Take a look at the series made in Iran 3 / Why is this series not worth watching?

Fars News Agency – Cinema Group: “Made in Iran” is the name of a series in home theater, the first season of which was released in 1390 and was able to be the most important series in the home theater network in the early years of the formation of this medium after the series “Ice Heart”. The first season of the Iranian-made series due to the use of the best Iranian comedies from Peyman Ghasemkhani and the late Khashayar Alvand as writers to experienced filmmakers such as Gholam Hossein Latifi and satirical comedians such as Amin Hayaee and superstars such as Mohammad Reza Golzar and successful and experienced formula together. The placement of two friends; One is witty and naive and the other is serious and wise, it was able to attract the attention of the audience to a large extent, and due to observing the red lines of TV serialization, both in terms of content and the hijab of the actors, it was broadcast on iFilm after a while.

In a situation where this series seemed to be forgotten forever, suddenly in 2017, the news of its return was announced. However, the elements of the serial made in Iran 2 were different from the first season. The series was directed by Borzoo Nikonejad and the screenplay was written by Amir Arabi. The brains and criticism of the officials were reckless news and not pure and attractive jokes. In this season, the jokes were mainly based on humiliating, insulting and cursing the characters, or with the addition of Farhad’s character with the repetitive play of Mohsen Kiai in the role of a boy who constantly seeks to deceive and tease rich girls, based on erotic jokes and Sex. In this chapter, instead of designing the story, the creators also tried to use their creativity to simply place the actors in different locations and use the visual and tourist attractions of China to attract the audience. As a result, the second season did not live up to the expectations of the audience, and since it was broadcast only on the home theater network, it was not seen much.

Now, after 4 years, Amir Arabi – the writer of the screenplay for season two – has returned for the third season of the series, but the director of the series made in Iran 3 is Bahman Goodarzi, who is basically an inexperienced director.

“Made in Iran 3”, like its previous two seasons, still uses the repetitive formula of the unveiled foreign actress, who is more famous in this season and sings freely, and has used filming abroad and this time in Turkey to attract the audience, but somewhat aimlessly. , Without story and without narration that the audience does not understand at all with what justification this chapter was made? Especially since the only thing it has in common with the last two seasons is the presence of Amin Hayaee in the role of a slave in the same naive and down-to-earth boy who sometimes falls in love with a person in each season and always fails. In this season, the news of Golzar is not an important factor in attracting the audience, and the two main characters of the story, Gholam Hossein and Morteza, with Majid Salehi’s non-stick and exaggerated play, are both stupid and in fact stupid. In the series Gholam, despite all his stupidity, he is Morteza’s guide, and in fact, the blindness of his cane is another blindness, and the result is that in the whole story, the audience only witnesses the nerve-wracking disorders of these two people.

According to critics: “The jokes of this series are very superficial and the audience has not laughed at these jokes for a long time! The story is on par with jokes, it is weak and clichéd. There is no characterization in “Made in Iran 3”. All the characters, from Gholam to Siavash, Setareh and others, are repetitive, familiar and stereotyped types of television. Underemployment is seen in all parts of the series. “The situation is so bad that even you can see the green of the chromakeys in the series!”

«Made in Iran 3“, The new series”FilimoIt seems so disappointing and aimless that the new collaboration between Amin Hayaei and Majid Salehi can be named the worst series on the home theater network in 1401. A chaotic and irrational series with fragmented sequences, and in terms of content, it is very ridiculous and meaningless for the audience, and probably rich – earning a lot of money – for the actors, it is a familiar name.

Finally, when Amin Hayaee and Majid Salehi, at the 40th Fajr Film Festival, formed a brilliant couple of different films such as “The Last Snow”, no one could have believed that they would become such a woman again and risk their position in such a weak series. Drop it and drastically reduce it.

These actors must be reminded once and for all that “the market is a graveyard” and if they fall into its trap, they will surely soon fall out of the orbit of success and be forgotten.

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