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The press conference of the movie “Perfumed”/ Zamani: In our culture, such movies are believable and I put my energy on these works.


According to Fars News Agency’s art and media group, the press conference of the movie “Perfumed” with the presence of Hadi Moghadam Dost (director), Yusuf Mansouri (producer), Hossein Hosni (writer), Mostafa Zamani (actor), Mohammad Reza Mirza Mohammadi (designer) stage) and Rozbe Raika (filming director) was held in the meeting hall of Mellat Cinema campus with the presence of media people.

Hadi Moghadam Doost said about the inner state of people in his films: showing the inner state of people and their changes, apart from being an important element of the show and a subject of attraction, it is also an important concern for the audience to witness these changes in life. In my opinion, the issue of change is the problem of people and they like to see this internal state and internal change.

Youssef Mansouri, the producer of the movie “Atar Alod” said in the press conference of this film: “The formation of the movie “Atar Alod” dates back to a year ago when the writer and I had discussions and Hadi Moghadam Dost was chosen as our choice. His cinema has its own characteristics that people of cinema and art know. He is a moral and righteous person and has a hopeful outlook on life that you can see his spirit in both his personal and artistic life. The concern of this film was also from his own interests and the path progressed step by step and thank God for our friends at Sourah Cinema Organization who came forward and gave their time. Mr. Zamani came with heart and soul. He was a source of energy every time he came to the office and he brought the world with him.

Mansouri continued: The concern of this film was also his interests and the path progressed step by step. I would like to thank my friends at Soura Cinema Organization who came forward and gave time to work. Mustafa once came to work with his heart and soul. In fact, every time he came to the office, he was a source of energy and brought the world with him.

Actor Mustafa Zamani further said: Some rules in guidance should be reviewed, because the scripts we read are far from reality and we cannot find their equivalent. People have a lot of access to the films of the world and it is difficult to believe the roles we play in this space. In our culture, such films are believable and I have put my energy on these works. I had not worked with Hadi Moghadamdoost, but we talked a lot and then signed a contract. Of course, the pre-production was stopped for a few months, but I didn’t accept the job either.

Once, he continued: The script was good, but I know few people in this field who have a great passion for filmmaking. Working with Moghadamdoost was one of my best experiences because he first makes the film and then performs it. In my opinion, Hadi Moghadamdoost had a great impact on it, and of course, if it was bad, he himself is responsible.

Hossein Hosni, the author of “Ataralod” said about the script of this work: Is it possible to work with Hadi Moghadamdoost and write alone? I was honored to write with him and learn to work and of course learn to live from him. All we tried was to make the main character appear in such a way that the perfume is the main feature of this character, and I don’t know if this really happened or not.

The producer of “Perfumed” went on to say: We want to study the inside of people and if our study is only for hot events, its quality will be the same. You can’t really reject movies that aim to study people’s inner selves. Unless this is not our taste. This model is a famous kind of cinema and at least let’s accept it.

Rouzbeh Raiga, the cinematographer of “Atar Aloud” also said about the collaboration with the producers of “Atar Aloud”: I had previously collaborated with the crew in the movie “Sar Be Mehr” and when I read the script, I realized that this work is in the same way and I was happy. . There was a lot of talk about each location and the lights that were going to be used in the scene. Because for us, the script was like a book that we always refer to. Hadi Moghadamdoost was constantly explaining and describing the atmosphere. This made decoupage both challenging and progressing well.

Mohammadreza Mirzamohammadi, the film’s set designer, further said: In addition to the usual items of color and shape, the challenge of perfume was also how to feel the perfume in the film. Hadi Moghadamdoost is very detail-oriented and creative, and he raised our courage. We wanted to emit a youthful fragrance in an old house, so I tried to do this according to the script itself and the harmony and camaraderie behind the scenes with Hadi Moghadam Dost.

Mustafa once said about the similarity of the role with his own personality: I still haven’t been able to find my true personality. I was in my twenties when I went to “Youssef the Prophet” and from that moment I knew that I was entering into a losing ground because the “Youssef the Prophet” series was a big deal. But for me, learning is important and that’s what gives hope to life.

Zamani further added: When I came to the conclusion that it is possible to learn from Moghadamdoost, I somehow reached the role. On the other hand, one cannot think about death and the world will be the same as it was an hour ago. To say that I live for my child or my family is a lie because human beings are born to survive. I was talking to Hadi Moghadamdoost and I said that this has three stages, the first is the right to die and you become kind. Second, you find some kind of suspicion and aggression, and the third stage is submission.

Zamani also said about the details of playing a role in this film: This was one of the few events where you could talk to the director and see the result on paper and in the film. A friend said that simple everyday events are life. Social networks have created excitement. This movie put pressure on me and it was so hard for me that I still haven’t dared to see the output of the movie. We were filming for two months and I didn’t see anyone and I didn’t talk to anyone. Even the mobile phone was silent. Because the role was really difficult and Hadi Moghadamdoost is very sensitive.

Hadi Moghadamdost, the director of “Atar Aloud” also said about the purpose of making “Atar Aloud”: the fact is that you can’t talk about the purpose of making a film because it affects its result and you should talk more about the audience’s reception of the film. If I say about my goal, I actually said that you should see the movie like this; While the audience must have their own perception.

In response to a question about the quiet moments of the film and its relationship with today’s inflammation, he said: Life is a combination of sadness and hope. There is no time when all these do not exist together, in fact, in the moment when you are afraid or sad, you must have hope. It will be a few years “past” where we are today, and a return to innocence is a better word for the question you asked.

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