The good news of the director of Haqit Cinema to the photographers during the meeting with Mortezapour Samadi

According to the Fars news agency reporter, the commemoration of Mortezapour Samadi titled “Meeting again with Mortezapour Samadi” was held on Tuesday, December 28 with the presence of the artist’s family and a group of Iranian documentary makers, videographers and documentary artists in the Charso campus.

After playing the national anthem and reciting the Holy Quran, the teaser of the 17th “Truth Cinema” festival was broadcast.

Photography award will be added to “True Cinema”.

Mohammad Hamidi Moghadam, secretary of the 17th “Truth Cinema” festival, at the beginning of this program, while welcoming the audience and the family of the late Poursamadi, said: Mortezapour Samadi was a great artist that Iranian cinema lost. Apart from cinema, art and our country lost greatness. It is our honor that yesterday we started another truth cinema festival with Mortezapour Samadi’s pictures. Our idea is that we will remember 3 pillars in this festival. We saw beautiful pictures taken by him at the opening ceremony.
He continued: I had an inner bond with the late Pour Samadi, because we are both born together, a city that has a bond with mountains and nature. Someone who has lived in the mountainous areas spreads and depicts their life in their images.
The secretary of the Haqit Cinema Festival stated: The master can be referred to as mastery. The life of Ostad Pour Samadi was in the picture. We have decided to add the photography award to this festival from the 18th festival. What we saw from these loved ones was their look at photography, which spread to film.
Hamidi Moghadam added: What distinguishes these elders is their generosity in teaching. All those who worked with Master Pour Samadi were touched by this generosity. He showed generosity at the same time as a master without any fence. This has become less common.
He pointed out: the impact that Zand Yad left in the film will move the film forward. In the principles of filming in the world, the best filming is for the best not to be seen. At the height of Fakhr, Master Pour Samadi tried very hard not to be seen, the result of that film is Taraz, which you only see the output of. We appreciate not only the teacher we lost, but also the knowledge they left behind. I hope the foundation they want to expand will point out these points. May the legacy they left behind be continuous and enlighten the path of the youth.

Next, the announcement of the reunion with Morteza Samadi by Hanif Shahparrad was broadcast.
Morteza was the rain
Marjan Qanbari Mehr, the surviving wife of Morteza Pour Samadi, said while reciting a poem: Morteza was rain. On behalf of the late Poursamadi’s family, I would like to express my gratitude to the organizers of the festival for giving time to Morteza.

The lens of Najib Mortezapour Samadi

Adelpour Samadi, son of the deceased, said: One of my father’s characteristics was humor. Morteza was unique in ethics. He was a supporter of youth and veterans. It has been a pleasure working with him.
He added: many female actors openly stated that Morteza Samadi’s camera was the safest camera. I repeat again, I am proud to be Morteza Pour Samadi’s son. I would like to thank the people involved in the truth cinema for this program. We are doing our best to preserve the legacy left by Morteza.

Poursamadi was a truthful narrator

Cinema and TV producer Asghar Tausli said: One of the hardest words in the world is talking about a friend who is not among us. We became friends with Morteza in 1961. It was the beginning of the war and the directors of the cinema formed small groups to make war programs and we became a group of 4 people. For about 2 years, we traveled to different cities and started documenting. We made many documentaries that won various awards, which Morteza caused with his unique cinematography.

He continued: We were supposed to see each other when the news came, Morteza went to work. Expressing the facts was Morteza’s characteristic, which was clearly evident in his photos and narratives. Morteza was a truthful narrator. Morteza told the truth of everything far from lies. One of their friends stated that Morteza’s lens was noble.

The golden era of channel two with the flow of documentation

Farhad Varharam, the director of Taraz, said in his obituary of Morteza Poursamadi: Mr. Tusli spoke well about Morteza and described the spirit of the deceased. Morteza’s presence on the network started two streams. The golden era of Channel 2 was when the process of documenting was started by the late Poursamadi. If 30 films were produced at that time, 20 of them were for Morteza.

He added: One of the characteristics of Morteza was training different directors. He was like a brother to his assistants and helped the film director. Morteza should not have worked to this extent. Mortezapour Samadi’s photos have a birth certificate. These photos belong to Iran and should be recorded in the best way.

Iran is not seen in Poursamadi’s photos
Referring to the establishment of the Poursamadi Foundation, Mohammad Reza Mohadi said: Although 3 months have passed since his departure, we still do not believe it. Mortezapour Samadi has left a legacy. Part of this heritage is cinematography and another amazing phenomenon is photographs. The photography aspect of Mr. Poursamadi has not been addressed.
He continued: These photos have not been seen in Iran. The reason for the formation and establishment in the form of a foundation for Mr. Pour Samadi is generosity. We felt safe with Mortezapour Samadi.

Morteza Razzaq Karimi, producer and writer, expressed a memory of Morteza Samadi and said: “The conversation of all friends was very pleasant.” Perhaps one of the reasons was a reflection of Mortezapour Samadi’s different dimensions. One can talk about them for hours. A small part of Mr. Poursamadi was filming, he was our support.

Iranian filmmaker and writer Mehrdad Eskoui gave a speech at the end of the ceremony and said: I didn’t sleep all last night and I thought I didn’t have much to say. Everything I wanted to say was said by his close friends.
Reading a poem about the homeland, he added: I know documentary cinema with people. Mr. Poursamadi worked all over the country for many years. He taught my servant Mr. Poursamadi to work and took my hand. For me, Mortezapour Samadi was a traveler who loved his homeland. He knew that whatever love he left for us is what will remain.

It is worth mentioning that the turquoise badge of “Truth Cinema” was awarded by the secretary of the festival to the living family of Mortezapour Samadi.

At the end of this ceremony, Morteza Pour Samadi’s book of dialogues was unveiled in the presence of Mehrdad Eskoui and Ahmad Bajeri Jahormi.

It should be noted that “Truth Cinema” is being held from December 27th to December 2nd at the Charso cinema campus.

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