The production of “Irangerd 6” has started/our work is more difficult than making movies and TV series – Mehr news agency Iran and world’s news
About making the sixth season of this series, Javad Garai, the documentary maker and director of “Irangerd”, told Mehr reporter: “It has been a while since we started filming parts of Khorasan and Hormozgan.” In the sixth season of “Irangerd”, we have about 7 provinces, and we visit different cities of these provinces, and almost every province will have about 4 or 5 regions.
He added: The filming of this season will last until the end of next year and I hope it will be broadcast in Nowruz 1404.
The director of “Irangerd” explained how many people are on each trip and how the production team of this series accompanies him: There are about 12 people on these trips, and there are about 50 people in Tehran itself who are involved in research and development. They help us or they are in charge of the technical parts of editing and sounding. Among the companions, i.e. 12 members of the team who are on trips, five are videographers who have cameras and are active in aerial, ground, time-lapse, etc., and the rest are other technical agents.
He said about the video upgrade in each season of this series: We tried to maintain the quality of the video in each season, from the fourth season onwards, the series will be recorded in 4k, and if the audience watches beyond the network, they can watch it with this quality. See the collection. Apart from the image standards that we are trying to maintain, we are also trying to make this collection attractive in terms of content; Our challenge is the stories of this content, which we hope will be interesting for the audience in this season.
About how many hours of rush they have in each season, Gharai said: I think for each episode that is 40 minutes, about five hours of rush and shooting were done. If I want to be up-to-date, we work for about 20 days for each episode.
He said about the comparison of his work with filmmaking and serial production: I think our work is more difficult than film and serial production because they proceed based on the script and decoupage and the director and the actors know when and what conditions the interior and exterior are in. But even though we are doing research, everything that we predicted may change at once. Then we enter a kind of challenge. Sometimes we change the story many times and every time we face new situations.