The productions of Taraz Heghlan are the result of collaboration with different ranges of cinematographers

Fars News Agency-Cinema Group: Language has various functions and benefiting from all these functions has a specific meaning; Transferring meaning and message. From this point of view, cinema is also considered a language, but it has a much wider and wider field. Because it is not limited to the framework that the language suffers from following the grammatical system. Cinema is a language based on signs and symbols that creates communication with the help of images, games, atmosphere and mise-en-scène, and even music, and it is a system of signification that discovers and understands the relationship between the signifier and the signified, and its text and metatext, for anyone who It is possible to be familiar with the conceptual mechanisms of cinema.

The language of cinema has a global scope and it is easier and more international for the world to know a country and system through the cinema of that country and system than through its language. The world understands the condemnation of the violence of war and the sanctification of love and empathy with the language of cinema better than with slogans and speeches.

Therefore, if the cinema, considering its infinite capacities, takes advantage of several themes that facilitate the world’s common understanding, it is a more successful cinema. Because it can be seen and read better. These themes can be found in abundance in Iranian cinema, considering the history that has passed in the last half century, and it has so much variety and depth that one can choose from a topic such as war or events in Iran between the victory of the Islamic Revolution and the start of the imposed war, films It affected many people in every part of the world.

revolution and war; Two rich and inexhaustible sources of Iranian cinema
Iranian cinema has an inexhaustible and valuable rich source in terms of direct access to topics and descriptions of events that the society is directly involved with and has touched with its own flesh and skin, and in this respect, it is superior to many other countries.

If there are countries in the world that have not seriously experienced war or from the general and global subjects of war; For example, World War I and II are making a living, and more than 70 years have passed since then, Iran, with the war that it went through in 1359 to 1367 and the consequences of which are still affecting our country, does not need to cultivate subjects in a greenhouse and they are kept in the most pristine and It has the most experienced mode. The concept and story like the revolution and the tumultuous years after the revolution until the occurrence of the imposed war also has a similar thematic status to the war, and in terms of benefiting from the thematic capacities for documentary or non-documentary cinema, it is an inexhaustible and inexhaustible source.

It is also true that despite the passage of more than four decades since the victory of the revolution and the beginning of eight years of imposed war and three and a half decades since the end of the war, the cinematographic productions in these fields are still spectacular and sometimes because of their new and original themes. are stunning.

It can even be claimed that due to the distance from the chaos and the dustiness of the political and social atmosphere of the first years of the revolution and away from the inflammation and burning and killing and killing of eight years of war, original and surprising subjects are extracted and made and screened in the medium of cinema. that the cinematic translation of unspoken words and untold truths can share the “realities of the revolution and imposed war” and the “high capacities of Iranian cinema” with the world and promote the class of our country’s cinema.
The cinematographic and audiovisual organization of the Ministry of Guidance and its affiliated institutions can observe the topics that have the ability to become epic epic works by forming special and specialized working groups, and by turning them into workable texts, it is a big step in the construction and produce successful examples and appear effective in educating cultural audiences. The participation and cooperation of the Farabi Cinema Foundation, the Center for the Development of Documentary and Experimental Cinema, and the Young Cinema Association with various filmmakers, to make and produce films at the level of the Islamic Revolution, guaranteeing the realization of goals such as “immunization”, “organization” and “prosperity and guidance of cinema” The country is moving towards the values ​​and goals of the Islamic Revolution” for which the “Cinema Council” was formed in March last year for this purpose. Hope that this path will bear fruit with sustained effort.

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