with the truth cinema The surprise of the director of “Mesht Der Namaj Darsht” at ignoring the portrait documentary in Haqit cinema

According to the news reporter of Fars News Agency, the movie documentary “Fist in Big View” directed and produced by Mohammad Saleh Hojjatul Islami and produced by Seluk Media Art Center, which premiered in the special screening section of the 17th “Truth Cinema” international festival. The title of the film was chosen from a book with the same name from the works of Seyyed Hasan Hosseini. “Fist in a large view” is a cinematic view of the ups and downs of the artistic and professional life of a prominent poet, narrated by himself, his family, friends and colleagues. In this documentary film, an interview has been conducted about the artistic aspects and activities of Seyyed Hasan Hosseini.

Mohammad Saleh Hojat al-Islami, the director and producer of the documentary film “Fist in Large View”, which is shown in the special section of the 17th “Truth Cinema” International Festival, explained in an interview with Fars News Agency about the making of this documentary film: “The task that I have at the Seluk Media Art Center” It has been laid down, the making of a documentary film is about outstanding artistic and cultural figures of the late revolution, which have been less discussed and people are less familiar with these social capitals and national heroes in a way. Last year, the documentary film “Artist of Unit 5”, which reviewed the life and times of the late Habibullah Sadeghi, was made with the same purpose, and right after the screening of that film at the festival, I was entrusted with the production of the film about Seyed Hasan Hosseini’s life, which has not been given much attention.

He said about his participation in the “Cinema-Geverit” festival: “It is strange that portraits do not enter the competition section at the “Cinema-Geverit” festival, and this is despite the fact that it takes years of time from the filmmaker to make such films, and a large group of people are involved in the work minute by minute. be. We pulled out a historical figure from under the dust, and I believe that the “Cinema-Ghekrit” festival is the best place to discuss such films. Of course, I am very happy that this film was screened in the special section, and out of respect for the cultured audience of “Cinemavegetir”, I am proud to be present at this festival.

Hojjat al-Islami stated: “Fist in large view” could be considered a serious competitor for the research award, if it does not have a competitive advantage in terms of structure and form compared to other species present in the festival, due to its strong and heavy research. In my opinion, this is a point that should be taken into consideration in the call or policies of the “Truth Cinema” festival.

He also added: I emphasize that I am not in favor of separating form from content, but when an award is given to the research category, a research-oriented content can be examined specifically and separately. It is possible for an actor to play a unique role in a film that is not very strong in terms of other parameters, and become a candidate for the best actor award, even the films of the type we have made rely heavily on hard and artistic editing, and this is another part. It is considered to be competitive with other works.

The director of “Fist in Large View” explained: the documentary film does not have a predetermined script and dialogues, and the experts who express their opinions in a dialogue-based documentary film are not actors who recite predetermined dialogues; So, in fact, the story of the film is formed on the editing table; The exhausting work that seems to be ignored in the festival due to the complete knowledge of this category.

Regarding the character of a famous poet, he said: Seyyed Hasan Hosseini’s character cannot be compared to anyone. Zindayad Hosseini is a very complex, independent, progressive, creative, right-seeking personality and an exemplary Shia, and such a personality cannot be placed on any side. My film is not a political film either, but each of the political factions may have their own good or bad views of it, just like the interpretations of Seyyed Hasan Hosseini, the character of his works and behavior.

In the end, this director noted: The comprehensiveness of the lives of people like Seyed Hasan Hosseini and great artists like him does not allow us to deal with all aspects of their lives, but we tried to have the best expression of his professional life and narrate bits of Seyed Hasan Hosseini’s life. do.

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