Which obscene effect does Jabali mean? / Ferdowsi-Pour wants a high salary? Mehr News Agency Iran and world’s news

Mehr News Agency – Art Group – Atieh Moazen: “Haft Rooz Sima” is the title of a special news-analytical package that at the end of each week, reads the most important news developments related to the text and margins of the radio’s productions and the surrounding events during the week.

In this weekly news package, we tried to have a glimpse of the media and even rumors that, despite being unofficial, could influence the news related to IRIB, in addition to the official news of the activities of the programmers and managers of IRIB.

Today, Friday, the 6th of Khordad, you can join us with the 116 news package of “Haft Rooz Sima” in reviewing the text and the margins of the events on and off TV in the past week.

Face of the week; Iraj Tahmasb

Iraj Tahmasb has updated his “red hat” with new ideas during these years and decades when many presenters have not been able to update themselves and speak according to the taste of the audience. “Mr. Marji” (host) who with his red hat and various series of programming and filmmaking was able to open a place in the hearts, worlds and dreams of children and not only did not lose his position, but this popularity multiplied and extended each time. Be.

In these decades, Iraj Tahmasb has come and gone again, sometimes he has had disagreements with the organization, but he has not lost the “red hat” that became more of a Nowruz party in the 1990s. “Red Hat” is a beloved child who sometimes still breathes and misses the audience between organizational family fights. The fights that he has organized in the name of his document, but his love has remained in the hearts of the presenter and the people, and they would like to still see him as a character and (not a puppet) of the programming world.

Perhaps this is why Tahmaseb preferred to move to the home network in these disputes and create other characters so that he would not fall into the trap of intellectual property and organizational problems and would start working again. This time he arranged a “guest” on the home network with a variety of live puppet characters and guests in a variety of episodes. This collection is also arranged according to the creator and his characters for the same generation of the 60’s and 70’s, and basically these dolls or new characters such as “Baby” and “Mosquito” are not supposed to be aimed at children.

“Guest” of course had other characters and puppets, but from the beginning of the broadcast of its two characters, it opened well and took their roles. Characters who have been updated with the world of real humans, and perhaps that is why in the very first season, the risk of making such a series on the home network was answered and welcomed.

However, throughout the time that Tahmaseb’s “Guest” aired on the home network, audiences in cyberspace and the official media wrote about the absence of one of the most popular TV brands, following other faces, and repeatedly criticized and criticized television.

These sharp criticisms caused Peyman Jeblai to point to these figures this time in a student meeting where the most explicit questions were asked: Iraj Tahmasb is the grown-up of the radio and the capital of the radio.

He emphasized the “red hat” as the brand of the organization and even announced that there was going to be a program for Eid this year as well, and at the same time he said: “The issue is something else. “Neither Tahmasb nor Attaran are among the scribes.”

Weekly margin; Adel Ferdowsipour and Shaybeh high wages!

“The return of Adel Ferdowsipour” has been a common question that can almost be said to have been repeated in most of the media appearances of Peyman Jebli, the head of the Radio and Television, in the same year. Wherever he has appeared among reporters, he has answered the question in a general, conservative and diplomatic manner, and sometimes with a little more specific literature. This question was asked many times even in the period before Morteza Mirbagheri, the deputy director of Sima and Ali Asgari, and in all these times, the silence of Ali Foroughi, who is in charge of managing Channel 3, has been prominent.

In particular, a few days ago, a video of an old interview with him was reflected in cyberspace, which in response to Adel Ferdowsipour’s departure, clearly states that “90 will not be closed during my term, 90 brands belong to Channel 3 and belong to Channel 3.”

In his recent meeting with the students, however, Jebli went beyond his general statement and each time “the doors of the radio are open to all capacities” and this time threw the ball to Ferdowsipour’s own ground. He first took the burden of responsibility off his shoulders and stated that Ferdowsipour was not in my period, if he was in my period, I would do my best to prevent this from happening. It’s been three years since that story and I’m taking responsibility now. I inherit a situation now and everyone wants to fix it.

He is well aware of the expectations and says that “they think it will be done with a golden mountain signature” and at the same time in the answers that he wants to be clear and emphasizes that it is not “diplomatic and closed” he refers to other details.

Jebli says that he himself has seen Ferdowsipour and heard his words, and now they are talking about another coin, about which he clarifies in this way: “It is a two-way discussion. Ferdowsipour must also accept team play. Accept bilateral rules. The head coach should also appreciate it. “Ferdowsipour also has his own views on this particular issue.”

