The first night of the artistic figures of 1401 was held/Introduction of the artists of the origin of the work – Mehr news agency Iran and world’s news

According to Mehr reporter, the event of the Revolution Art Week “Art Committed to Truth” by holding the night of artistic figures of 1401 in the fields of documentary cinema, fictional cinema, animation, theater, music, architecture, research and Photography It was held on the evening of Friday 25th of April in the open area of ​​the artistic field.

This ceremony started a few minutes after the iftar of the attendees. In the evening of the artists of the fields of cinema, theater, music, photography, architecture and research, Kazem Nazari, director of the performing arts center of the Ministry of Culture and Islamic Guidance, Sayyed Mehdi Javadi Director of the foundation Cinematography Farabi, Mohammad Hossein Sai, President of Sourah University, Ali Forozanfar, Vice-Artist of the Art Department, Seyed Hassam Al-Din Hosseini, Director of Seluk Media Center, Amir Hossein Samii, Artistic Deputy of Tehran Municipality’s Cultural and Artistic Organization, Hossein passenger thresholdMilad Irfanpour, Director of Music Center of Art Field, Seyed Ahsan Bagheri, Director of Iranian Photographers House, Parviz Iqbali, Saeed Sadeghi, Seyed Abbas Mirhashmi, Ayub Aghakhani, Mohammad Mahdi Siyar, Anoush Moazzami, Ansieh Shah Hosseini and… were present.

face introduction Art 1401 performing arts; Ayub Aghakhani

Kourosh Zarei, director of the performing arts center of the artistic field, was invited on stage at the beginning of the ceremony and about his face Art In 1401, he said in performing arts: the art field is the home of artists and many artists started their work here. 1401 was a difficult year for the society of culture and art and dedicated artists revolutionary They stood at the foot of the revolution and did not let the light of the art of the revolution go out in the events. I also thank all the theater artists who worked hard this year to make the festivals and events magnificent.

Next, the clip of the face of the year of performing arts, which introduced Ayub Aghakhani, was played, and then Korosh Zarei and Kazem Nazari, director of the Performing Arts Center of the Ministry of Culture and Islamic Guidance, honored Aghakhani.

Introducing the face of art in the year 1401, art research; Ali Asghar Fahimi

Then, Sajjad Safarharandi, the head of the Islamic Culture and Art Research Institute in the field of art, while honoring Liali Qadr and remembering Emad Afrogh, said: “Last year was a fruitful year in terms of research activities in the field of revolution; Both from a theoretical and fundamental point of view and from a practical and management point of view, valuable works and Artifacts It was presented as valuable and informative, and this process made it difficult for us to choose the chosen face of art research, but after summarizing board We have reached the final selection of the face of the revolution research year.

Next face Art In 1401, it was introduced in the field of art research and Ali Asghar Fahimi for Editing of the book “Challenges of the Revolution Art School” was praised by Mohammad Hossein Sa’i, the president of Sourah University, and Sajjad Safarharandi.

face introduction Art 1401 year of photography; Seyyed Abbas Mirhashmi

In the following, turn To introduce the face Art The year 1401 arrived in the field of photography, and for this purpose Seyyed Ahsan Bagheri, the director of the House of Photographers, said: In the art of photography, this year we decided to choose the most influential artist and the source of the work, and considering that Seyed Abbas Mirhashmi has been the secretary of Fajr Visual Festival for many years and Also, because in difficult conditions, especially last year, “Ya Ali say” and follow the work of the revolution Stand It is difficult and Ishan Pai Art They stood up in a revolution and held a visual festival of Fajr, as a face Art They were selected in photography in 1401.

Seyyed Ahsan Bagheri along with Ali Forozanfar, artistic deputy of the art department, honored Seyed Abbas Mirhashmi.

face introduction Art 1401 architecture year; Javad God

Mustafa Momenirad, director of Islamic Architecture Center, as the next speaker to introduce the face Art 1401 in the field Roy architecture He came to the stage and pointed to the issue of architecture as one of the main issues of art and said: In the selection council of the architecture department, it was decided to select an artist who has a promotional view of Islamic architectural issues and is also problem-oriented and committed to the issues of the country. to be An artist who Selection He has a brilliant record in this field and his efforts in the field were considered by recognizing the people and being adjacent to the holy shrine of Razavi, because in recent years we have witnessed unpleasant events in Shiraz and Qom.

Gholamhossein Memarian, the face of the 1400 Islamic Revolution in the field of architecture and Mustafa Momeni Rod From Javad God The figure of the year 1401 was honored in architecture. Javad God In the field of texture design peripheral Motahar Razavi shrine has done activities and for this purpose in this section Selection became.

face introduction Art 1401 year of music; Mohammad Mehdi Siyar

Later, Milad Irfanpour, the director of the art music center, came on the stage and said: We at the art music center have tried to set an example in recent years; That is, we have taken into consideration the good and scientific music that is liked by the common people and the elite, and we emphasize to introduce examples of today’s good music in different fields as models.

He stated: In Bob Introduction of the face of the year 1401 of music, a council was formed until finally Mohammad Mahdi Siyar in the song section, who is very influential in music, Selection became. According to the judges of this section, Mr. Siyar is a poet who has created the most currents on music in 1401 and has created special works and ballads and composed many television titles and in general, because of his collection of works produced in 1401 this Selection There have been.

In the continuation of the ceremony, Milad Irfanpour, together with Amirhossein Samii, deputy art director of Tehran Municipality, honored Mohammad Mahdi Siyar with a statue of the face of revolution art.

After receiving the statue and plaque, Mohammad Mehdi Siyar said: Music and songwriting is a different experience for me, because it causes human Entering into collective work and being placed next to other artists of an orchestra and next to singers, musicians and composers, my work takes on a different meaning and has a different effect in interacting with the audience. Therefore, if there was any success, it was due to being with the singers and composers with whom I have collaborated.

face introduction Art The year 1401 of cinema; Mohsen Islamzadeh, Mohammad Khairandish, Hossein Darabi and Jalil Saman

Hamidreza Jafarian, the head of the cinematographic organization of the artistic field, also came on stage for the cinema field (documentary, fiction, animation and television productions) and gave explanations about these sections.

Next, Amir MehrizdanDirector of Surah Documentary Center, Amirreza Mafi, Director of Surah and Vahid Animation Center refuge The CEO of Soura Visual Arts Institute came on the stage to accompany Jafarian to present the statues of different fields of cinema.

Mohsen Islamzadeh for the documentary film “Nobody waiting for you Not” as a face Art 1401 in the documentary film, Mohammad Khairandish to make the animated film “Dolphin Boy” as the face Art Year 1401 in the animation department, Hossein Darabi to make a movieHanas” and the short film “Protector” as a face Art 1401 in the fictional cinema section and Jalil Saman for the series “Zirkhaki” as the face Art In 1401, they were introduced and appreciated in the television production department.

Mohsen Islamzadeh, who was not present at the ceremony, received the statue from his wife, but he had sent a video from Afghanistan for the ceremony, which was broadcast. He said: 1401 was a good year in terms of making documentary films and screenings, but in the last days of the year, I faced a problem to produce a film related to the Kermanshah refinery, because we were supposed to talk about the handing over of this refinery in the film. I meant it from its desperate people the line It was not possible to tell about the position of the people and their economic problems.

Mohammad Khairandish is the face of the animation year 1401 Also, before receiving the statue of the face of the revolutionary art, in response to a question about the project the new In 1402, he stated: If we work in the field of animation from now, our work will be ready in four years, and this is due to the difficulties of animation work.