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The difference between the 17th cinema and the previous periods from the language of a film critic


According to Fars News Agency’s Radio and Television reporter, Mino Khani, a film critic, said in Radio Javan’s “Radio Cafe” program about the difference between this year’s Truth Cinema Festival and the previous years: This year, compared to previous years, we had a very good reception for the Truth Cinema Festival. Many people came to the halls to participate in this festival, and the main difference between this year’s festival and the festivals of the past eras was the colorful presence of young people, which is very promising in my opinion; Because these people can bring the future of the country’s cinema with extensive changes and developments.

The presence of veteran filmmakers in the field of cinema in reality

He further added: “Fortunately, this year at the Haqirat Cinema Festival, we saw very valuable films with content from pioneer filmmakers in the field of cinema, such as Mr. Mohammad Ali Farsi, who is always remembered as one of the most important and best documentary makers of the Fatah narrative, and always has They are important and special works. Another excellent film that I saw this year was by Mr. Mustafa Razzaq Karimi with the theme of the life of Seyyed Ahmad Agha Khomeini. But the content was a bit one-sided, which could have been strengthened to minimize the possibility of criticism.

This film critic also added in line with the films and works of other countries: This year I saw a Spanish portrait documentary at the Truth Cinema Festival, which was valuable, and besides these, I saw a very painful social documentary, which was such a strong subject and format that even if The technical field also had a problem, it was not seen at all and was not paid attention to, and interestingly, the director of this painful documentary; About how the movie ended, he said that it was not supposed to end like this; But I was under so much pressure that I had a stroke and due to the treatment process of the disease, I had to end the movie like this! The subject of this documentary was about mothers who are in prison and have to keep and raise their children in prison, and sometimes due to the special conditions they had, they had to give up their children, and this process is tangible and painful for every woman and mother.

The growth of personality-oriented documentaries in the festival

Mino Khani also added about the topics of this year’s Truth Cinema Festival documentaries: This year we had many character-oriented documentaries in the festival, the main subject of which was a human being, one of which was about the companion and friend of the martyred Sardar Haj Qassem Soleimani, another character-oriented documentaries about The son of Imam Khomeini (RA) was Haj Ahmed Agha Khomeini. There was a documentary by a Spanish filmmaker who put individuality at the center of his work; But in the first and second documentaries; The person had died or was martyred and it was not possible to make a documentary about them during their lifetime and this is our main problem that we do not go to them during the lifetime of prominent people in various artistic, political and social fields and only then From the death of such people, we think of making a documentary and film.

A documentary for the late Parvaneh Masoumi

He continued in this regard: Recently, I heard from one of my friends that they are making a documentary about Ms. Parvaneh Masoumi, and my question is why such actions were not taken during the lifetime of these people, and why during the 10 years of Ms. Masoumi’s life, Ms. Masoumi was isolated from anyone. He didn’t think of making a documentary about his life so that we could hear the true story from his own words, because the personal story is very important, which unfortunately has been neglected and neglected in our modern cinema.

At the end of his speech, this film critic said: I desperately request all the policy makers of this field, artists, practitioners and activists in this field to join hands so that character-oriented documentaries with the presence and narration of the people themselves are made and are under construction. In order to present a first-hand narrative and avoid any distortion and marginalization, this process is of special importance and value, and this gap should be investigated quickly and a solution should be provided to present the facts to the audience of this field. to supply

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