The director of Sada-o-Sima also gives an example that provides the same ground for further slanders and questions, in which he tells the performer of the artists that they receive salaries of one hundred million and that if he pays such a figure, the audience will complain. He happens to point out that he does not mean Ferdowsipour, but this example makes him take Ferdowsipour’s story into a new phase.

Ferdowsipour returned to the audience with his internet program this week, and apparently this new space that has been opened means that Ferdowsipour will not have a program on TV at the moment.

Tip of the week; Attaran and his works are popular audiences

Reza Attaran was one of the figures that Peyman Jebli emphasized in a question-and-answer session with students that their names were not written by the organization. A popular actor, director and series maker whose popularity among all television satirists has never diminished and has not increased in any period. His series of the 80’s have been seen many times in the rebroadcast of networks and have even been able to win the title of the most watched in Ramadan competitions against other series and to be in a high rank compared to the new production series.

Not long ago, Attaran’s “The Defendant Fled” series was viewed on the Tamasha network website, which was the first favorite series of the audience, and among all the rebroadcasts, the audience was selected.

However, the point that has surprised even these series is that they are still being audited after two decades. This incident was also confirmed by Mehran Mehram, the producer of Reza Attaran series, and in a conversation he spoke about the fact that other such scripts will not be licensed. He also referred to the frequent audits and censorships of these broadcast works, as if he now has a record in censorship of his broadcast works in addition to the record in the audience.

Reza Attaran did not return to television in the mid-1980s and after the series “Bezangah”, and the longing for laughter with his comedies remained in people’s hearts forever. But his name is also at the top of the figures who have always been in demand by the people and have been asked to appear in the field of television serialization many times.

Re-broadcasting dozens of serials of the 80’s during the month of Ramadan, as it has been said, sometimes receives more feedback than new serials and is popular and creates a more entertaining atmosphere, and at the same time has achieved a higher record in the polls of the organization.

Reflection of the week; Does Jebli become more explicit?

This is the second time that the head of the radio station has appeared in a student gathering, and this time, as the previous time, he took a clearer position on the various events, people, news and approaches of the radio station than in his routine official and diplomatic interviews. In some cases, he was able to gain the sympathy of students and the audience inside and convince them, for example, how he sought to change a series of missions and news and popular demands, but he also faced many pressures.

And somewhere, perhaps, this persuasion did not take shape, and even more questions and challenges arose. A part of Jebli’s speech was questioned and astonished in the official news space, which is not after his positions, referring to Adel Ferdowsipour and the Metropolis news coverage, referring to the strange case of home network serials.

“None of you will be willing to sit at the foot of one of the series that is currently airing on the home theater network with your esteemed family.” This was the first sentence from Jebli that caused the noise and slogans of the students at Sharif University to be interrupted and concentrated.

“Pornographic content in the true sense of the word, satanism in the true sense of the word, 100% anti-religious, anti-moral, anti-security content right now, bright day in the Islamic Republic” These, however, turned the hall into pure silence and even made everyone Sharpen their ears to see which series the director of the radio will consider as examples of the descriptions he brought.

Jebli, however, emphasized that he did not mention his name, which led to his controversial remarks on social media, and even created the suspicion that the head of the organization was referring to Iranian or foreign serials at all.

Criticism of the director of Sada-o-Sima is significant in the fact that in the last one year and even before, at various times, the license to issue screenplays for home serials has been assigned to Satra, which operates under the auspices of Sada-o-Sima. They have provided licenses under the supervision of the Radio and Television, so why should the output of the works still be so criticized ?! And in general, when the supervision of these serials is under the supervision of Sada-e-Islami, and if their examples are clear, why are they not stopped!

However, it remains to be seen how Satra, who has been the sole watchdog for the series for several years at the time of its release, will complement this statement and how it will clarify the allegations against the home network.

Offer of the week; Attend a TV documentary festival

This week, instead of offering to watch movies, series and programs, we have a practical offer for you. The Documentary Network is holding a festival called the Documentary Television Festival, which has been aired five times over the past few years and is now calling for a sixth season.

The festival has various sections for those interested in the field of documentary, including film, photography and even documentary, and in each of these areas you can register and submit your works.

Participants have until July 11 to register on the festival website and submit their works.

In the documentary film section, documentary filmmakers across the country must submit their productions from 2009 onwards. As in the previous periods of the festival, photographers active in the field of documentary photography can also participate in this national event by submitting their works. In this year’s documentary section, the festival will also host documentary reports by journalists, journalists and media activists.