What is the mission of “Script Office” in the national media?/ We were obsessed with taste – Mehr News Agency | Iran and world’s news
According to Mehr’s reporter, the establishment of the National Media Script Office was one of the events that took place in the new structure of Sedavosima last year. Hossein Asadizadeh, the director general of this office, held his first meeting with media people this morning on Saturday, June 27.
At the beginning of this meeting, Asadizadeh said: In September of last year, we were asked to set up this office, and this decision was based on the policy that was made. Based on it Text from production separate and writing independent texts, independent production, etc Play be independent.
He continued: Therefore, a script office has been established under the vice president of Cima, and its mission is to prepare all texts related to television series. observation and evaluate.
Asadizadeh stated: During these years in the field of script writing, we have been caught up in taste and we have tried to change the process. observation Let’s lower the influence of taste texts. In this regard, our first mission was to monitor and evaluate the plans.
More than 100 projects have reached the script writing stage
He added: More than 800 plans have been received and reviewed. In the process of receiving works, we have removed all paper correspondence and all events are checked digitally. Among these plans received Yet More than a hundred plans have entered the script writing stage.
The director of the National Media Script Office stated: In the process of examining these plans, thematic priorities and a theme We have also made sure that the works are rooted in the beliefs of the Islamic Revolution and at the same time not be repetitive.
He about process He also stated that the designs are ready to be produced: At the beginning of the writing process Scripts Are. Of course, various works have been and are being written. We tried to base our view on neutrality, and anyone who wants to send a project to the radio station can do so. According to This regulation sends it so that after reviewing its design, it enters the process of script writing.
Asadizadeh further mentioned about the adaptation department in this general department: such works are supposed to be organized in the idea and adaptation department, of course, not that it was not before, but we want it to be better organized. In the research section, the relationship between concepts related to the Islamic Revolution and screenplays is to be clarified.
We identify the screenwriters of the whole country
Referring to the perspective of this general office, he stated: The goal is to identify screenwriters in the whole country. A project named “Atlas of Iranian Screenwriters” has also been defined. Several working groups have been set up in different provinces for this purpose.
Asadizadeh also mentioned the identification of screenwriters in Iran and in the later stages in the Islamic world, the region and the world.
He added: We are trying to the company Become a real text writer. We receive about 6 plans a day, but many of them are not related to the situation of Iran today and the people, or are repetitive. All my friends know me for my work in the field of screenplays and our effort is to give the screenplay an identity.
The director of the National Media Script Office stated: I am asking all the script writers to help us. We have been entrusted with a difficult task, but I think something good will happen. Our commitment is to start two scripts a week and it takes about 20 to 30 weeks for a script to reach the output stage.
There is no unprofessional audit
Referring to some margins, he said: There is no stoppage in work, there is no unprofessional audit. Surely, our work also has defects, but all mediators and non-expert councils have been removed.
Asadizadeh clarified: because the scripts and series We’ve hit too hard on limited characters, narratives, and specific situations. We want more people to be our audience. A project that has not been stopped, that is, stopped for no reason not done And it will not be. If it is felt that television is slow in terms of production, one of the reasons is that the television is financially empty. in the same Space However, the scripts of “Saadi”, “Khwaja Nasir” and “Puriai Vali” have been written, but television cannot produce them in terms of finances and budget, which would be a good thing if it could. Of course, all systems broadcast In the world on stage transition are.
He added: “When we took over these parts, it was not like it was at its peak and the work would leave the street quiet.” We are responsible for meeting the expectations of the audience, and this can only happen with good texts, films, and series.
We still think people are fighting over inheritance!
Asadizadeh further reminded: Most of the plans that have reached me are related to family and family disputes, and we still think that people are fighting over inheritance. In our country, a political event like Riots occur and maybe the plans related to the disturbance do not even reach 10. Most of the designs that arrive are written in them According to A certain series is weaker than them, for example, if he writes According to game OtronsYou see, it is weaker than that!
He further said about focusing more on the Islamic revolution in the plans: Our view is that Designs about the reality of the Islamic revolution, now, past and future. The current reality of these people’s lives can be seen. Now all the serials are in the same model, but before this we had works like “Once upon a time” which happened to be seen and everyone loved it.
Asadizadeh added: In these 800 designs that has arrived Maybe twenty designs are about heroes. These heroes are not political figures, but why don’t we go to them? The reality of the Islamic revolution is full of first-class personalities. For example, how many projects do you think are about Haj Qassem Soleimani? We do not have these in the plans.
audience onlyGildekht» Manifold Home network!
In response to a question about the scripts that are written and produced, he said that the scripts that are written and produced are weak and attract less audience compared to the home network.Gildekht“, you will realize how many times it is.
In response to whether the reason why screenwriters do not enter into subjects such as the recent riots is that they are afraid of being audited, he said: Sometimes we receive works in the grotesque atmosphere, or works even criticizing the Islamic Republic of Iran, which we also examine, so it is not the case that They think it will be audited and they didn’t send it. So far, we have not sent anyone with a sack to anyone! The security guard who doesn’t read these works, the children in the field of screenwriting do!
Referring to some propositions that have been repeated many times, Asadizadeh said: One of the famous ones is that no one works with TV anymore. Why don’t they work? We ourselves are working with many of these now.
Referring to some plans and scripts, he said: One of the last scripts was about Haj Abdullah Vali. Or the sequels of some series have reached us. There is a very good plot about “Royana” the cloned animal. A comedy about riots has arrived, commissioned by our own growth club. However, you should monitor the output of our office’s scripts from Mehr and Aban. The script about the child is a very low percentage. A script by Ali Khodsiani has also arrived, which was a good work.
Asadizadeh said about accepting the responsibility of the scripts: until the end of a script, no one is responsible but us. We are also responsible for it. Anyone can register their design and take a picture of it through Yes software. The expert will be sent to the working groups, which will be reviewed by 12 working groups.
Collaboration with any film is not a red line for me
In response to the senior figures in the field of screenwriting, how many of them are present in these working groups? He said: We have approved plans and we want screenwriters to write them. We work with everyone, no unit in TV told me not to work with a certain person. No person is a red line for us unless he is anti-revolutionary.
Akram Sadeghi, director of script production, supply and review, said: Organizations that think they have good scripts that have minimums, we help them reach the output.
He added: We often receive weak scripts that are copies of serials.
Jabreel Najafi, director of the Idea, Research and Adaptation Unit, stated: We are investigating neglected ideas, and the dramatic and neglected situation of the Islamic Revolution is also being investigated.
He added: We work as a group on the topic of screenwriting, and in the form of research, we get help from the experiences of foreign works in this field, and we also translate books.
Seyyed Abulqasem Salehizadeh, the director of the idea, design and screenplay unit, also said: We have organized workshops that produced 400 ideas and more than 100 designs, of which 60 designs are in the consolidation stage and have been registered.