The exit of Ayari series from TV/ the director of “Capital” is not behind – Mehr news agency Iran and world’s news
According to Mehr reporter, the first press conference of Mehdi Naqoyan Raees Cimafilm This morning, Sunday, May 31, in the center Cimafilm held.
This is the first press conference of one of the presidents Cimafilm After many years, it is held with the presence of journalists.
Which The series is ready And which ones are in production?
Mehdi Naqoyan, the new head of Sima Film, stated at the beginning of his media meeting about the series ready to be broadcast on TV: We are in different stages of production. Waiting for preparation We have 9 new series and after finishing the broadcast of the series current New series are coming to the air.
He said about the ready series: “Talaq”, “Ashura”, “Motherland”, “Nikan”, “Zad”, “Soran”, “Naeleh” and “Sanjar KhanThey are ready now.
Naqoyan also explained about the series that are in different stages of production: the series “Mahramane”, “Investigator”, “Bache Mahal”, “Hadi”, “Mehiyar Ayar”, “Rakhneh” and “leftThey are among the TV series that are going through different stages of production these days.
“Motherland” quickly to Antenna arrives
Naqoyan said about the final airing of “Motherland” directed by Kamal Tabrizi, which had been stopped due to some issues, said: the flaws of this series have been fixed and it will be released very quickly. Antenna arrives.
He mentioned about the series in pre-production: “Musa”, “Terror” about Hajj Qassem Soleimani, “Ghariba”, “Tank Khorha”, “20 Quid”, “Darwazeh Behesht”, “Royan”, “Afif”, ” Tubi”, “Gando 3”, “Redemption”, “Main Route” and “Mr. Trapped Three” are in the pre-production stage.
Naqoyan stated: We have 15 scripts that are in the stage of writing in the script office of Sedavasima. “Shahcheragh” about the terrorist incident of Shahcheragh, “Qul Mardoone”, “Hangameh”, “The Mountain Called Me”, “Rapid Rain”, “Honey Moon”, “Revolutionary Authorities”, “Coupe Number Eight”, “Dashtestan”, ” Parizad”, “Faced with Death”, “Lamandgan”, “Sabzvar”, “Kazal Sarzaz Imam” and “Lazordi Days” are among these titles.
Exit of Kianoosh Ayari series from TV
In a part of his speech about the assignment of Kianoush Ayari’s series, he said: Decisions were made about Kianoush Ayari’s “87 Meters” series before my presence, and according to the meetings we had with Mr. Ayari, it will probably be left outside the television.
The head of Simafilm explained whether the series will be aired on platforms or not: it is not clear yet, the financial discussions must be completed to be clear.
Naqoyan said about the reason for this incident and the transfer of the series to outside television: As I said, the decisions were made before me. I haven’t seen the series myself and I really don’t know if it was a content problem or something else.
Referring to the biggest transformation that is taking place in radio and television, he said: This transformation is more visible in the field of serials. As the head of Sedavasima has emphasized, this transformation includes various cases in which the discussion of Iranian, Islamic and revolutionary identity is observed in the characters, characters and writing scripts. The second point is the discussion of justice, which is supposed to be broken by breaking the monopoly against the helpless forces, and this monopoly is broken both in the field of genres.
He added: “Chaarbox TV used to broadcast nightly serials, which became serials in 1950.” Most of these series were Tehrani, and breaking the monopoly means to distance ourselves from Tehrani melodramas. We have various scripts in the field of different genres.
Naghoyan stated about the failure of the monopoly: the monopoly will be broken in the discussion of human resources. Using the capacity of different cities and provinces is in our plan. I had a meeting with the theaters of the provinces not long ago. The Islamic Republic of Iran Radio and Television has always been a gateway for new forces, and it is receiving more attention during this period. Previously, in the field of acting and even producing and directing, only a few worked, and this monopoly is breaking. Both young people and veterans who could not work in the past years are taken advantage of.
“Simorgh” center has become very active
He pointed to new centers and said: Simorgh center has also become very active and special production is done in areas such as sitcoms or docudramas. New species can be interesting, which will be reported in detail by the managers themselves. In general, some things have happened in the discussion of breaking the monopoly in various types of theatrical productions.
Referring to the productions that are in the production stage, as well as the series that are ready to be broadcast, he explained: Among these, there are 6 series of Defense of the Holy Spirit, seven series of the history of the revolution, 9 social and lifestyle series. There are also three security series, three series against corruption, two series about the defenders of the shrine and five series in the field of humor. Sedavsima is doing a unique job in the field of special projects. In this regard, the series “Salman Farsi” is one of the few heavy series in the world that requires national determination to make these special projects.
Naqoyan added: We have about 20 special A scripts on TV that have been available since last years. There may be some qualitative criticisms on the works, but usually the works of Al-Af Special have been among the remarkable and lasting works.
Referring to the screenplays under consideration in the field of special A works, he mentioned: “Puriai Wali”, “Hazrat Masoumeh (PBUH)”, “Khwaja Nasiruddin Tosi” are among these works. These require national and parliamentary support, which of course has been provided, and I hope more special support will be provided.
