The genius who turned “Majid’s stories” into “the story of a generation” – Mehr news agency Iran and world’s news
Mehr News Agency – Art Group – Alireza Saeedi: The function of the title is something similar to the cover of a book The designer It tries to inform the audience of a work by selecting elements, forms and arrangements with the help of graphics and music. The conditions that he sometimes puts in front of the audience in a very careful, thoughtful and calculated way, and sometimes Sad school And it is built on the fulfillment of a mandatory task that distracts the viewer from the basis with a visual effect.
What became an excuse to once again return to the keyword “title”, a review of the most lasting and the most memorable The music is related to some programs and movies and television works, which for many audiences contain bitter and sweet memories, and referring to them again can bring a world of memories for us in any situation. The memory game, which after its launch and publication in Nowruz, was welcomed by 1400 audiences, prompted us to entrust our souls and minds to it in the form of a weekly memory game on Fridays every week, and from its passage to the years when we are better than these troubled days. It was, let’s go.
“Memories with lasting titles” is the title of a series of archival reports with the same approach, which you can follow on a weekly basis in the art group of Mehr News Agency.
In the sixty-second issue of this media narrative, we went to the soundtrack and title of the fictional series “Majid Tales”, which is without a doubt due to the sweet narration of Hoshang Moradi Kermani, the careful direction of Kiyomarth Pourahmad, the performances of the actors and of course the presence of a reputable artist such as Nasser Cheshm Azar As a composer, he was able to be one of the important visual and musical symbols left over from the 70s, when people’s living conditions included situations that are no longer seen in these years. Valuable music that sits in every program, speech and image without any doubt, when we hear it, the smell of memory game and nostalgia reaches our nose and a world of the dream And we picture the sweets of our teenage years in our minds.
“Magid Stories” series, written, produced and directed by Kyomarth Pourahmad, is a series produced in 1369 by the National Media, whose basis and story Based on A book with the same name written by Hoshang Moradi Kermani It was Nasser Cheshm Azar who understood the feeling hidden in the story with all his being. For this reason, as a full-fledged composer and master of Iranian music, he used all his efforts to provide a space for the soundtrack and credits of the work to move in a direction that will make “Magid’s Stories” one of the The most effective And the most popular series in the history of the story series of Sima Kand He was in front of the audience. Of course, although the main story of Majid’s stories was written in the environment of Kerman, it tells the story of a child named Majid who lives with his grandmother (Bibi).
But later, when a TV series was made from it, the actors of the series moved the environment of the story to Isfahan, and finally, from the early 1370s, on Fridays at noon from the children’s and teenagers’ program of the Yek Sima channel, it created a condition for the television audience of those years that its viewers were no longer The audience was children and teenagers. Rather, it was all the family members who were watching Majidi’s pranks and playfulness, who was mentally older than his age in the main story and occasionally did funny things that we couldn’t help but enjoy watching him on TV.
Parvin Dekht Yazdanian as Bibi, Mehdi closeness In the role of Majid, Jahanbakhsh Soltani in the role of the school administrator, Morteza Hosseini in the role of Mr. Heydari, Jamshid Sadri in the role of the school principal, Mohammad Ali Miandari in the role of a strict math teacher, Bijan Rafei in the role of an essay teacher, Hossein Hashmati in the role of a tailor, among other artists. were present as actors in this enduring and beloved television series of those years, whose educational and educational goals were very spectacular by creating sweet moments through the lens of the life of a different teenager named Majid.
The actors who lived the roles with their whole being and presented narratives to the audience with soulful music in a mood appropriate to the fictional geography of the work which took place in Aziz Isfahan, became an indicator of a return to the past which, although 30 years from It passes, but we still want to remember the nostalgia by listening to his music, which seems to have no end for us.
And this was the late Nasser Cheshm Azar, who with all his heart had understood the feeling hidden in the story. For this reason, as a full-fledged composer and well-versed in Iranian music, he used all his efforts to provide a space for the soundtrack and the credits of the work to move in a direction that would make Kyomarth Pourahmad’s “Tales of Majid” one of the The most effective And the most popular series in the history of the story series of Sima Kand. It’s as if after hearing the title music of the series that we heard for the first time, we couldn’t listen to any other music to hear and see Mehdi’s deliciousness. closeness And let’s accept his encounter with his grandmother and his surroundings with that pure Isfahani accent.
