Cinema and theatercultural and artisticCinema and theatercultural and artistic

Who are the margins of a tablet?


Fars News Agency-Cinema Group: Fajr Film Festival proudly passed its 40th station. A festival that announced its winners on the night of 22 Bahman to put an end point in front of all the margins. A festival that, from the point of view of the quality of the films present in it, did not lack any of the previous periods and was even ahead of many periods in some issues such as genre diversity, climate and even aesthetic quality.

On the closing day, many people came, from Homan Barknoord to Majid Salehi, the fatherly advice of Mohammad Hossein Latifi and the remarks of Mohammad Ali Bash Ahanger on the stage and behind the speech table of the biggest Iranian film festival were also signs of the concern and respect of the people of art for their house, a house called cinema. Is.

* Margins of a tablet

After the closing ceremony of the festival, a picture of Iftikhar Homan Barknoord’s diploma was published in the virtual space, an unsigned tablet, badly written, wrong, etc., which was written in a hurry.

It was clear that this tablet will quickly become the headline of a virtual space. Some of the bread and butter actors started to beat the festival as to why it has presented such a plaque as a diploma of honor.

Those who were struggling to attend the Fajr Film Festival years ago and seemed to have turned it back this year, showed that, contrary to what they say, they were looking at the festival with four eyes. and the first edition of Fajr Film Festival are the main culprits.

* Lack of attention to the concerns of the people of the Revolutionary Front media

I remember the early days of the festival, the days when many media outlets reported about the intellectual incompatibility of the public relations team of the festival with the government and of course the secretary of the festival, a group of reformist figures who for years have been harassing all the news headquarters and media departments of the country’s great festival. They had made it themselves.

Interestingly, the same team became the curator of the 41st Fajr Festival again, and even though sympathizers of the Revolutionary Front had expressed their concern about this issue, it seemed that their rent and lobby were too powerful to stand against it.

Interestingly, the approach of this team is so strong against the government that they can even be classified under the boycotters of the festival. It is enough to see some of their personal comments on their virtual pages to realize that their approach and thoughts do not match with the 13th government.

* Margins occurred, the product of wrong selection

As it was said, from the very first day of the introduction of the public relations manager and the members of the secretariat, the people of the Revolutionary Front media had expressed their concern about this, both privately and at the level of public publication, and now this incident is the result of this wrong choice.

Today, after the publication of Homan Bargh Noord’s diploma of honor which was published by Tanabandeh, the picture of Pejman Jamshidi’s diploma of honor was also published by Hoshang Golmakani, what a precise division of work.

The rumors continued until today, when the secretariat and public relations of the festival called this incident an inadvertent mistake.

But in response to this statement, it can be written that public relations and the secretariat of the festival for whatever reason did this is not acceptable and must be accountable to public opinion. Those who consider themselves the kings of the news headquarters, and in this same 41st festival, one could clearly see a corner of their throne, now they have to explain their big mistake.

During the festival in Mellat campus, it is enough to visit the public relations rooms and the secretariat to clearly see the approach and work style of these departments. Smoking in the public relations room, discovering the hijab and looking down on the media people are only a part of what the journalists experienced during this period of the festival.

Except for the festival bulletin, which had appreciable quality, there are many criticisms on other public relations departments.

As much as Mohammad Khazaei is a revolutionary and a resourceful manager and the success of this festival is undoubtedly due to his approach and vision, as much as Mojtaba Amini’s first term as director at Fajr Film Festival is commendable, the “public relations” of the festival and its sub-sections were equally weak. Their behavior during the festival was clearly based on rent, unfair and feudal lord.

Now they have to answer for their big mistake.

Why should such an event question the great celebration of Iranian cinema? In this case, the weakness of the organizing and public relations staff of the festival has dealt a blow to the reputation of Fajr Cinema in Iran, which cannot be easily summed up with an official statement, let alone a telegram message!

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