Each ministry sets aside the budget for one series and film every year
The president of Simafilm stated: We have a practical proposal for the government; Cultural budgets in different fields in the government are very expensive. Each ministry sets aside the budget for a film and series every year and starts production. Turkey is far behind Iran in terms of culture and the format of its artists, but due to the special attention of the government and spending a lot of money, it presents its products all over the world. We hope that our government will enter seriously in the field of film and serial production.
He said about the series “Mosei”: As you know, this project is produced by Mahmoud Razavi and directed by Ebrahim Hatami. The project is in the pre-production phase. Certain projects are presented in a more limited way in the media because they have enough issues and margins. But the pre-production of this series is moving forward at a fast pace.
Cyrus Moghaddam is not behind the door
In response to the Mehr reporter’s question about Push Der Mandeh and Havashi directors who are involved in some projects such as “Capital”, Naqoyan said: Sirus Moghadam Posh De Mandeh is not making works that the national media needs. Prominent directors have gone nowhere to return. They have always done all these special Al-Af tasks.
He added: “Capital” series has never been viewed negatively. This series is about ethnicities, and by the way, different ethnicities are among the things that we want to break the monopoly on. But still no plan has been presented by Mr. Moghadam.
In further explanation, the head of Simafilm clarified: I was talking about those who were working and then became unemployed, but if new forces are used behind the remaining ones, they are being used right now. The works should be divided and distributed among the new forces and those who have worked less in the new years and the last one or two decades, and all of them are present in the works.
De-celebrity does not mean not using experienced artists
Naghoyan said about working with indicators: Our policy is not to leave famous directors and only young people work. De-celebrity does not mean not using experienced artists. Our criticism of this section is why new forces do not grow alongside these. The point is to take advantage of them.
Referring to the use of famous directors, he said: “A series especially wants experienced directors.” The screenplay of “Puriai Vali” was written by Mr. Jozani and he was going to direct it himself. Great series needs great directors.
TV makes serials like rich kids
In another part of his speech, the head of Simafilm mentioned about a more serious approach to the promotion of serials and said: “Television makes serials and spends money like rich kids.” It costs several tens of billions, but the serials that are aired do not have advertisements. These are changing.
Referring to the creation of a program like “Haft” for reviewing series, Naqoyan said: We have proposed to produce a TV program with the topic of reviewing TV series as well as platforms and foreign works, which is in the stage of selecting the editor.
Referring to the high volume of production in television, he said: Now there is nowhere to produce television; Both in terms of the budget it spends and the content and quality it offers.
In response to Mehr’s reporter about the quality of home series that has attracted the general and special audience of the society, the head of Simafilm said: We have formed a council in broadcasting and there are going to be changes in the infrastructure in the production of series. In the past years, the quality supervisor has become an administrative event, so we plan to return the quality supervisor missions to him again.
He further stated about improving the quality of serials: Using motivated people helps to improve the quality of serials. A large part of them work in the field of serialization, which has this capacity only in television. We are under the influence of the antenna and when the quantity goes up, it affects the quality.
Unprepared screenplays are produced!
Naqoyan added: We have a concern to fill the air for the audience at night, and this has inevitably led to the production of unprepared scripts, but in the new release, all this is on the way to change.
The head of Simafilm said about making a movie version of the series: We had a memorandum with Farabi and the series that can be made into a movie are supposed to be screened and their movie version will be broadcast first, and then they will be aired as a series. Both television helps cinema and cinema will help television.
He said about making a series based on current events: “When I came, we launched the mini-series “Shahcheragh”, which is not a security story, but a story of people who reach that scene, and we have other series about the issues of the day.
He went on to say about the advertising of series and the use of urban billboards for some TV series: The advertising council has been set up in Simafilm, and their decision may be to use the capacity of urban advertising for some works. Previously, teasers of serials were broadcasted on TV channels, but now it has become more targeted.
Opponents attack television because it has an audience
Naqoyan continued: Don’t the platforms themselves like their teasers to be broadcast on TV? Some people insinuate that the national media advertises because it does not have an audience, but this is not the case. In general, the work of the opposition media against television is for the same audience that the national media has. That is why the anti-media work on television and attack artists who work with television. This insult and obscenity they do to artists is due to the fact that television has an audience and we use all the capacities to promote the work.
The head of Sima Film also said about cooperation with platforms: Peyman Jabali, the head of the organization, has also mentioned that joint work with platforms is one of our policies. In addition to not being closed to artists, it is also not closed to platforms. If there is a criticism of productions outside of television, it is that the works should be in line with national identity and national interests.
In response to a question about why most series are made about the Qajar, he said: The volume of productions about the Qajar era has increased in the last one or two years, but we are planning to start some new approaches in the field of Pahlavi, which are related to the political situation and The society of the people at that time pays. We have also ordered such subjects from writers, so we will have significant productions on the air.
At the end of his speech, he said about the effect of serials on increasing the audience: the serial accounts for the largest amount of the budget of the radio and television, and the increase and decrease of the audience in the national media depends on the serial. In the new era of broadcasting, the design stage is carried out by the script office, the production stage by Simafilm and the broadcasting stage by the networks. The screenplay office has reviewed more than 600 screenplays and about 70 screenplays have been approved. 15 scripts referred to Simafilm and the rest are also being reviewed to move forward in different stages.