The title music of Majid’s Tales was a melodious narration of the sweet accent of Isfahani people, which invites every audience to watch. Music, which is rarely found in these years, can be found in TV series, which can become one of the symbols and identifiers of people who, in the absolute sense of the word, with all their good and bad and with all their bitterness and sweetness, are national. are.
Arash Nasiri, a researcher in the field of music and a journalist who has had continuous collaborations and activities with the late Nasser Cheshm Azar in the “Thousand Voices” project, sent a note to the art group of Mehr news agency, and wrote about the soundtrack and credits of the series “Magic Tales”: Majid’s stories are not my childhood nostalgia, because when Majid’s stories were aired on the first channel’s children’s program, I was a student and naturally I shouldn’t have watched children’s programs, but this series is still nostalgic for me. It has been the same for several generations. There are definitely different factors involved in this feature, and one of these reasons is the special music of Naser Cheshmazer.
Let’s examine the process of making this series: Kyomarth Pourahmad Esfahani decides to make a famous story by the famous writer, Hoshang Moradi Kermani; A story that had been awarded with the same atmosphere as Kermani before it became a series. Pourahmad makes this Kermani story Esfahani in order to see his nostalgia in it, and in this way he is so determined that he puts his mother in front of the camera for the first time. Later, he invited Nasser Cheshm Azar Ardabili to compose its music, and he did not use famous musical themes in Isfahan, such as the famous song “Beh Isfahan Ro”, nor Turkish melodies. Chesh Azar from Theme Javadane works of Ruhollah Khaleghi use; The works that are current in his childhood and youth and in the collective unconscious of Iranians Therefore This adds another feature to the series written by a Kermani but whose actors speak Isfahani, and gives the series a national aspect, out of the state of a regional work.
Remember that when this series is made, the composer’s name is not in the credits, while Nasser Cheshmazar at that time, apart from his eternal works in composing and arranging pop music, also in film music. It was necessary to finish the work cheaply, and this is where the crazy genius of Nasser Cheshm Azar and the correct use of an idea come into play in the production of this music. A task that seems simple, but you must have lived and worked like Nasser Cheshm Azar, so that knowing what to do at the moment will come to your mind intuitively. A few dozen works Effective And among other things, he made the music for the noisy movie Hamon and now he wants to make the music for a serial on the children’s network. Certainly, considering the budget of those years of television and especially the children’s group, it was necessary to finish the work cheaply, and this is where the crazy genius of Nasser Cheshm Azar and the correct use of an idea come into play in the production of this music. A seemingly simple task, but you must have lived and worked like Nasser Cheshm Azar, so that knowing what to do at the moment comes to your mind intuitively.
Nasser, the son of Ismail Cheshmazer and the younger brother of Manouchehr, lived with the music of his father and brother since he was a child. Emmanuel Malik Aslanian and others, he has been on stage with great people like Ostad Ebadi, he grew up attached to the national music of Iran and lived his childhood and youth with these works. Therefore this, Theme Creative music flows in him, rather than trying to internalize them.
This is the secret of ease and abstinence in this work and many other works of this prominent Iranian music artist. These songs play the same role in Nasser Cheshm Azar’s life as words do in Saadi’s life, and it is the same that Saadi writes poetry fluently and seemingly easy, but deep and restrained, and Nasser Cheshm Azar composes the music of Majid’s stories: a story that is a story and nostalgia. Childhood is several generations.
Nasser Cheshm Azar ba Theme “Boi Joi Molyan” and “Ta Bahar Delneshin” and other Khaleghi melodies, both richly Melodic His work added, too Our reference Giving to a child, even in the mind of the child of those years, melodies flowed so that later, when they grow up, after hearing the original and complete form of those songs, they return to their childhood and something moves in their subconscious. What created this work was the result of the taste and unconsciousness of a genius artist who, until the age of sixty-eight when he died in disbelief, the child inside him was awake and, in the words of Kyomarth Pourahmad, he was on the border of madness and genius: madness and genius, education and creativity. It rained shortly after this work his love It rained and stayed.
In any case, the title music of the television series “Magic Stories” composed by the late Nasser Cheshm Azar is full of lasting memories that remained in the music box of the listening minds of the television audience during those years and can include moments that everyone feels invited to relax by listening to this music. They used to think that in our world these days there is no outsider at all and it should be enough to listen to these musics.
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