hearts. and keeps the light of the cinema of resistance on.
This veteran actor added: resistance cinema has the ability to become a national genre, but unfortunately the authorities have failed in this regard. We do not have a problem with the audience in the field of resistance, and the national audience is associated with this type of cinema. In this field, we have more production problems. Holding the International Resistance Film Festival in this regard can at least keep this thought process alive and this is a valuable work.

The more the officials in this field act more sympathetically and accompany the artists; Naturally, the impact of these types of festivals will be greater in the visibility of resistance film works and the transformation of resistance into a national genre. What is certain is that the traces of the resistance festival will be seen later in bigger works.
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