Revival of TV antenna/two million visits of “Noon Kh4” on TV

Fars News Agency, TV Group: Analysis of the viewing statistics of the fourth season of the television series “Noon Kha” shows that while only the first episodes of this series have been broadcast, so far it has had nearly 2 million and four hundred viewers on the television platform. This statistic is apart from the audiences who watch the fourth season of “Noon Kha” every night on Ik Cima and Tamasha. It is not possible to extract specific statistics of TV viewers, but the conductor full of ads before and in the middle of the broadcast of this series shows that the audience was so high that the owners of the ads ordered such advertisements.

In this report, we will try to follow the reasons that attract the audience to the series under the pretext of millions of viewers visiting the series “Noon Kh4”.

* Unity of ethnic groups and tourist attractions

Our country is colorful with different ethnicities and customs, and due to the concentration of theatrical productions in Tehran, many of these attractions have not been depicted for the public. The TV series “Noon Kha” which is in its fourth season and has been filmed in the Kurdish regions is a successful model for portraying these differences.

Portraying these differences in cinema and television can be an effective step towards ethnic unity. One parameter of the success of this series can be considered the decentralization of art. An art that can help the development of tourism by showing the attractions of different regions of the country.

Undoubtedly, “Noon Kha” will be a model for the production of films and series in the future, so that when the camera of the filmmakers goes to different regions of the country, different manifestations of Iran will come before the eyes of the audience. A point that can become a strong point to attract the audience with the identification of the audience of provinces and other cities.

Staying away from the usual spaces and locations of apartment series, using beautiful nature landscapes, attractive music, accurate and accurate characterizations, costume design, etc., it is not without reason that art theorists point out that in order to become global, it must be local. .

This series is native in the truest sense of the word. From clothing and language to the customs and culture governing it. Saeed Aghakhani, as the director and the main character of Noon Kha series, the linker of all the production members, both in front of the camera and behind it, has moved correctly and according to the rules.

The fascinating world of “Noon Kha” takes the audience to the hearts of humorous, beautiful and pleasant people, people who have not yet been caught by the alienation of the city, and this non-urbanization has given a special meaning to their lives. However, the play between elements and symbols of rural life and elements of modern urban life sometimes leads to special charms in the series. For example, in the sixth episode of the same season, the sharp contrast between the donkey ride and the ultra-modern BMW car made the audience smile.

* Why “Nun Kh4″ Has it been successful in attracting the audience?

This question has several basic answers: the first one is the representation of a kind of lifestyle that a work like “Nun Kha”, especially in its fourth chapter, encourages. A manifestation of honesty and simplicity that is a mirror of all the hardworking people of this country.

The different atmosphere of “Noon Kha” series and its colors, clothes and pristine scenes are among the factors that relax the eyes of the audience when this series is broadcast. The native and well-known atmosphere of each country has always been one of the success factors of movies and series and has played an essential role in making them lasting and authentic. The Kurdistan region and the Kurdish language are among the regions of Iran that have been less studied. Of course, except for Tehran, this can be said about all other cities, but Kurds and Kurdistan and their stories have been seen less despite their high potential for cinematic exploitation, and now with the broadcast of the “Noon Kha” series in that area and its feeling, we can appreciate this space. And he knew more about his folklore stories.

One of the most important answers to find the why of the initial question is in the small plots and comedy situations of the series, which occur well in the framework of the people of Kurdistan and according to the conditions and characters of the story. The humorous moments of “Noon Kha4” series are so close to our real life and are so far from being silly and ridiculous that he can enjoy his laughter and enthusiasm after some of its sequences.

“Noon Kha4” series, like other episodes of the series, has been able to become one of the most watched series on national television by creating a local story related to a specific ethnicity. Knowing the general public correctly, reacting to social issues, trying to show ordinary people without degrading their position or caricaturing them, using new and promising faces, a narrative in the heart of nature and open space and full of colors and Iranian elements, using Small friendships and intimate relationships between them, sweet accent and attractive characters and the decisive presence of Saeed Aghakhani and… are some of the things that cast a veil over the weaknesses and fragmentation of the story of “Nun Kha 4” series.

However, in order to provide a content and aesthetic analysis of the “Noon Kha4” series, it is necessary to watch all 30 episodes of this season in order to be able to accurately judge the quality of the series. But so far the work of “Noon X4” has shown that it is an acceptable series and because of its visual features and empathetic content, if we close our eyes to its small and large flaws, we can spend time watching its sweet jokes.

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