Translation of satanic woman works inside the country

Fars Special Report: Recently, a book has been published in the field of publishing that should be paid more attention to, considering the background of the book’s character, the categories whose author or subject is about Satanism.
A person named Sahar Dolatshahi is a written translator whose central character in these translations is one of the hated and prominent figures in the field of satanic behaviors.
But the latest translation from the imperial government is remarkable, as it features a highly controversial and challenging name in the West (though not as well-known domestically): Marina Abramovich
Marina Abramovich had previously translated a book entitled “Crossing the Walls” by Dolatshahi, which was published by Orka Publishing and reprinted several times in 1400 (although the low circulation of the books should be taken into account, of course).
But the most recent translation of Dolatshahi this year is “Marina Abramovich’s Way: The Agenda for Restarting Life” and has been published by Nazar Publishing.
But who is Marina Abramovich?
Marina Abramovich, born in 1946, was born of a Jewish descent in the former Yugoslav city of Belgrade. A 76-year-old Jewish woman born in Belgrade, the capital of the former Yugoslavia, is known as the “Queen of Performance” or, in her own words, the “Grandmother of Performance”.
He who with the help of strange and so-called grotesque funds[1] His performances, as well as his continued presence on stage and, of course, the uninterrupted support of the mainstream media, have a unique reputation among conceptual and performance artists, bringing new facets and dimensions to the field, which are dark, terrifying and black.
His hallmark is the invention of a branch of performance called the “art of tolerance.” This style is based on creating all kinds of pain and violence on the body. In addition, he is the main creator of the performer’s complex and bizarre body movements in the performance, which are accompanied by suffering and pain in the performer and create immediate and intense emotions such as anger, hatred and fear.
One of the reasons for Abramovich’s fame is the use of blood, corpses and body parts in his so-called works of art. His critics say that he uses the real blood and real parts of the human body and explicitly puts “black magic” into performance, and that most of the works he has made directly or behind the scenes are in fact “rituals” (Richwell). ) Has been black magic.
Abramovich called these nauseating acts on stage “spirit cooking,” and it was not until 1997 that his performance was released under that name, which was astonishing.
In the video, he wrote dirty instructions for black magic rituals on the wall with blood that was claimed to be pig blood, and throughout the video, he repeatedly placed a container containing blood and the organs of a living thing on what looked like a mummified child in the corner of the wall. It was, it was sprinkling.
The evidence for his long-standing and deep-rooted involvement with black magic and evil rituals was so great that in 2020 he was forced to implicitly admit that he used these black tools in his work and life but was not a “satanist.”
Abramovich standing next to Jacob Rothschild in front of the famous “Devil Summons His Armies” sign
Abramovich has been the “mentor” of many music superstars such as Lady Gaga, Beyoncé and Jay-Z; In other words, according to published reports, many of today’s female stars in the music world had undergone an internship with Abramovich a few years ago, which she said in a controversial interview, including bizarre exercises and austerities such as a few nights in the nude. Forests and physical torments to increase pain tolerance!
Lady Gaga with Abramovich in a religious ritual that symbolically eats the blood of the victim
He calls these methods the “Abramovich method” and is based on receiving “energy” from an unknown source. Of course, experts know that this is nothing but a name to communicate with evil spirits and goblins or the so-called Persian “client”. He conducts special workshops with a small number of apprentices from young artists (whom he personally selects) and in fact captures and directs their souls and bodies.
To find out how controversial and, of course, hated Abramovich is in the United States itself, we will only mention that the revelation of her connections with Clinton’s campaign manager in 2016, John Podesta, and her brother Tony (in the case of the leak of hundreds A thousand emails related to Podesta) and inviting the two brothers to one of Abramovich’s so-called “Spirit Cooking” parties shook the US election like an earthquake, and political experts cited one of the reasons for Hillary Clinton’s unexpected defeat in the election. The presidency of that year knew the revelation of this issue.
Really, based on which index and criteria did this translator choose the works of such a person to be offered to the Iranian publishing market? Is not Abramovich’s so-called “methods” also mentioned in the title of the book translated by Dolatshahi related to the same black and sinister methods of “spirit cooking”?
[1] – Grotesque is a style of art that is created by distorting and destroying the usual forms of animals and characters. To put it better, grotesque is a combination of ugly shapes, images, and faces that are adorned, and this ugliness combined with beauty creates something strange, scary, funny, and unreal.
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